Matinee (1989) (TV)

User Rating:

4.1/10   

Director:

Richard Martin

Writer:

Richard Martin (writer)

Release Date:

2 February 1990 (Canada)

Genre:

Horror

Plot:

Welcome to Holsten, B.C., a small town where no one is very happy. Two years ago the local movie theatre had a horror film festival...

Plot Keywords:

Small Town | Hanging | Popcorn | Serial Boy Killer | Movie Theater

Cast

Ron White	...	Al Jason
Gillian Barber	...	Marilyn
Jeff Schultz	...	Lawrence
Beatrice Boepple	...	Sherri
Timothy Webber	...	Geoff
Don S. Davis	...	Earle Gardner
R. Nelson Brown	...	Warren
Matt Hill	...	Bob Simpson
William B. Davis	...	Heath Harris
Stephen E. Miller	...	Dallas
Kerry Sandomirsky	...	Kelly
Kimelly Anne Warren	...	Bridgette
Walter Marsh	...	Shaw Sr
Claire Brown	...	Mrs. Halingson
Boyd McConnachie	...	Kelly's Boyfriend

Also Known As:

Midnight Matinee

Country:

Canada

Language:

English

Color:

Color

Sound Mix:

Ultra Stereo

Certification:

UK:18 | Spain:18 | Iceland:16

Filming Locations:

Chilliwack, British Columbia, Canada

Company:

Malofilm Communications Inc.

Trivia:

The opening scene is a shot-by-shot remake of the murder scene of Kevin Bacon's character in Friday the 13th (1980)

Movie Connections:

References Frankenstein General Hospital (1988)

You want first-rate seats?

This made-for-TV Canadian production was an acceptably entertaining, if predictable whodunit thriller using horror references (posters and images) and backdrop tools (horror movie festival) to suck in genre fans. Well those novelties do amuse. As it is, it holds your interest, but can be plodding and flat with its flabby material covering the conventional basics and having an overly talky script. You got the usual red herrings (the movie geek, weathered cop, seamy newspaper reporter, repressed mother, two rebellious teens and the list goes on… and on) and dramas (forbidden love to lurking secrets) in a more bounded by reality than most stalk and slash items that are screening at the movie festival. However some certain plot aspects seem to be just there or just non-effective (like the police investigation). Everything is done in a subdued manner (from the minor list of off-screen killings to the performances) and drills out a sombre vibe. Disposable performances are passable and there are some recognisable faces in the way of Don S. Davis and William B Davis that add some class. Director Richard Martin slack handling doesn't build much in the way of suspense or etches much style. Despite being steadily well presented (the score is competently suited), it's wooden all round and shows it TV origins.