at Crackle

| Videos (see all 2 NEW) |
| Sidney Poitier | ... | Roy Parmenter | |
| River Phoenix | ... | Jeff Grant | |
| Richard Jenkins | ... | Richard Grant | |
| Caroline Kava | ... | Elizabeth Grant | |
| Richard Bradford | ... | Konstantin Karpov | |
| Richard Lynch | ... | Scuba | |
| Loretta Devine | ... | Verna McLaughlin | |
| Lucy Deakins | ... | Barbara Kerry | |
| Jerry Hardin | ... | Brewer | |
| Albert Fortell | ... | Bunin | |
| Robert Madrid | ... | Sgt. Leathers (as Robb Madrid) | |
| Ronald Guttman | ... | Spessky | |
| Jacob Vargas | ... | Miguel | |
| Roberto Jiménez | ... | Joaquin | |
| Chez Lister | ... | Tom | |
| Bill Stevenson | ... | Tony | |
| Thomas R. Zak | ... | Brett (as Tom Zak) | |
| Newell Alexander | ... | Drill Sergeant | |
| Ingrid M. Rhoads | ... | Cpl. Hogan (as Ingrid Rhoades) | |
| Lisa McCullough | ... | Water Skier | |
| Richard Holden | ... | Young Russian Diplomat | |
| Voyo Goric | ... | Joe | |
| Kim Strange | ... | DMV Clerk | |
| Lou Hancock | ... | Nursery Customer | |
| David M. Paynter | ... | Spike | |
| Biff Wiff | ... | Bucky | |
| Tasha Stewart | ... | Dolphin Trainer | |
| John Spafford | ... | Trainer #2 | |
| Brooke Theiss | ... | Dilys | |
| Jonathan McMurtry | ... | Tour Boat Guide | |
| Charles T. Salter Jr. | ... | Trolley Conductor | |
| Rick L. Nahera | ... | Trolley Passenger | |
| Jim Parrott | ... | U.S. Border Patrolman | |
| Arlin Miller | ... | TV Announcer | |
| Julio Medina | ... | Soccer Announcer | |
| rest of cast listed alphabetically: | |||
| Doug Ingold | ... | Park Attendant (uncredited) | |
Directed by | |||
| Richard Benjamin | |||
Writing credits(in alphabetical order) | ||
| Bo Goldman | co-writer | |
| John Hill | writer | |
| Tom Musca | story | |
| Terry Schwartz | story | |
Produced by | |||
| Harry Gittes | .... | producer | |
| Art Levinson | .... | co-producer | |
| Gail Mutrux | .... | associate producer | |
Original Music by | |||
| Marvin Hamlisch | |||
Cinematography by | |||
| László Kovács | |||
Film Editing by | |||
| Jacqueline Cambas | |||
Casting by | |||
| David Rubin | |||
Production Design by | |||
| Gene Callahan | |||
Art Direction by | |||
| Hub Braden | |||
Set Decoration by | |||
| Lee Poll | |||
Costume Design by | |||
| Patricia Norris | |||
Makeup Department | |||
| Dorothy Byrne | .... | hair stylist | |
| Bob Mills | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Dennis Maguire | .... | first assistant director | |
| Conrad E. Palmisano | .... | second unit director | |
Art Department | |||
| Max E. Brehme | .... | set dresser | |
| Emily Ferry | .... | property master | |
| Sherman Labby | .... | production illustrator | |
Sound Department | |||
| William Dotson | .... | sound editor | |
| Louis L. Edemann | .... | sound editor | |
| Jerry Jost | .... | sound mixer | |
| Elliot Tyson | .... | sound re-recording mixer | |
| Dennis C. Salcedo | .... | boom operator (uncredited) | |
| Carolyn Tapp | .... | foley recordist (uncredited) | |
Special Effects by | |||
| Mike Edmonson | .... | special effects coordinator | |
Visual Effects by | |||
| Steve Grumette | .... | computer effects supervisor | |
Stunts | |||
| Michael Adams | .... | stunts | |
| Jophery C. Brown | .... | stunts (as Jophery Brown) | |
| Erik Cord | .... | stunts | |
| Roger Creed | .... | stunts | |
| Kerrie Cullen | .... | stunts | |
| Greg Wayne Elam | .... | stunts (as Greg Elam) | |
| Mickey Gilbert | .... | stunts | |
| Dick Hancock | .... | stunts | |
| Conrad E. Palmisano | .... | stunt coordinator | |
| Nick Palmisano | .... | stunts | |
Casting Department | |||
| Tina Real | .... | extras casting: local | |
Editorial Department | |||
| Mark Kolpack | .... | assistant film editor | |
Music Department | |||
| Robert Fernandez | .... | scoring mixer | |
| Andrew Silver | .... | assistant music editor | |
Transportation Department | |||
| William Hogue | .... | driver dispatcher | |
Other crew | |||
| Cullen G. Chambers | .... | stand-in: Sidney Poitier | |
| Wes Irwin | .... | production assistant | |
| Greg Lazzaro | .... | key location manager | |
| Cynthia Wise | .... | assistant accountant | |
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| Running on Empty | Snow Falling on Cedars | A Face in the Crowd | My Mom's New Boyfriend | Superman |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
I would bet that of all the films young River Phoenix did in his short and sweet life, Little Nikita is probably the one where he played the most normal of kids. But it's that very normality that is the basis for the shock unfolding before him.
A rogue agent played by Richard Lynch who has specialized in playing really evil and loathsome types on the big and small screens is going around killing various sleeper agents that the Russians have planted over the years in America. Lynch is blackmailing the Soviets for big bucks to stop bumping off the deep cover spies. One of their top guys, Richard Bradford, is going to America to deal with the problem. As this is the time of Glasnost with Reagan and Gorbachev in some serious and far reaching negotiations, we don't want this to get public and blow up the summit.
At the same time while Sidney Poitier as an FBI agent is running routine background checks for armed service academy admissions, something really doesn't compute in young River Phoenix's background. It turns out that his parents are deep cover agents who've never been activated to do anything. And by an incredible coincidence I just really couldn't buy, Lynch is a guy who killed Poitier's partner many years ago and he wants him to.
You'd think that with this kind of problem a little below summit Glasnost would have been in order for the KGB and FBI. But no, they're both working at cross purposes for the same goal.
What Little Nikita does have going for it to give it as many stars as it does have is River Phoenix's angst ridden performance of an All American kid whose whole world comes crashing around about him. River's screen characters were usually quirky, but he could play a normal kid and well.
Phoenix's performance and the nice location shooting in and around the San Diego area are the only reason to watch this well meaning, but ultimately rather silly film.