Mississippi Burning (1988)

User Rating:

7.8/10   

Director:

Alan Parker

Writer (WGA):

Chris Gerolmo (written by)

Release Date:

27 January 1989 (USA)

Genre:

Crime | Drama | Mystery | Thriller

Tagline:

1964. When America was at war with itself.

Plot:

Two FBI agents with wildly different styles arrive in Mississippi to investigate the disappearance of some civil rights activists.

Plot Keywords:

FBI | Sheriff | Mississippi | Murder | Killer Cop

Awards:

Won Oscar. Another 15 wins & 16 nominations

Cast

Gene Hackman	...	Agent Rupert Anderson
Willem Dafoe	...	Agent Alan Ward
Frances McDormand	...	Mrs. Pell
Brad Dourif	...	Deputy Clinton Pell
R. Lee Ermey	...	Mayor Tilman
Gailard Sartain	...	Sheriff Ray Stuckey
Stephen Tobolowsky	...	Clayton Townley
Michael Rooker	...	Frank Bailey
Pruitt Taylor Vince	...	Lester Cowans
Badja Djola	...	Agent Monk
Kevin Dunn	...	Agent Bird
Frankie Faison	...	Eulogist
Tom Mason	...	Judge
Geoffrey Nauffts	...	Goatee
Rick Zieff	...	Passenger

Runtime:

128 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby SR

Certification:

Canada:14A (Ontario) | Iceland:16 | Netherlands:16 | Argentina:13 | Australia:M | Chile:14 | Finland:K-16 | Ireland:18 | Norway:15 | Peru:14 | Singapore:PG | South Korea:18 | Spain:18 | Sweden:15 | UK:18 | USA:R | West Germany:16

Filming Locations:

Braxton, Mississippi, USA

Company:

Orion Pictures Corporation

Trivia:

Don Johnson campaigned heavily for the role that went to Willem Dafoe.

Goofs:

Revealing mistakes: In one shot during the attempted lynching of Vertis Williams, the "noose" becomes detached on one side and flops from his neck while he is suspended in the air.

Quotes:

[first lines]
Driver: Uh, oh.
Passenger: What is it?
Passenger: [seeing the car behind them] What do they want?
Driver: I don't know... just pass me... pass me...
Driver: [trying to identify the following car] Is it a cop?
Passenger: I can't see.
[they are hit from behind]
Driver: What the fuck are these jokers playin' at?
Rear passenger: Oh, they ain't playin', you better believe it.
[they are hit again]
Passenger: What're we gonna do?
Driver: I don't know... OK, hold on, you guys.
[he veers to a side road]
Passenger: There's a truck, too.
[the car behind them turns on its roof light]
Driver: Shit, it *is* a cop.
Passenger: Better stop.
Driver: OK, sit tight, you guys. Don't say anything; let me talk... All right? We'll be all right; just relax.

Movie Connections:

Referenced in "Mystery Science Theater 3000: The Atomic Brain (#6.18)" (1993)

Soundtrack:

Making Believe

The Best Film of 1988

Great movies are ones that invoke a strong emotional response that lingers long after the movie is over. Mississippi Burning is that kind of film. You may love it, you may hate it. You may think that it is an accurate depiction of the south in 1964, you may think its pure fiction. No matter what you will respond strongly.

Director Alan Parker has been down this road before with Midnight Express, another crushing, gut-wrenching tale based on a true story. In both cases, a great deal of liberty is taken with the facts, but that doesn't matter. Mississippi Burning is not a docudrama or an A & E special, it is at its heart, a police drama, and a near perfect one at that.

It is criticized by some for its depiction of southerners of the time as a group of brain-dead racists with no moral fiber whatsoever. I don't believe that is the movie's intention, but it spends time showing this side of society to make us understand how hate breeds itself, and how it becomes a way of life and an accepted standard. As one character states, "When we were seven years old, they told us that segregation was in the bible. You hear that long enough, you start to believe it".

Mississippi Burning won a (well-deserved) Oscar for cinematography, but sat and watched Rain Main take home the majors. It was clearly the best film of 1988 and stands as one of the great works of American cinema of the 80's. Hackman and Dafoe are at their best, and Frances McDormand delivers a beautifully understated, powerful performance as the deputy's wife - a woman at war with her sense of right and wrong, struggling with fear and loyalty. Her character is the centerpiece of the movie.

This is not a preachy or melodramatic movie. You won't get a lecture on why racism is wrong. You will get an rich, engaging crime drama depicting a pivotal time in American History, and you will never forget it.

**** out of ****.