Quelques jours avec moi (1988)

User Rating:

7.1/10   

Director:

Claude Sautet

Writers:

Claude Sautet (scenario and dialogue) and
Jacques Fieschi (scenario and dialogue) ...

Release Date:

24 August 1988 (France)

Genre:

Drama | Comedy | Romance

Plot:

Martial's mother owns a chain of supermarkets. He had spent some years in a mental hospital because of pervasive indolence...

Plot Keywords:

Supermarket | Money | Sacrifice | Jealousy | Bar

Awards:

3 nominations

Cast

Daniel Auteuil	...	Martial Pasquier
Sandrine Bonnaire	...	Francine
Jean-Pierre Marielle	...	Monsieur Fonfrin
Dominique Lavanant	...	Madame Fonfrin
Danielle Darrieux	...	Madame Pasquier
Vincent Lindon	...	Fernand
Thérèse Liotard	...	Régine
Gérard Ismaël	...	Rocky
Tanya Lopert	...	Madame Maillotte
Philippe Laudenbach	...	Monsieur Maillotte
Dominique Blanc	...	Georgette
Jean-Pierre Castaldi	...	Max
Elisa Servier	...	Lucie
Xavier Saint-Macary	...	Paul
François Chaumette	...	Georges Bassompierre

Also Known As:

A Few Days with Me (USA)

Runtime:

131 min

Country:

France

Language:

French

Color:

Color

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

Argentina:13 | USA:PG | West Germany:12

Filming Locations:

Limoges, Haute-Vienne, France

Company:

Sara Films

Movie Connections:

Featured in Claude Sautet ou La magie invisible (2003)

An Entirely Modern Cinéma Noir Movie

This is Claude Sautet's most underrated movie. I (an intensive film enthusiast since pre-school age) even think it is the best movie produced in any country during the 1980s. - The French cinéma-noir period gave rise to many famous works of art. The period ended around the middle 1950s. I feel that 'Quelques jours avec moi' is the most authentic heir to the cinéma noir trend. It is not a contradiction that it is at the same time an altogether modern movie, with plot, situations, characters and interactions which were perfectly realistic in the world of the late 1980s. Moreover, happy and funny scenes may well have a natural place in a modern film with such a dark heritage. - There are five main persons in the plot: the girl, her boyfriend, the rich boy, the pimp, and the manager of a supermarket. The mother of the rich boy owns a chain of supermarkets. Her son had spent some years in a mental hospital because of pervasive indolence. Hoping that an active task may improve his condition, his mother sends him to inspect one of the supermarkets. - In the town where most of the movie takes place it turns out that the manager has taken a large loan of money belonging to the firm, and has never been able to pay it back. When exposed, he expects to lose his job. But instead friendship develops between the boy and the much older manager, and the boy remits the debt entirely. Their friendship might have consequence for certain later events. - It is difficult to provide a true and fair explanation as to why the rich boy and the girl develop a sexual relation. He is more attracted by her personality than by her body. If he is indolent, she is not. - One night when she is a little drunk he lets her sleep in his apartment, but makes no attempt at seducing her. However, during the night she comes to him - perhaps because of gratitude. - No jealousy develops between the rich boy and the boyfriend, although both share the same girl. - But then the girl makes a serious mistake. She understands that the rich boy will soon leave the town, and she wants economic independence. She gets herself a job as a waitress - although the job is combined with limited duties as a prostitute. The young owner of the bar is the pimp. - To save the girl, the boyfriend kills the pimp with a knife. The only witness is the rich boy. He says 'Run! Do you want to spend ten years in prison!' He is well aware that to him the consequences will be much less severe. He stands in silence next to the corpse with the knife in his hands, until other people arrive - among them the manager and the girl. She is the only one who saw a glimpse of the boyfriend and, hence, understood what really had happened. But she keeps silent. And the manager's words may have strong weight. To the judge it is a simple case. There will be no trial, and the rich boy will just return to the luxury hospital he recently came from, probably even without any legal decision about confinement to the hospital. - The double sacrifice has radically changed the girl's emotions. Now her relation to her boyfriend is rather like feelings for an older brother, and they part. She does make a visit to the hospital, seeing the rich boy. But she does not contact him, and he never learns that she was there. - It is a recurrent theme in many French movies that friendship between two male friends will not break, although both are in love with the same girl. The frequency of this pattern may well derive from Bizet's opera 'Les pêcheurs de perles'. Sautet repeated the same theme in his next movie, 'Un coeur en hiver'. But I cannot help feeling that the latter is markedly inferior. Admittedly, in 'Un coeur en hiver' the constellations and emotions are well painted. But there is little sophistication as regards the plot, the situations, the characters etc. - Sandrine Bonnaire and Daniel Auteuil are well chosen for the two most important parts, and here they show more than usual proficiency in displaying the 'invisible' feelings behind their words and actions.