| Videos (see all 2 NEW) |
| Chevy Chase | ... | Andy Farmer | |
| Madolyn Smith Osborne | ... | Elizabeth Farmer (as Madolyn Smith) | |
| Kevin O'Morrison | ... | Sheriff Ledbetter | |
| Joseph Maher | ... | Michael Sinclair | |
| Jack Gilpin | ... | Bud Culbertson | |
| Caris Corfman | ... | Betsy Culbertson | |
| William Severs | ... | Newspaper Editor | |
| Mike Starr | ... | Crocker | |
| Glenn Plummer | ... | Mickey | |
| William Duell | ... | Old Character | |
| Helen Lloyd Breed | ... | Old Operator | |
| Kit Le Fever | ... | Young Operator (as Le Fevre) | |
| Dakin Matthews | ... | Marion Corey Jr. | |
| William Newman | ... | Gus Lotterhand | |
| Alice Drummond | ... | Mrs. Ethel Dinges | |
| Brad Sullivan | ... | Brock | |
| Nesbitt Blaisdell | ... | Hank | |
| George Buck | ... | Peterbrook | |
| Audrie J. Neenan | ... | Ivy | |
| MacIntyre Dixon | ... | Mayor Barclay (as Macintye Dixon) | |
| Bill Fagerbakke | ... | Lon Criterion | |
| Nicholas Wyman | ... | Dirk Criterion | |
| Raynor Scheine | ... | Oates | |
| Peter Boyden | ... | Reporter | |
| Reg E. Cathey | ... | Reporter | |
| Dan Desmond | ... | Reporter | |
| Don Plumley | ... | Reporter | |
| Brett Miller | ... | Teenager | |
| Jamie Meyer | ... | Teenager | |
| David Woodberry | ... | Ike | |
| Kevin Murphy | ... | Ewell | |
| Dennis Barr | ... | First Base Coach | |
| Barbara Baker | ... | Woman in Stands | |
| David Williams | ... | Marcus | |
| Steve Jonas | ... | Driving Instructor | |
| Russell Bletzer | ... | Councilman | |
| Evelyn McLean | ... | Caroler | |
| Steven John | ... | Caroler | |
| Robert Conner | ... | Caroler | |
| Judson Duncan | ... | Caroler | |
| Alison Hannas | ... | Caroler | |
| Robert Ingram | ... | Caroler | |
| Mary Johnson | ... | Caroler | |
| Kristin Kellom | ... | Caroler | |
| Paul Link | ... | Caroler | |
| rest of cast listed alphabetically: | |||
| Kevin Conway | ... | Crum Petree, the Mailman (uncredited) | |
| Sarah Michelle Gellar | ... | Elizabeth's Student (uncredited) | |
| Darren Higgins | ... | Boy with Deer (uncredited) | |
| Fabio May | ... | Townie (uncredited) | |
| Mic Nuggette | ... | Caroler (uncredited) | |
| Diane Yang | ... | Elizabeth's Student (uncredited) | |
Directed by | |||
| George Roy Hill | |||
Writing credits | ||
| Jay Cronley | (book) | |
| Jeffrey Boam | (screenplay) | |
Produced by | |||
| Bruce Bodner | .... | executive producer | |
| Robert Crawford Jr. | .... | producer (as Robert L. Crawford) | |
| Patrick Kelley | .... | executive producer | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| Miroslav Ondrícek | (director of photography) (as Miroslav Ondricek) | ||
Film Editing by | |||
| Alan Heim | |||
Casting by | |||
| Marion Dougherty | |||
Production Design by | |||
| Henry Bumstead | |||
Set Decoration by | |||
| James W. Payne | (as Jim Payne) | ||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Lee Harman | .... | makeup artist | |
| Craig Lyman | .... | makeup artist | |
| Kaye Pownall | .... | hair stylist | |
Production Management | |||
| George Goodman | .... | unit production manager | |
| Lee Haas | .... | unit production manager: New York | |
Art Department | |||
| Judy Cammer | .... | set designer | |
| Gerard Cubero | .... | leadman (as Gerard M. Cubero) | |
| Mike Cunningham | .... | assistant property master | |
| Robert DePatis | .... | construction coordinator (as Bob DePatis) | |
| Henry Larrecq | .... | assistant art director | |
| Michael Ross | .... | property master | |
| Carol Winstead Wood | .... | production illustrator | |
| Yarek Alfer | .... | head sculptor (uncredited) | |
| Paul W. Gorfine | .... | scenic artist (uncredited) | |
Sound Department | |||
| Deborah Dawson | .... | assistant adr editor | |
| Lee Dichter | .... | sound re-recording mixer | |
| Clark King | .... | sound mixer | |
| Richard Kite | .... | boom operator | |
| Hal Levinsohn | .... | adr editor (as Harold Levinsohn) | |
| Eytan Mirsky | .... | assistant sound editor | |
| Sanford Rackow | .... | sound editor | |
| Dan Sable | .... | supervising sound editor | |
| Ahmad Shirazi | .... | sound editor | |
| Dana Stefenson | .... | assistant sound editor | |
| Neil L. Kaufman | .... | sound editor (uncredited) | |
| Mel Zelniker | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Peter Albiez | .... | special effects coordinator | |
| Albert Delgado | .... | special effects (as Al Delgado) | |
| A.J. Thrasher | .... | special effects | |
Visual Effects by | |||
| Albert Whitlock | .... | matte consultant (uncredited) | |
Stunts | |||
| Cliff Cudney | .... | stunts | |
| Lisa Dalton | .... | stunts (as Lisa Loving) | |
| John Patrick McLaughlin | .... | stunts | |
| Hugh Aodh O'Brien | .... | stunts | |
| Don Picard | .... | stunts | |
| George Robotham | .... | stunts | |
| John Robotham | .... | stunts | |
Camera and Electrical Department | |||
| Bobby Brown | .... | assistant camera: second unit (as Robert Brown) | |
| Greg Coelho | .... | assistant chief lighting technician | |
| Raymond Fortune | .... | electrician | |
| Robert E. Gaynor | .... | dolly grip (as Bob Gaynor) | |
| Richard C. Kratina | .... | camera operator: second unit (as Richard Kratina) | |
| Robert Miller Jr. | .... | second grip | |
| Gary Muller | .... | first assistant camera | |
| Andrew Priestley | .... | second assistant camera (as Andy Priestley) | |
| Tom Priestley Jr. | .... | camera operator (as Tom Priestley) | |
| Richard Quinlan | .... | chief lighting technician (as Dick Quinlan) | |
| Ed Quinn | .... | key grip | |
| Jürgen Vollmer | .... | still photographer (as Jurgen Vollmer) | |
| Glenn Corbett | .... | best boy (uncredited) | |
| William M. Weberg | .... | grip (uncredited) | |
Casting Department | |||
| Barbara Greenhoe | .... | extras casting | |
Costume and Wardrobe Department | |||
| Eddie Marks | .... | costumer | |
| Marilyn Matthews | .... | costumer | |
Editorial Department | |||
| John Hill | .... | assistant film editor (as John Andrew Hill) | |
| Mark Livolsi | .... | assistant film editor | |
Music Department | |||
| Kathy Durning | .... | supervising music editor | |
| Dan Wallin | .... | music scoring mixer | |
| Jeff Atmajian | .... | orchestrator (uncredited) | |
| Patrick Russ | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Edward Iacobelli | .... | transportation captain: New York (as Ed Iacobelli) | |
| Gene R. Johnson | .... | transportation coordinator (as Gene Johnson) | |
| Jerry F. Johnson | .... | transportation captain (as Jerry Johnson) | |
| Bobby Marsh | .... | driver | |
Other crew | |||
| Jim Barr | .... | production accountant | |
| Cynthia R. Coulter | .... | animal handler | |
| Patti Dalzell | .... | script supervisor | |
| Camille De Mave | .... | assistant: George Roy Hill (as Camille DeMave) | |
| Eric Feldman | .... | production runner | |
| Cathy Haft | .... | location manager: New York | |
| Tim Hill | .... | production runner | |
| David Israel | .... | location manager | |
| Alan Jacques | .... | projectionist | |
| Angela Kaye | .... | secretary: Chevy Chase | |
| Adeline Leonard Seakwood | .... | production office coordinator: New York | |
| Eric Myers | .... | unit publicist (as Eric Meyers) | |
| Matthew O'Conner | .... | production runner | |
| Martha Yates | .... | production secretary | |
| Al Cerullo | .... | helicopter pilot (uncredited) | |
| Marsha Zvonkin | .... | assistant accountant (uncredited) | |
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| Palindromes | The Simpsons Movie | The Nightmare Before Christmas | La gloire de mon père | Adaptation. |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
Now, admittedly, I saw this during a period of my life when I believed Chevy Chase could do no wrong but even so, this is one that holds up, and was unfairly lambasted by the critics. From the ads (if you can even remember that far back!) this looked like it was just going to be a "Vacation" rip-off, sort of "The Griswolds Move To the Country." Believe me, the humor in this film is much slyer and more charming than anything in the Vacation pictures (of which the first one was solid, the next two lame). The film is about a sportswriter (Chase) who quits his job in order to move out to the country with his wife (the wonderful Madolyn Smith) and write the Great American Novel. The movie details his gradual come uppance, as he realizes that neither country living nor his talent is all that it's cracked up to be.
The film wonderfully skews the convention of the innocent country rubes moving to the big city and being overwhelmed by its meanness and craziness. Here, it's the cityfolk who move wide-eyed to the country - and are amazed to find there a roll call of crazies, misanthropes, and just plain wierdos. Does this view of country life have any basis in reality? Probably not, but then the film isn't really trying to be a satire but instead a pure lunatic comic fantasy. And it gives us a rich array of supporting characters - from the town sheriff who hasn't yet passed his driving test and so must ride around in cabs, to the owner of an antiques store whose merchandise are all personal. All these characters are priceless, and the film just keeps coming up with more and more of them - until it has created this pleasantly bizarre and warped Otherworld, of a kind that only comedy can truly provide.
Best of all is the way in which Chase and Smith react to all of this and try to make some sense of it. I very clearly say "Chase and Smith" because the film belongs equally to both of them. It had to be billed as a Chevy Chase Comedy, of course, since he's the big star here, but this is no star trip; from the very first, the wife is made an equal partner in the trials and the laughs, and it's the way the two go through their new life together that provides much of the comedy. It also helps take the edge off of the usual Chevy Chase persona: in Funny Farm he's neither glib and disinterested (as in the Fletch movies) nor over the top silly (like in the Vacation movies). He comes across instead like a normal, personable guy who just finds himself caught in insane circumstances.
Finally, the climactic sequence of the film is absolutely priceless - one of the most brilliantly sustained comic set-pieces you'll see in any movie, of any era. Funny Farm is the type of movie which gives you a great time and leaves you with a big, dopey grin on your face after it's all over. Trust me, even if you don't normally like Chevy Chase, you'll love Funny Farm.