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IMDb > Topio stin omichli (1988)

Topio stin omichli (1988) More at IMDbPro »


Overview

User Rating:
8.1/10   1,209 votes
MOVIEmeter: ?
Down 2% in popularity this week. See why on IMDbPro.
Writers:
Contact:
View company contact information for Topio stin omichli on IMDbPro.
Release Date:
10 September 1988 (Greece) more
Genre:
Tagline:
A voyage of initiation.
Plot:
Road movie about two children (Voula and Alexandre) searching for their father who is supposed to live in Germany... more | add synopsis
Awards:
8 wins & 3 nominations more
User Reviews:
Deliberate emotional complexity more (16 total)

Cast

  (in credits order)
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Directed by
Theodoros Angelopoulos 
 
Writing credits
(in alphabetical order)
Theodoros Angelopoulos  story
Tonino Guerra  co-writer
Thanassis Valtinos  co-writer

Produced by
Theodoros Angelopoulos .... producer
Eric Heumann .... producer
Stéphane Sorlat .... producer
 
Original Music by
Eleni Karaindrou 
 
Cinematography by
Giorgos Arvanitis 
 
Film Editing by
Yannis Tsitsopoulos 
 
Set Decoration by
Mikes Karapiperis 
 
Costume Design by
Anastasia Arseni 
 
Makeup Department
Stella Votsou .... makeup artist
 
Production Management
Emilios Konitsiotis .... production manager
Nikos Sekeris .... assistant production manager
Dominique Toussaint .... production manager
 
Second Unit Director or Assistant Director
Dimitris Fragoulis .... second assistant director
Takis Katselis .... assistant director
Eleni Petraki .... second assistant director
 
Sound Department
Thanassis Arvanitis .... sound mixer
Marinos Athanassopoulos .... sound recordist
Hristos Patas .... boom operator
 
Special Effects by
Gino De Rossi .... special effects
 
Camera and Electrical Department
Platon Andronidis .... camera operator
Yorgos Angelou .... grip
Dimitris Bogiantzis .... gaffer
Stelios Kalergis .... electrician
Dimitris Lazaridis .... electrician
Argyris Theos .... camera operator
Vasilis Tsepas .... grip
 
Editorial Department
Anastasia Adamopoulou .... negative cutter
 
Other crew
Marie-Christine Malbert .... publicist
Vangelis Seitanidis .... script supervisor
Kornilios Vardopoulos .... titles
 

Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
Τοπίο στην ομίχλη (Greece)
Landscape in the Mist
Paesaggio nella nebbia (Italy)
Paysage dans le brouillard (France)
Topio stin omihli (Greece) (alternative transliteration)
more
Runtime:
USA:127 min
Country:
Language:
Color:
Aspect Ratio:
1.33 : 1 more
Sound Mix:

Fun Stuff

Trivia:
Part III of "A Trilogy of Silence". more

FAQ

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17 out of 18 people found the following review useful.
Deliberate emotional complexity, 17 May 2001
Author: peedur

A hard film to watch but an unforgettable experience. I was deeply moved by the damage done to these children in the raw, emptiness of the world of this film. Running away through Greece to seek out their theoretical father in an imagined Germany, they experience confusion, violation confusion and epic indifference to their real and imagined needs. Momentary relief and hope is found in the form of a young man travelling with a theater company, but it is fleeting. The sheer simplicity of their need remain together and to go to Germany is, by the end, all that they have.

Angelopoulos, like other artists/poets/philosophers in film, has a very specific vision of the world which he is relating. There are moments in Landscape In The Mist where our trained needs for (Hollywood) film conventions, story structure and even simple answers cries out. Yet this is far from his intent; as with poetry, the film strives to state itself with images and ideas which leave the viewer not simply awed by beauty but also perplexed and emotionally disorganized as to how or what to to feel. To judge Angelopoulos on the same standards as a showbiz product is to miss the point. He believes film is art and not necessarily entertainment. One may dislike that vision but one will invariably be enriched by the journey if one can spend the time watching it with an open mind. Angelopoulos finds funding for his films and makes them for those who care to extend themselves into someone else's vision, not to reward investors by meeting a market need. He is a powerful artist. There are reasons why his films are not well known in the US, but those reasons are also what makes them fascinating, brilliant and rare experiences.

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