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Directed by | |||
| Kenneth Branagh | |||
Writing credits | ||
| William Shakespeare | (play "The Chronicle History of King Henry the Fifth") | |
| Kenneth Branagh | (adaptation) | |
Produced by | |||
| Stephen Evans | .... | executive producer | |
| David Parfitt | .... | associate producer | |
| Bruce Sharman | .... | producer | |
Original Music by | |||
| Patrick Doyle | |||
Cinematography by | |||
| Kenneth MacMillan | (director of photography) | ||
Film Editing by | |||
| Michael Bradsell | |||
Casting by | |||
| Debbie McWilliams | |||
Production Design by | |||
| Tim Harvey | |||
Art Direction by | |||
| Martin Childs | |||
| Norman Dorme | (supervising art director) | ||
| John King | |||
Costume Design by | |||
| Phyllis Dalton | |||
Makeup Department | |||
| Ronnie Cogan | .... | assistant hairdresser | |
| Peter Frampton | .... | makeup supervisor | |
| Stephanie Kaye | .... | assistant hairdresser | |
| Beryl Lerman | .... | makeup artist | |
| Ken Lintott | .... | makeup artist | |
| Sue Love | .... | hairdresser | |
Production Management | |||
| Vincent Winter | .... | production supervisor | |
Art Department | |||
| Alan Bailey | .... | prop man | |
| Celia Bobak | .... | buyer | |
| Alan Brooks | .... | supervising carpenter | |
| Don Clayson | .... | supervising plasterer | |
| Derek Creedon | .... | prop store keeper | |
| Peter Dorme | .... | art department assistant | |
| Kavin Hall | .... | supervising painter | |
| Gary Handley | .... | drapes master | |
| Ron Higgins | .... | chargehand dressing prop man | |
| Steven Lawrence | .... | junior draughtsman | |
| Richard Lyon | .... | construction storeman | |
| Jim Morahan | .... | draughtsman | |
| Allan Moss | .... | modeller | |
| Wesley Peppiatt | .... | stand-by chargehand prop man | |
| Michael Redding | .... | construction coordinator | |
| Graham Stickley | .... | prop man | |
| Graham Sumner | .... | property master | |
| Peter Wallace | .... | supervising rigger | |
| Gary Wiffen | .... | stand-by prop man | |
| Kenny Wilson | .... | supervising stagehand (as Ken Wilson) | |
Sound Department | |||
| Campbell Askew | .... | dubbing editor | |
| David Crozier | .... | sound mixer | |
| Robert Gavin | .... | assistant dialogue editor | |
| Dominic Lester | .... | assistant dubbing mixer | |
| Gerard McCann | .... | assistant dubbing editor | |
| Robin O'Donoghue | .... | dubbing mixer | |
| John Poyner | .... | dialogue editor | |
| Andrew Sissons | .... | boom operator | |
| Tim Worth | .... | sound maintenance | |
Special Effects by | |||
| Paul Clancy | .... | assistant special effects technician | |
| Terry Glass | .... | senior effects technician | |
| Darrell Guyon | .... | special effects technician | |
| Matthew Harlow | .... | special effects trainee | |
| David Watson | .... | senior effects technician | |
| Ian Wingrove | .... | special effects supervisor | |
| Trevor Wood | .... | senior effects technician | |
Visual Effects by | |||
| Simon Dowling | .... | main title designer (uncredited) | |
Stunts | |||
| Vic Armstrong | .... | stunt coordinator | |
| Dickey Beer | .... | stunts (uncredited) | |
| Ken Buckle | .... | stunts (uncredited) | |
| Nick Gillard | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Sophie Baker | .... | still photographer | |
| Tom Brown | .... | best boy | |
| Peter Butler | .... | camera grip | |
| Trevor Coop | .... | camera operator | |
| John Deaton | .... | focus puller | |
| Simon Finney | .... | clapper loader | |
| Adam Lee | .... | camera trainee | |
| Steve Mcleod | .... | gaffer | |
| Malcolm Vinson | .... | camera operator | |
| John Deaton | .... | first assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| John Birkinshaw | .... | costume assistant | |
| Jane Clive | .... | costume assistant | |
| Susan Coates | .... | costume assistant | |
| Amelia Davies | .... | wardrobe mistress | |
| Stephen Miles | .... | assistant costume designer | |
| Don Mothersill | .... | costume assistant | |
| Richard Pointing | .... | costume supervisor | |
| Vernon White | .... | costume assistant | |
Editorial Department | |||
| Kevin Ahern | .... | assistant editor | |
| Michael Parfitt | .... | editor trainee | |
| Bob Wenokur | .... | studio post-production representative (uncredited) | |
Music Department | |||
| Lawrence Ashmore | .... | orchestrator | |
| Chris Dibble | .... | music recording engineer (as Christopher Dibble) | |
| Stephen Hill | .... | chorus master: The Stephen Hill Singers | |
| Simon Rattle | .... | conductor: City of Birmingham Symphony Orchestra | |
| Graham Sutton | .... | music editor | |
| Peter Thomas | .... | orchestra leader | |
Transportation Department | |||
| Barry Chintrens | .... | unit driver | |
| John Hollywood | .... | unit driver | |
| Terry Pritchard | .... | unit driver | |
Other crew | |||
| David Allistone | .... | machinist | |
| Bi Benton | .... | production coordinator | |
| Michael Buckley | .... | assistant executive of orchestra: The City of Birmingham Symphony Orchestra | |
| Hugh Cruttwell | .... | technical advisor | |
| Sheala Daniell | .... | assistant accountant | |
| Marilyn Eardley | .... | assistant to director | |
| Christine Hathway | .... | publicity assistant | |
| Lil Heyman | .... | unit runner | |
| Sally Hoskins | .... | unit runner | |
| Dr. Russell Jackson | .... | technical advisor (as Russell Jackson) | |
| Ron Phipps | .... | production accountant | |
| Iona Price | .... | assistant to producer | |
| Al Senter | .... | publicity writer | |
| Edward Smith | .... | chief executive of orchestra: The City of Birmingham Symphony Orchestra | |
| Peter Thompson | .... | press representative | |
| Li Chin Tye | .... | unit nurse | |
| Betty Williams | .... | assistant accountant | |
| Annie Wotton | .... | script supervisor | |
| Anya Noakes | .... | release publicist (uncredited) | |
Thanks | |||
| Penny Brownjohn | .... | special thanks | |
| Harry Fuller | .... | special thanks | |
| Gay Hamilton | .... | special thanks | |
| Eddie Healey | .... | special thanks | |
| Janet Jefferies | .... | special thanks | |
| John McMichael | .... | special thanks | |
| Dearbhla Molloy | .... | special thanks | |
| Abigail Reynolds | .... | special thanks | |
| Ethna Roddy | .... | special thanks | |
| Jane Snowden | .... | special thanks | |
| Sophie Thompson | .... | special thanks | |
| Shaun Webb | .... | special thanks | |
| David Wickins | .... | special thanks | |
| Nicola Wright | .... | special thanks | |
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| The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France | Henry V | Henry V | Henry V | The Life of Henry the Fift |
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This film surely must be in the frame for a number of best ever categories - best Shakespeare film adaptation, one of the best ever war films AND one of the best ever performances by a male actor. It's truly stunning to see how Shakespeare's words, which seemed dull and difficult to understand at school, can be spoken as passages of such depth, beauty and power. Not one in a thousand actors could do this convincingly - but Kenneth Branagh can.
I think this far outshines the Olivier version from 1944 (very good though that was). Branagh convinces (where Olivier does not always) as he gives a wider range of emotional responses to Henry - self questioning, compassionate, sad at the harsh realities of life. You can really believe that here is a young man who used to be a playboy now faced with having to grow up and behave as a king of England. As others have said, he gives such fire and charisma to the battle speeches that you want to march straight into battle yourself! And importantly, Branagh also convinces utterly in the romantic wooing of the French princess.
Naturally enough, the film focuses on the main actor playing Henry, but the supporting actors are also excellent. Derek Jacobi, particularly, does wonderfully in a difficult role. If I had to give one very slight caveat however, it would be that Emma Thompson (who I love as an actress), does not quite convince as a native French speaker, though she makes a good try at speaking the language rapidly. Perhaps Juliette Binoche would have been better here? But overall the obvious rapport between Branagh and Thompson (who were married at the time) is more important than any slight problems with the accent.
The only Shakespeare performance that tops this movie is seeing Branagh give a live performance on stage - I was privileged to see him (with Emma Thompson) perform Much Ado About Nothing in the late 1980s, and that's still the best I've ever seen.
Don't just see this - buy or record a copy. If you see it once, you will most likely want to see it over and over! 10/10