| Photos (see all 9 | slideshow) |
Directed by | |||
| John Carl Buechler | |||
Writing credits(in alphabetical order) | ||
| Manuel Fidello | writer | |
| Daryl Haney | writer | |
| Victor Miller | characters (uncredited) | |
Produced by | |||
| Iain Paterson | .... | producer | |
| Barbara Sachs | .... | associate producer | |
| Frank Mancuso Jr. | .... | executive producer (uncredited) | |
Original Music by | |||
| Harry Manfredini | |||
| Fred Mollin | |||
Cinematography by | |||
| Paul Elliott | |||
Film Editing by | |||
| Maureen O'Connell | |||
| Martin Jay Sadoff | |||
| Barry Zetlin | |||
Casting by | |||
| Anthony Barnao | |||
Production Design by | |||
| Richard Lawrence | |||
Set Decoration by | |||
| Woody Crocker | |||
Costume Design by | |||
| Jacqueline Johnson | |||
Makeup Department | |||
| Maria Lupe de Caesar | .... | assistant hair stylist | |
| Maria Lupe de Caesar | .... | assistant makeup artist | |
| Jerrie Werkman | .... | hair stylist | |
| Jerrie Werkman | .... | makeup artist | |
| Kathleen Karridene | .... | makeup artist (uncredited) | |
Production Management | |||
| Rebecca Greeley | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Todd Amateau | .... | second assistant director | |
| Francis R. Mahoney III | .... | first assistant director (as Francis R. 'Sam' Mahoney) | |
Art Department | |||
| James Biggs | .... | construction coordinator (as James Beggs) | |
| Jaime Bird | .... | construction coordinator | |
| Gene Bishop | .... | swing gang | |
| Larry Clark | .... | paint foreman | |
| Francis N. 'Lucky' Costello | .... | construction painter (as Frank Costello) | |
| Albert Cummings | .... | assistant set decorator | |
| César Díez Álava | .... | prop man (as Cesar Alava) | |
| Les Godwin | .... | swing gang | |
| Batia Grafka | .... | property master | |
| Mark Haskins | .... | set dresser (as Mark C. Haskins) | |
| Bart Hilliker | .... | swing gang (as Barton Hilliker) | |
| Sylvia Lawrence | .... | swing gang | |
| John Philpotts | .... | lead man | |
| Terry Tubbs | .... | assistant set decorator | |
Sound Department | |||
| Joel Berkovitz | .... | foley editor | |
| Gail Brodin | .... | boom operator (as Gail Dalton Brodin) | |
| Jan Brodin | .... | sound mixer | |
| Dane A. Davis | .... | supervising sound editor (as Dane Davis) | |
| Holly Davis | .... | sound effects editor | |
| Lisa Davis | .... | assistant sound editor | |
| Scott Ganary | .... | adr mixer | |
| Scott Ganary | .... | foley mixer | |
| Gary Gegan | .... | adr mixer | |
| Gary Gegan | .... | foley mixer | |
| Cynthia Haagens | .... | adr editor | |
| Wayne Heitman | .... | sound re-recording mixer | |
| Jon Hussein | .... | adr recordist | |
| Jon Hussein | .... | foley recordist | |
| Greg Jacobs | .... | dialogue editor | |
| Stanley Kastner | .... | sound re-recording mixer | |
| Kini Kay | .... | sound effects editor | |
| Val Kuklowsky | .... | sound effects editor | |
| Mark 'Frito' Long | .... | sound recordist | |
| Matt Patterson | .... | adr recordist | |
| Matt Patterson | .... | foley recordist | |
| Joan Rowe | .... | foley walker | |
| Christopher Sheldon | .... | supervising sound editor | |
| Jerry Trent | .... | foley walker | |
| Paul M. Wagner | .... | assistant sound editor (as Paul Wagner) | |
Special Effects by | |||
| Ponina Ben-Daniel | .... | production secretary: special makeup effects unit | |
| John Carl Buechler | .... | line producer: special makeup effects unit | |
| Lynn Buechler | .... | production controller: special makeup effects unit | |
| Lou Carlucci | .... | mechanical effects coordinator: Image Engineering, Inc. | |
| John Criswell | .... | animatronics: special makeup effects unit | |
| Lenny Dalrymple | .... | technician: special mechanical effects unit | |
| Robin L. D'Arcy | .... | coordinator: special mechanical effects unit (as Robin D'Arcy) | |
| Michael Deak | .... | location supervisor: special makeup effects unit (as Michael S. Deak) | |
| Jim Doyle | .... | lead mechanical designer: special mechanical effects unit | |
| Eric Dressor | .... | technician: special mechanical effects unit | |
| Loraina Drucker | .... | location crew: special makeup effects unit | |
| David Fletcher | .... | lead technician: special mechanical effects unit | |
| John Foster | .... | production manager: special makeup effects unit | |
| John Frassrand | .... | location crew: special makeup effects unit | |
| Karin Hanson | .... | wigs: special makeup effects unit | |
| Mecki Heussen | .... | laboratory technician: special makeup effects unit | |
| Cary Howe | .... | fabrication supervisor: special makeup effects unit | |
| Cary Howe | .... | location supervisor: special makeup effects unit | |
| Sheila Jackson | .... | laboratory technician: special makeup effects unit | |
| Greg Johnson | .... | laboratory technician: special makeup effects unit | |
| Greg Johnson | .... | location supervisor: special makeup effects unit | |
| David Kindlon | .... | animatronics: special makeup effects unit (as Dave Kindlen) | |
| Jim Kundig | .... | assistant: special mechanical effects unit | |
| Joe Lombardi | .... | pyrotechnical consultant: special mechanical effects unit | |
| Jennifer Martin | .... | laboratory technician: special makeup effects unit | |
| Joe Podnar | .... | laboratory technician: special makeup effects unit | |
| Scott Prescott | .... | technician: special mechanical effects unit | |
| Timothy Ralston | .... | laboratory technician: special makeup effects unit (as Tim Ralston) | |
| Patrick Simmons | .... | laboratory technician: special makeup effects unit | |
| Richard Snell | .... | contact lens: special makeup effects unit | |
| Heidi Snyder | .... | laboratory technician: special makeup effects unit | |
| Heidi Synder | .... | laboratory technician: special makeup effects unit | |
| Martin Becker | .... | special effects supervisor: Magical Media Industries Inc. (uncredited) | |
| Barbara Anne Bock | .... | special effects assistant (uncredited) | |
| Richard Miranda | .... | special effects assistant (uncredited) | |
| AJ Workman | .... | special effects design: MMI, John Carl Buechler (uncredited) | |
Stunts | |||
| Bob Bragg | .... | stunts (as Bobby Bragg) | |
| Karen Garrett | .... | stunts | |
| Kane Hodder | .... | stunt coordinator | |
| Steve Hulin | .... | stunts | |
| Tracy Hutchinson | .... | stunts | |
| Tod Keller | .... | stunts | |
| Maria R. Kelly | .... | stunts (as Maria Kelly) | |
| Jean Malahni | .... | stunts (as Jeannie Malahni) | |
| Alan Marcus | .... | stunts | |
| Paula Marie Moody | .... | stunts | |
| Paul E. Short | .... | stunts (as Paul Short) | |
| John Sistrunk | .... | stunts | |
Casting Department | |||
| Maria Gafney | .... | location casting | |
Costume and Wardrobe Department | |||
| Donna Barrish | .... | key costumer | |
| Marcy Craig | .... | wardrobe supervisor | |
| Debra L. Wright | .... | wardrobe supervisor | |
Editorial Department | |||
| Lori Ball | .... | assistant editor | |
| Lauri Brown | .... | assistant editor | |
| Marcy Stoeven | .... | assistant editor | |
Music Department | |||
| Christopher Kennedy | .... | music supervisor | |
| Jeff Wolpert | .... | scoring mixer (uncredited) | |
Transportation Department | |||
| Ella St. John Blakey | .... | transportation captain: Los Angeles (as Ella Blakey) | |
| Marvin Dials | .... | driver | |
| Pam Hart | .... | driver | |
| Kim Larsen | .... | driver | |
| Michael Locke | .... | driver | |
| Tony Mercier | .... | transportation coordinator | |
| Janice Phelps | .... | driver | |
| Arthur Smith | .... | driver | |
| Shelba Travis | .... | transportation captain: Alabama | |
| Dave Walden Jr. | .... | driver: honeywagon (as David Walden Jr.) | |
| David Walden Sr. | .... | driver: honeywagon | |
| Tim Wright | .... | driver | |
| Troy Flynn | .... | transportation (uncredited) | |
Thanks | |||
| Victoria Barney | .... | special thanks | |
| Lynn Booth | .... | special thanks | |
| Leslie Buzbee | .... | special thanks | |
| Bob Gray | .... | special thanks | |
| Charles Rawls | .... | special thanks | |
| Gerald Redmon | .... | special thanks | |
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| Freddy vs. Jason | Friday the 13th: The Final Chapter | Friday the 13th Part 2 | Friday the 13th: A New Beginning | Friday the 13th |
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| News articles | IMDb Drama section | IMDb USA section |
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I've always been fascinated by the Friday THE 13TH films. Sequel after sequel, unknown cast after unknown cast, limited budget after limited budget, they still manage to be pretty good horror movies. And incredibly, this sixth sequel tops the series . In fact, it's one of the best horror movies of the 1980s.
Again resurrected from his watery grave (didn't he open his eyes at the very end of the last one? Nah, I guess not), the zombified Jason is ready to hack and slash his way through another group of innocent (though quite naughty) teens. But this time ol' maggot head may have met his match in the form of Tina Shepard, a teen gifted with the ability to move objects with her mind. She is, it turns out, our only hope to stop the monster.
The fun concept of Friday THE 13TH PART VII: THE NEW BLOOD paves the way for legitimate chills and thrills. This fierce, spine-bearing Jason is a much more frightening being than before as he paces through the woods, chases skinny dippers and employs weapons of terror I have never seen before (what was that thing with the spinning blade?). This is a serious frightfest that in no way tries to carry on the humorous overtone of its immediate predecessor. Director John Carl Buechler deserves a lot of credit for respecting continuity and sticking to the formula while squeezing out another great film from the well-worn slasher-in-the-woods concept.
The film would work well enough without the heroine of Tina. The pretty blonde (played by Lar Park-Lincoln) is just icing on the cake, helping to create (dare I say it?) one of the most memorable horror movie finales of all-time. The showdown, complete with telepathically-propelled lamps and electrical wires, also showcases some very impressive special effects (how many Friday films can you say that about?). Of course we all know who will prevail in this clash of good and evil, but we also know it's just a matter of time before Jason pulls another Lazarus.
Even if you're not a fan of the series or think it's too campy, you'll be pleasantly surprised. Give Friday THE 13TH PART VII: THE NEW BLOOD a whirl. Jason would have wanted it that way.