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Spoorloos
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Spoorloos (1988) More at IMDbPro »

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Overview

User Rating:
8.0/10   9,564 votes
MOVIEmeter: ?
Down 1% in popularity this week. See why on IMDbPro.
Director:
Writers:
Tim Krabbé (novel)
Tim Krabbé (screenplay)
(more)
Contact:
View company contact information for The Vanishing on IMDbPro.
Release Date:
27 October 1988 (Netherlands) more
Plot:
Rex and Saskia, a young couple in love, are on vacation. They stop at a busy service station and Saskia is abducted. After three years and no sign of Saskia, Rex begins receiving letters from the abductor. full summary | add synopsis
Plot Keywords:
Awards:
6 wins & 2 nominations more
NewsDesk:
List: Remaking Your Own Foreign Language Film
 (From IFC. 10 September 2008, 8:54 AM, PDT)

User Reviews:
An absolutely chilling, deeply unsettling horror masterpiece more (132 total)

Cast

  (in credits order) (verified as complete)
Bernard-Pierre Donnadieu ... Raymond Lemorne
Gene Bervoets ... Rex Hofman

Johanna ter Steege ... Saskia Wagter
Gwen Eckhaus ... Lieneke
Bernadette Le Saché ... Simone Lemorne
Tania Latarjet ... Denise Lemorne
Lucille Glenn ... Gabrielle 'Gaby' Lemorne
Roger Souza ... Manager
Caroline Appéré ... Cashier
Pierre Forget ... Farmer Laurent
Didier Rousset ... TV Journalist
Raphaeline ... Gisele Marzin (as Raphaëline)
Robert Lucibello ... Teacher
David Bayle ... Lemorne (16 Years)
Doumee ... Lady 'Prisunic' (as Doumée)
Eric Jacquet ... Pump Attendant
Aziz Djahnit ... Pump Attendant
Linda Wise ... English Tourist
Ian Magilton ... English Tourist
Mieke De Groote ... Belgian Tourist
Jean Grandeau ... German Tourist
Faustine Wuensche ... Little Girl (as Faustine Wünsche)
Ghislaine Gazaix ... Hitchhiker
M. Martinez ... Cafe Owner
François Guizerix ... Cop and Sports Commentator
rest of cast listed alphabetically:
Reinier Verhoef ... Evert (5 jaar) (uncredited)
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Directed by
George Sluizer 
 
Writing credits
(in alphabetical order)
Tim Krabbé  novel "The Golden Egg"
Tim Krabbé  screenplay
George Sluizer  adaptation

Produced by
Anne Lordon .... producer
George Sluizer .... producer
 
Original Music by
Henny Vrienten 
 
Cinematography by
Toni Kuhn 
 
Film Editing by
Lin Friedman 
George Sluizer 
 
Art Direction by
Santiago Isidro Pin 
 
Costume Design by
Sophie Dussaud 
 
Makeup Department
Léone Noël .... makeup artist
Beppie van den Berg .... hair stylist
 
Production Management
Anne Lordon .... production supervisor
 
Second Unit Director or Assistant Director
Natasa Hanusová .... first assistant director (as Natasa Hanusova)
Anouk Sluizer .... second assistant director
 
Art Department
William Abello .... sets and props
Eric Lussaud .... set builder
Philippe Renucci .... sets and props
Cor Spijk .... art director: Holland
Serge Vassal .... set builder
 
Sound Department
Stefan Kamp .... assistant sound editor
Joop Pieëte .... sound re-recording mixer
Piotr van Dijk .... sound
Jac Vleeshouwers .... sound assistant
 
Camera and Electrical Department
Gerard Keller .... best boy electric
Kees Kroese .... electrician
Jutka Rona .... still photographer
Beat Scheidegger .... gaffer
Jan van den Nieuwenhuyzen .... clapper loader
Albert van der Wildt .... additional camera operator
Appie Vermeeren .... grip
Jan Wich .... additional camera operator
Jan Wich .... assistant camera
Thijs Wijdeveld .... key grip
 
Casting Department
François Guizerix .... casting: France
Jeannette Snik .... casting advisor: Holland
 
Costume and Wardrobe Department
Caroline Hartman .... dresser
 
Other crew
Jean-Claude Bernière .... production assistant
Farideh Fardjam .... actor's coach
Lin Friedman .... production coordinator
François Guizerix .... production assistant
Henri Steen .... location manager: Holland
Leonie Valckx .... continuity
Trix van Alphen .... publicity assistant
Guillaume Voire .... production assistant
 

Production CompaniesDistributors
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Additional Details

Also Known As:
L'homme qui voulait savoir (France)
The Vanishing (International: English title)
more
Runtime:
107 min
Language:
Color:
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Company:

Fun Stuff

Trivia:
The central plot of the film (and the novel on which it is based) is from an archetype Urban Legend related to the Paris Exposition of 1901. A woman and her daughter travel to Paris for the exhibition, and whilst the woman unpacks, the daughter goes to a nearby shop. When she returns to the hotel, the mother is gone, and no one in the hotel remembers having seen her. The idea also formed for the basis for Alfred Hitchcock's The Lady Vanishes (1938), Terrence Fisher's So Long at the Fair (1950), Robert Fuest's And Soon the Darkness (1970) and Philip Leacock's Dying Room Only (1973) (TV). more
Goofs:
Continuity: When in the car with his daughter, Raymonde leans over and locks the passenger door, but seconds later the button is no longer pushed down. more
Quotes:
[last lines]
Rex Hofman: Saskia!
more
Movie Connections:
Referenced in "Try Before You Die: (#1.4)" (2005) more

FAQ

Why does Rex run to the car to see if the bikes are still there?
Is this film based on a novel?
What is the significance of the opening shot?
more
61 out of 73 people found the following review useful.
An absolutely chilling, deeply unsettling horror masterpiece, 28 December 2003
10/10
Author: kanerazor from Yorba Linda, CA

The Vanishing is a movie only those with ice in their veins can ever forget. The direction is absolutely brilliant, from the opening frames until the very end. I felt Saskia's fright when she thought she lost Rex initially, and her description of her dream made me feel chills. When she disappeared, Rex's combination of rage, frustration, anxiety, and grief was torture to watch. A particularly powerful moment was when he slammed the car door shut so hard the window crumbled into pieces.

Watching Rex become consumed in every way by his quest to find Saskia was also extremely difficult to watch, although it was certainly inevitable. I found the professor's description of his actions appalling in many cases, the most notable one being when he fixates on Saskia and we see his POV. Seeing Saskia warmly respond to him was devastating, knowing what would happen. Throughout the film there was an overwhelming sense of doom and isolation, like this was a cruel world where even in the most idyllic settings evil lurked everywhere and attempting to fight it was futile. Rex undergoes one of the most harrowing emotional ordeals of any movie character ever, and when he is at the end of his rope his crucial decision would seem so insane out of context but viewers understand that it really is his only choice. The shock ending, especially the way it was done, almost made me scream, and I will never forget the final shot. The Vanishing could be shown in any film class on direction, as an example of perfection. Material that could have been turned into just a mediocre thriller with would have seemed like a lame twist was turned by George Sluizer into an utterly harrowing filmgoing experience. And that is the right word, because a movie like The Vanishing is not just watched-it is experienced.

I estimate I have seen around 700 movies in my life, and horror is my favorite genre. I have only seen two films that left me so scared that after they ended I couldn't even move. One was Psycho, which I saw 10 years ago when I was only 12. The other one was just this year-The Vanishing.

Was the above review useful to you?
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Noooo.. for once I've found a remake is better! EvilCensor
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