| Photos (see all 5 | slideshow) | Videos |
| Tom Berenger | ... | Michael | |
| Daphne Zuniga | ... | Angela | |
| Chick Vennera | ... | Nuzo | |
| Anne Twomey | ... | Zena | |
| Dane Clark | ... | Don Carlo | |
| Paul Dooley | ... | Father Freddie | |
| Vassili Lambrinos | ... | Tío | |
| Adrian Paul | ... | Tony | |
| Deborah Pratt | ... | Robin Dwyer | |
| Tony DiBenedetto | ... | Lt. Jericho (as Tony Di Benedetto) | |
| Christine Poor | ... | Teri | |
| Al Rodriguez | ... | Luis De Vega | |
| Jack Hallett | ... | Officer Reardon | |
| Father Louis Gigante | ... | Bishop Frascati | |
| Ibi Kaufman | ... | Theresa | |
| Frank Patton | ... | O'Bannon | |
| Maurizio Benazzo | ... | Valentino | |
| Roberto Corbo | ... | Geno (as Robert Corbo) | |
| Leslie Arnett | ... | Casey | |
| Ernesto González | ... | Mexican Desk Clerk (as Ernesto Gonzalez) | |
| Mary Diveny | ... | Gossip Confessor | |
| Julie Kenyon | ... | Young Girl Confessor | |
| Lynda Jordan | ... | Weeping Mother | |
| Tony Lip | ... | Cabbie | |
| Damien Leake | ... | Detective Brown | |
| Phil Neilson | ... | Drug Dealer | |
| Peter J. Blanck | ... | News Cameraman | |
| Shawn Gold | ... | Paramedic | |
| Ricky Rojas | ... | Basketball Player | |
| Frank Simpson | ... | Heart Attack Victim | |
| Anthony Bishop | ... | Madoni | |
| Tony Montana | ... | Man at Cemetery | |
| Chelsea Berenger | ... | Baptismal Baby | |
| Lisa Berenger | ... | Baptismal Mother | |
| Troian Avery Bellisario | ... | Nuzo's Daughter | |
| Michael Bellisario | ... | Nuzo's Son (as Michaelangelo Bellisario) | |
| rest of cast listed alphabetically: | |||
| Kristin Andersen | ... | Customer (uncredited) | |
Directed by | |||
| Donald P. Bellisario | |||
Writing credits(WGA) | ||
| Donald P. Bellisario | (written by) | |
Produced by | |||
| Donald P. Bellisario | .... | producer | |
| Patrick McCormick | .... | producer | |
Original Music by | |||
| Bruce Broughton | |||
Cinematography by | |||
| David Watkin | (director of photography) | ||
Film Editing by | |||
| Pembroke J. Herring | |||
Casting by | |||
| Joy Todd | |||
Production Design by | |||
| Peter S. Larkin | (as Peter Larkin) | ||
Art Direction by | |||
| Victor Kempster | |||
Set Decoration by | |||
| Steven J. Jordan | (as Steven Jordan) | ||
Costume Design by | |||
| Joseph G. Aulisi | |||
Makeup Department | |||
| Frank Bianco | .... | hair stylist | |
| Allen Weisinger | .... | makeup artist | |
Production Management | |||
| Efren Flores | .... | production manager: Mexico (as Efren Flores Torres) | |
| Héctor López | .... | production supervisor: Mexico (as Hector Lopez) | |
| Lenny Vullo | .... | production manager | |
Art Department | |||
| Andrew Benepe | .... | statue artist | |
| Carol Jean Feuerman | .... | sculptures: "The Shower", "Relevce" and "The City Slicker" (as Carol Jeane Feuerman) | |
| Tom McDermott | .... | property master | |
| Fernando Ramírez | .... | art director: Mexico (as Fernando Ramirez) | |
| Gabriela Robles | .... | art coordinator: Mexico | |
| Richard A. Ventre | .... | master scenic artist (as Richard Ventre) | |
| Sabrina Wright | .... | set dresser | |
| Thomas Wright | .... | property master (as Tom Wright) | |
Sound Department | |||
| Michael C. Casper | .... | sound re-recording mixer | |
| Michael H. Ford | .... | supervising sound editor | |
| George Fredrick | .... | sound editor (as George T. Frederick) | |
| Tom Gerard | .... | sound re-recording mixer (as Thomas Gerard) | |
| Victor B. Lackey | .... | sound editor (as Vic Lackey) | |
| Les Lazarowitz | .... | sound mixer | |
| Daniel J. Leahy | .... | sound re-recording mixer (as Daniel Leahy) | |
| David Moshlak | .... | sound mixer | |
| Bernard F. Pincus | .... | sound editor | |
| Lisa Shaw Phillips | .... | first assistant sound editor (as Lisa Shaw) | |
| Sam F. Shaw | .... | supervising sound editor (as Sam Shaw) | |
| Pat Somerset | .... | adr editor | |
| Jeffrey Kaplan | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Connie Brink | .... | special effects (as Conrad Brink) | |
| Laurencio Cordero | .... | special effects: Mexico (as Laurencio 'Chovy' Cordero) | |
Visual Effects by | |||
| Mark Whitlock | .... | matte artist: Illusion Arts | |
| Phil Gosiewski | .... | visual effects technician (uncredited) | |
Stunts | |||
| Danny Aiello III | .... | stunts (as Danny Aiello II) | |
| Kurt Bryant | .... | stunts | |
| Peter Bucossi | .... | stunts | |
| John Cade | .... | stunts | |
| Ursula Canci | .... | stunts (as Ursala Cinci) | |
| Doug Coleman | .... | stunts | |
| Lisa Dalton | .... | stunts (as Lisa Loving) | |
| Roy Farfel | .... | stunts | |
| Diamond Farnsworth | .... | stunt coordinator (as Richard 'Diamond' Farnsworth) | |
| Frank Ferrara | .... | stunts | |
| Jery Hewitt | .... | stunts (as Jerry Hewitt) | |
| Burt Marshall | .... | stunts | |
| Phil Neilson | .... | stunts | |
| Marilyn Pagano | .... | stunts | |
| Sandy Richman | .... | stunts | |
| Michael Russo | .... | stunts (as Mike Russo) | |
| Patricia Tallman | .... | stunts | |
Costume and Wardrobe Department | |||
| Daniel P. Lomax | .... | wardrobe supervisor: men | |
| Jennifer Nichols | .... | wardrobe supervisor: women | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Tim Board | .... | assistant editor (as Timothy Board) | |
| Tom Clagett | .... | assistant editor | |
| Bob Hagans | .... | color timer (as Bob Hagens) | |
Music Department | |||
| Patricia Peck | .... | music editor | |
| Armin Steiner | .... | music recording engineer | |
| Mark McKenzie | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Tom O'Donnell | .... | transportation coordinator | |
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| Malèna | The Order | Communion | The Specialist | Heaven |
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You would think that with the mob, the Catholic church, machine guns, hookers, hit men (and women), full-frontal nudity, screaming inside a church, the lead actress crying that "I'm a whore!", a stuttering priest and a uniformly attractive cast that there'd be a reason to get excited about this thing. Alas, you'll only be disappointed unless, like me, you want to see it because you've heard only bad.
Although it's shot in a made-for-TV style, there a couple of interesting camera shots (set in Mexico) and even a moment or two where there's promise of the story kicking in. Unfortunately, after the first ten minutes or so it's too late to recover.
Poorly written, poorly acted, poorly conceived. If it had been just a little worse, it could actually be good. Otherwise, you can find a better way to spend a couple hours of your life.