| Tommy Lee Jones | ... | Eddie Mallard | |
| Virginia Madsen | ... | Rachel Carlyle | |
| Colin Bruce | ... | Charlie Rand | |
| Denise Stephenson | ... | Debbie | |
| Kevin Jarre | ... | Tim | |
| Frederic Forrest | ... | Father George | |
| J.B. White | ... | Jimbo | |
| Michael Chapman | ... | Landlord | |
| Alec Willows | ... | Bartender | |
| Jack Cheley | ... | Grandfather | |
| Peter Jobin | ... | Doorman | |
| Michael Villella | ... | Cop (as Michael Villela) | |
| David Cryer | ... | Waiter | |
| Molly Johnson | ... | Female Singer | |
| Hugh McCarten | ... | Piano Player |
Directed by | |||
| Lloyd Fonvielle | |||
Writing credits(WGA) | ||
| Lloyd Fonvielle | (written by) | |
Produced by | |||
| Keith Addis | .... | executive producer | |
| Gerald I. Isenberg | .... | executive producer | |
| Eli Johnson | .... | co-producer | |
| David J. Latt | .... | producer | |
Original Music by | |||
| George S. Clinton | |||
Cinematography by | |||
| Michael Chapman | |||
Film Editing by | |||
| Evan A. Lottman | |||
Casting by | |||
| Pam Dixon | |||
Production Design by | |||
| Carol Spier | |||
Costume Design by | |||
| Linda Matheson | |||
Production Management | |||
| Deb LeFaive | .... | production supervisor | |
| David A. Shepherd | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Reid A. Dunlop | .... | second assistant director | |
| David Hoffert | .... | third assistant director | |
| Margaux Mackay | .... | first assistant director | |
Sound Department | |||
| Owen Langevin | .... | sound mixer | |
Stunts | |||
| Harry Madsen | .... | stunt coordinator | |
Editorial Department | |||
| Marypat Plottner | .... | assistant editor | |
Music Department | |||
| Virginia S. Ellsworth | .... | music editor | |
Other crew | |||
| Jaap Broeker | .... | stand-in: Tommy Lee Jones | |
| Christopher Comrie | .... | assistant accountant | |
| Susan Kavesh | .... | production coordinator | |
| William James Kennedy | .... | stand-in | |
| Eric T. Snyder | .... | assistant locations (as Eric Snyder) | |
| Michael Tough | .... | location manager | |
| Mimi Wolch | .... | script supervisor | |
Thanks | |||
| Dabney Coleman | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Virginia Madsen A Beautiful Ghost | earl1-1 |
| An Underrated Film | blanchefury |
| How Does It End? PLEASE HELP! | jcanettis |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb USA section |
| Add this title to MyMovies |
Q: What do you get if you put a naturaly gifted actress with powerful screen presence, together centre stage with an actor who exudes raw, truthful bearing? A: An extremely interesting and tantilising mind game. Sadly, too few films, since the 1940's, allow both the male & female leads to both shine absolutely equaly, profiting the end result. The culmination of Jones & Madsen's performances is a retro work of art. The casting & editing is vibrant, but this narrative should have been directed by an Art House impresario, because lost in mainstream tv it becomes merely a taxing jigsaw.
PLOT: The two titles are part of the puzzle aspect to this film. For 'Gotham', read as - Goth-ham or Gothic 'ham', as in a noir spoof, or if you equate Gotham with Batman, then evolve this to the catchphrase 'the dynamic duo' and you have the Madsen & Jones chemistry. For 'The Dead Can't Lie', read as - why tell us, unless they can, therefore is this a single or double bluff? These are clues, but they could be a 'red herring'. It's a dark tale about lies within lies and whether there is any point in unraveling them. There are repeated motifs in the dialogue that are inconsistant, so it probably isnt possible to assert the truth, since each character is potentially lieing! Even the music is designed to deliberately mislead!
RATEING: 7/10 as a film, but 9/10 as a brain teaser.
WHO should watch this film?: Adults only, because of content. Women will enjoy the exuberantly feminine power of Madsen, whereas men will enjoy looking at it in action! Watch out for the 'Rubik's Cube', as it's a barometer of Jones' confusion and ours! If you like doing puzzles and can cope if you dont solve them, you will love & watch this film repeatedly.