The Serpent and the Rainbow (1988)

User Rating:

6.2/10   

Director:

Wes Craven

Writers:

Wade Davis (book)
Richard Maxwell (writer)

Release Date:

5 February 1988 (USA)

Genre:

Horror

Tagline:

Don't bury me...I'm not dead!

Plot:

An anthropologist goes to Haiti after hearing rumors about a drug used by black magic practitioners to turn people in zombies.

Plot Keywords:

Haiti | Zombie | Magic | Anthropologist | Woman On Top

Awards:

1 nomination

Cast

Bill Pullman	...	Dennis Alan
Cathy Tyson	...	Marielle Duchamp
Zakes Mokae	...	Dargent Peytraud
Paul Winfield	...	Lucien Celine
Brent Jennings	...	Louis Mozart
Conrad Roberts	...	Christophe
Badja Djola	...	Gaston
Theresa Merritt	...	Simone
Michael Gough	...	Schoonbacher
Paul Guilfoyle	...	Andrew Cassedy
Dey Young	...	Mrs. Cassedy
Aleta Mitchell	...	Celestine
William Newman	...	French Missionary Doctor
Jaime Pina Gautier	...	Julio
Evencio Mosquera Slaco	...	Old Shaman

Also Known As:

The Wes Craven's Serpent and the Rainbow (Australia)

Runtime:

98 min

Country:

USA

Language:

English | French | Spanish

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Iceland:16 | Argentina:18 | Australia:M | France:-12 | Norway:18 | UK:18 (cut) | USA:R | West Germany:18 | Finland:K-18 | Finland:K-16 (cut)

Filming Locations:

Boston, Massachusetts, USA

Company:

Serpent and the Rainbow

Trivia:

The CD Soundtrack to this film is extremely rare, as it was pressed in limited quantities. Part of this was due to the film's poor release and the fact that the market was transitioning from LP to CD as a mass format, meaning that the number of copies is much smaller than an average soundtrack album run.

Goofs:

Crew or equipment visible: Just before the spider starts crawling on Bill Pullman's face, you can see the crew member in the left background who placed it there.

Quotes:

Dennis Alan: Christophe, I need you to remember what happened before you died.

Movie Connections:

Referenced in "Navy NCIS: Naval Criminal Investigative Service: Head Case (#3.15)" (2006)

Soundtrack:

Ma Bouya

"In Haiti, there are secrets we keep even from ourselves..."

First I have to mention that while the book (The Serpent and the Rainbow by Wade Davis) is infinitely better and deeper than the movie that shares its name, comparing the two is unfair. The audience is informed that the movie was "inspired" by the content of the book, for whatever interpretation you give inspired. What makes the book more interesting, aside from it being a true documentary, is how it balances light and shadow in much the way the Vodoun religion balances both. This film may leave you thinking that Haiti is a horrible place filled with monsters and boogeymen, and I don't think that's a fair estimation.

The film confuses many things and ideas which I feel should have been explained. Not everyone is an ethnoreligionist, after all. Totems, houngans, hounfours, mambos, bokors, le Bon Dieu, and the Amazon shaman are just mentioned in passing as if this is everyday vocabulary to the audience. The character of Marielle is presented as a dedicant of the goddess (loa) Erzulie. Well, this is a nice touch, but what of Damballah and his consort Aida-Wedo--the original serpent and the rainbow? And what about the man dressed as a skeleton in an obvious tribute to Baron Samedi--yet the Baron is never mentioned. What really made me chuckle is how Alan's totem saves the end, a totem we had only seen in glimpses without the concept of a power animal ever being explained.

Through in the confusion of the collapse of the Duvalier government and we have the perfect recipe for movie mayhem. Oh, come on...you just knew the overthrow of Duvalier had to work itself in here somewhere, right? We must have the obligatory "I am an American citizen--you cannot touch me" scene when dealing with the so-called Third World.

Bill Pullman was entirely wrong as the protagonist. I just found it unbelievable that this man could find his way out of a Happy Meal box let alone 200 miles of Amazon rainforest. He is abrasive and unpolite, two things which are professional suicide for anybody dealing in international cultures. All right, one can allow for a certain degree of cynicism on his part, but I find it difficult to believe that a man of his caliber and academic background would be fool enough to shoot his mouth off as he does.

Watch this film with an acrostic eye. It isn't a bad film, in spite of the faults I personally found with it. Just watch it cautiously. If it whets your interest, definitely go check out the Davis book.