| Photos (see all 6 | slideshow) |
| David Keith | ... | Elvis Presley | |
| Tuesday Weld | ... | Marie Wolfe | |
| Charlie Schlatter | ... | Johnny Wolfe | |
| Angela Goethals | ... | Pam Wolfe | |
| Jacque Lynn Colton | ... | Rosie Pantangellio | |
| Chris Mulkey | ... | Steve Ayres | |
| Karen Landry | ... | Irene | |
| Tudor Sherrard | ... | Paul Quinine | |
| Paul J. Harkins | ... | Brian Gasternick (as Paul Harkins) | |
| Noel Derecki | ... | Tony Vandelo | |
| Dana Barron | ... | Beth Devereux | |
| T. Graham Brown | ... | Jerry Schilling | |
| Dennis Letts | ... | Alan Fortas | |
| Stephen Lee Davis | ... | George Klein | |
| Blue Deckert | ... | Jones | |
| Michael Costello | ... | Doctor Charles Devereux | |
| John L. Martin | ... | Sheriff Abrams | |
| John Hawkes | ... | M.C. | |
| Jerry Haynes | ... | Mr. Hansen | |
| Clarke Devereux | ... | Professor | |
| Miles Mutchler | ... | Salesman | |
| Ruth Sadlier | ... | Aunt Anne | |
| Al Dvorin | ... | Himself | |
| Monica Devereux | ... | Monica | |
| Hal Ketchum | ... | Steve's Friend | |
| Urban Kneupper | ... | Accordion Player | |
| Debra Luijtjes | ... | Cheryl | |
| Diane Robin | ... | Donna | |
| rest of cast listed alphabetically: | |||
| Christine Poole | ... | Judy (as Christine M. Poole) | |
| Kirk Hunter | ... | News Photographer, extra (uncredited) | |
Directed by | |||
| Chris Columbus | |||
Writing credits(WGA) | ||
| Chris Columbus | (written by) | |
Produced by | |||
| Stephanie Austin | .... | supervising producer | |
| Debra Hill | .... | producer | |
| Lynda Obst | .... | producer | |
| Stacey Sher | .... | associate producer | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| Steve Dobson | (as Stephen Dobson) | ||
Film Editing by | |||
| Raja Gosnell | |||
Casting by | |||
| Todd M. Thaler | |||
Production Design by | |||
| John Muto | |||
Art Direction by | |||
| Dan Webster | |||
Set Decoration by | |||
| Anne Kuljian | |||
Costume Design by | |||
| M. Nord Haggerty | (as Nord Haggerty) | ||
Makeup Department | |||
| Bonnie Clevering | .... | hair stylist | |
| Gigi Coker | .... | makeup supervisor | |
| Sharon Ray Ely | .... | assistant hair stylist (as Sharon Ely) | |
| Ziggy Geike | .... | wig maker: David Keith | |
| Deborah Roll | .... | assistant makeup artist | |
| Jeffrey Sacino | .... | wig maker: Jacque Lynn Colton | |
| Janet Tallent-Dickson | .... | additional makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| James Giovannetti Jr. | .... | second assistant director (as James R. Giovannetti Jr.) | |
| Geoffrey Hansen | .... | second second assistant director (as Geoffrey D. Hansen) | |
| Mark Radcliffe | .... | first assistant director | |
| Daniel R. Suhart | .... | second second assistant director (uncredited) | |
Art Department | |||
| Jonathan Bobbitt | .... | assistant property master | |
| Russell Bobbitt | .... | property master | |
| Philip Chapnick | .... | extra assistant props | |
| Michael T. Daigle | .... | lead scenic artist | |
| Tom Dreesen | .... | construction coordinator | |
| Theresa Dringenberg | .... | sign painter | |
| Bill Jackson | .... | art department assistant | |
| Melinda Ritz | .... | lead person | |
| David Menefee | .... | carpenter (uncredited) | |
| Jeff Stacy | .... | set dresser (uncredited) | |
Sound Department | |||
| Michael C. Casper | .... | sound re-recording mixer | |
| Roberta Doheny | .... | sound re-recording mixer | |
| Bruce Foster | .... | sound effects assistant | |
| Richard Friedman | .... | adr supervisor (as Dick Friedman) | |
| Roger Jaep | .... | sound effects assistant | |
| Fred Judkins | .... | supervising sound editor | |
| Bonnie Koehler | .... | sound editor | |
| Daniel J. Leahy | .... | sound re-recording mixer (as Daniel Leahy) | |
| Tom C. McCarthy | .... | supervising sound editor (as Tom McCarthy) | |
| Howard Neiman | .... | sound editor (as Howard M. Neiman) | |
| Ed Rossi | .... | sound editor | |
| Greg Schorer | .... | sound editor (as Greg Chorer) | |
| Steve Sollars | .... | boom operator | |
| Don Summer | .... | sound mixer (as Donald B. Summer) | |
| Jerry Trent | .... | foley artist | |
| Bill Varney | .... | sound mixing supervisor | |
| Karen G. Wilson | .... | sound editor (as Karen Wilson) | |
| Tom Caton | .... | boom operator (uncredited) | |
| Stan Ginsel | .... | sound transferer (uncredited) | |
| Jeffrey Kaplan | .... | sound recordist (uncredited) | |
| Steve Kohler | .... | sound (uncredited) | |
Special Effects by | |||
| James B. Adair | .... | assistant special effects | |
| Randy E. Moore | .... | special effects coordinator | |
Stunts | |||
| Brad Gilbride | .... | stunts | |
| Joe Gilbride | .... | stunt coordinator | |
| Tom Morga | .... | stunts | |
| Bobby Sargent | .... | stunts | |
Camera and Electrical Department | |||
| Ivan Bigley | .... | additional camera operator | |
| Layton Blaylock | .... | additional camera operator | |
| Alicia Craft | .... | second assistant camera | |
| Joe Gerber | .... | concert lighting consultant | |
| Jeff Graham | .... | second assistant camera | |
| Jim Grce | .... | gaffer | |
| Anthony T. Marra II | .... | key grip (as Anthony Marra II) | |
| Van Redin | .... | still photographer | |
| Monty Rowan | .... | camera operator | |
| John Sheeren | .... | first assistant camera: "c" camera | |
| Tom Stackpoole | .... | first assistant camera (as Thomas D. Stackpoole) | |
| Wayne Stroud | .... | best boy grip | |
| Tom Taylor | .... | first assistant camera | |
| Steve Venetis | .... | best boy electric | |
| Glenn Dunn | .... | electrician (uncredited) | |
| Kirk Hunter | .... | clapper loader (uncredited) | |
| John Johns | .... | video playback supervisor (uncredited) | |
Casting Department | |||
| Judie Fixler | .... | casting assistant | |
| Jill Greenberg | .... | casting assistant | |
| Rody Kent | .... | location casting | |
Costume and Wardrobe Department | |||
| Shari Gray | .... | wardrobe assistant | |
| Donna O'Neal | .... | wardrobe | |
| Heidi Shulman | .... | wardrobe | |
Editorial Department | |||
| Sheri Galloway | .... | second assistant editor: Texas | |
| Debbie Goldsmith | .... | second assistant editor: Los Angeles | |
| Tim Silano | .... | first assistant editor | |
Music Department | |||
| Floyd Cramer | .... | musician | |
| Frank Fitzpatrick | .... | supervising music editor | |
| Robert Kraft | .... | music supervisor | |
| Frank Fitzpatrick | .... | music supervisor (uncredited) | |
Transportation Department | |||
| Jerry McKnight | .... | transportation coordinator | |
| Phil Schriber | .... | transportation co-captain (uncredited) | |
Other crew | |||
| Muriel Anderson | .... | assistant: Stephanie Austin | |
| Kathleen Caton | .... | production coordinator | |
| Monica Devereux | .... | choreographer | |
| Joseph T. Doyle | .... | location manager | |
| Jan Evans | .... | script supervisor | |
| John Franzetti | .... | airbrush artist | |
| Anne Gindler | .... | production assistant | |
| Thomas F. Gleason | .... | assistant location manager | |
| Gary Goldstein | .... | production assistant | |
| Denton Hall | .... | production legal services | |
| Eric Horsted | .... | production assistant | |
| Diane Zuber Hrechko | .... | production assistant (as Diane Hrechko) | |
| Elyse Katz | .... | assistant: Debra Hill | |
| Tracy McCollum | .... | assistant: Tuesday Weld | |
| Daniel A. Miller | .... | production assistant | |
| Frank Roberts | .... | neon electronics | |
| Jerry Schilling | .... | executive advisor | |
| Jay Stapleton | .... | assistant: Chris Columbus | |
| Cheryl A. Stone | .... | production auditor (as Cheryl Stone) | |
| Carmen B. Weets | .... | assistant: Lynda Obst | |
| Alice Wolke | .... | production assistant | |
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This movie is much better than people seem to think. It's not just fun family entertainment, it really shows Elvis trying to come to terms with what went right and wrong with his life. It goes from a spooky, spiritual opening, where Elvis acknowledges his own mortality in song ("So hush little baby, don't you cry/You know your daddy's bound to die")To a rousing "If I Can Dream" finale. The idea is that Elvis gets everything right here that he got so tragically wrong in real time. He is the perfect father, husband, and artist, and he stands up for what we believe in, instead of just wasting himself. Touching and inspiring film.
What keeps the movie from going soft is the fact that the young rock and roller played by Charlie Schlatter (whatever happened to him?) is initially quite contemptuous of Elvis and his Las Vegas style lounge act. The kid chews Elvis out in a very memorable scene that really represents the feelings of millions of young 70's teens about the way Elvis went soft. The fact that Elvis listens and learns is extremely inspiring, but again, the film stays honest. At the end he tells the family, "I've found something here, and I'm afraid if I leave it will slip away again."
Sadly, it did.