| Molly Ringwald | ... | Jewel | |
| Andrew McCarthy | ... | Matt Larkin | |
| Patti D'Arbanville | ... | Jean | |
| Ben Stiller | ... | Tipton | |
| Leon Russom | ... | Kyle Larkin | |
| Molly Hagan | ... | Ellen | |
| Viggo Mortensen | ... | Green | |
| Doug Hutchison | ... | Sproles | |
| Chiara Peacock | ... | Alice | |
| Marita Geraghty | ... | Maureen | |
| Rachel Jones | ... | Babe | |
| Welker White | ... | Christy | |
| Christy Budig | ... | Laurel | |
| Larry Ketron | ... | Roy | |
| Ken Strunk | ... | Dr. Lippincutt | |
| William Youmans | ... | Gary | |
| Richard Clayton Woods | ... | Buddy | |
| Kent Poole | ... | Stephen | |
| Dan Davis | ... | Fletcher | |
| Barry J. Williams | ... | Fairgate | |
| Carol Schneider | ... | Jane | |
| Joan MacIntosh | ... | Jenny Larkin | |
| Sheri Morton-Stearn | ... | Mrs. Price | |
| K.C. Jones | ... | Dr. Price | |
| Jacqueline Verdeven | ... | Jewel's Mother | |
| Ann Johnson | ... | Girl #1 | |
| Jessica Browne | ... | Woman at Engagement Party | |
| Jennifer P. Born | ... | Waitress | |
| Peter Duchin | ... | Piano Player | |
| rest of cast listed alphabetically: | |||
| Douglas Cunningham | ... | University Student (uncredited) | |
| Greg Dulli | ... | Guy at bar (uncredited) | |
Directed by | |||
| David Anspaugh | |||
Writing credits(WGA) | ||
| Larry Ketron | (screenplay) | |
Produced by | |||
| Richard Berg | .... | producer | |
| Allan Marcil | .... | executive producer | |
| John G. Wilson | .... | associate producer | |
Original Music by | |||
| David Foster | |||
| Patrick Williams | |||
Cinematography by | |||
| Fred Murphy | |||
Film Editing by | |||
| David Rosenbloom | |||
Casting by | |||
| Amanda Mackey Johnson | |||
Production Design by | |||
| Paul Sylbert | |||
Set Decoration by | |||
| Kenneth Turek | (as Ken Turek) | ||
Costume Design by | |||
| Colleen Atwood | |||
Makeup Department | |||
| Robert Jiras | .... | makeup artist | |
| Susan Mayer | .... | assistant hair stylist | |
| Susan Mayer | .... | assistant makeup artist | |
| Dianne Roberson | .... | hair stylist | |
Production Management | |||
| John G. Wilson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Peter Giuliano | .... | assistant director | |
| Robert J. Wilson | .... | second assistant director (as Robert Wilson) | |
Art Department | |||
| Jeanette D'Ambrosio-Sylbert | .... | assistant: Paul Sylbert | |
| Anthony Joseph Fatigato | .... | stand-by painter | |
| Aaron Holden | .... | property master | |
| Joe Pfaltzgraf | .... | propman | |
| Paul Stanwyck | .... | head painter | |
| Andrew Zawacki | .... | construction coordinator (as Andy Zawacki) | |
Sound Department | |||
| James Ashwill | .... | foley mixer | |
| Anna Behlmer | .... | sound recordist | |
| Gary C. Bourgeois | .... | sound re-recording mixer | |
| Chris Carpenter | .... | sound re-recording mixer | |
| Dino Dimuro | .... | sound editor | |
| Jack Dronsky | .... | assistant sound editor | |
| Bruce Foster | .... | assistant sound editor | |
| Richard Friedman | .... | adr editor (as Dick Friedman) | |
| Hank Garfield | .... | sound mixer | |
| Shelley Rae Hinton | .... | adr editor | |
| David M. Ice | .... | sound editor (as David Ice) | |
| Fred Judkins | .... | supervising sound editor | |
| Tom C. McCarthy | .... | supervising sound editor | |
| Bob Merserve | .... | assistant sound editor | |
| Dean Okrand | .... | sound re-recording mixer | |
| Ed Osborne | .... | sound editor (as Edward M. Osborne) | |
| Andy Rovins | .... | boom operator | |
| Mary Ruth Smith | .... | sound editor | |
| Tove Blue Valentine | .... | cable person (as Tove Blue) | |
| Christopher T. Welch | .... | sound editor (as C.T. Welch) | |
| David Williams | .... | sound editor | |
Special Effects by | |||
| Sam Barkan | .... | special effects | |
Camera and Electrical Department | |||
| William Allen Jr. | .... | grip | |
| William L. Allen Sr. | .... | grip (as William Allen Sr.) | |
| Art Bartels | .... | key grip | |
| Alphonse Blumenthal | .... | lighting technician (as Al Blumenthal) | |
| Frank Byrne | .... | additional second assistant camera | |
| Robert C. Carlson | .... | second assistant camera (as Rob Carlson) | |
| Eugene F. Crededio | .... | chief lighting technician (as Gino Crededio) | |
| Brian C. Glover | .... | first assistant camera (as Brian Glover) | |
| Frank Miller | .... | camera operator | |
| Ron Phillips | .... | still photographer | |
| John S. Robertson | .... | dolly grip (as John Robertson) | |
| Mike Robinson | .... | generator operator | |
Casting Department | |||
| Sue Knutsen | .... | extras casting | |
| Roger Mussenden | .... | casting assistant | |
| Eileen Rezak | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sue Moore | .... | costume supervisor: women | |
| Kelly Porter | .... | costumer | |
| Ervin W. Rose | .... | costume supervisor: men | |
Editorial Department | |||
| Paul Cichocki | .... | assistant editor | |
| Lance Luckey | .... | assistant editor | |
| Brian Ralph | .... | negative cutter | |
| Morris Sparks | .... | color timer | |
Music Department | |||
| Humberto Gatica | .... | score recordist | |
| Edward Karam | .... | orchestrator | |
| Allan K. Rosen | .... | music editor | |
| Timothy R. Sexton | .... | music supervisor (as Tim Sexton) | |
Transportation Department | |||
| Larry Coomer | .... | transportation co-captain | |
| Patrick Lynn | .... | transportation captain (as Pat Lynn) | |
| John P. McAuliffe | .... | transportation coordinator (as John McAuliffe) | |
Other crew | |||
| Bethany Brown | .... | production accountant | |
| Dru Anne Carlson | .... | script supervisor (as Druanne Carlson) | |
| Christopher Carson | .... | production assistant | |
| Frank Catalano | .... | voice actor | |
| Diane Edquist | .... | production assistant | |
| Barbara Fetzer | .... | assistant accountant | |
| Mary Ann Garvin | .... | production assistant | |
| Marin Hopper | .... | assistant: David Anspaugh | |
| Brian Hulse | .... | production assistant | |
| Jeannie Jeha | .... | production coordinator | |
| Bridgette Kelley | .... | assistant: Molly Ringwald | |
| Bryn Lewis | .... | production assistant | |
| Susann McMahon | .... | assistant: Tim Sexton | |
| Sharon Morov | .... | production assistant | |
| Dan Perri | .... | title designer: main titles | |
| Fredell Pogodin | .... | unit publicist | |
| Ryan Rosenberg | .... | location manager | |
| Antoinette Squeo | .... | production assistant | |
| Diane Vester | .... | production assistant | |
| Connie Willis | .... | production assistant | |
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| Mansfield Park | The Notebook | The Wings of the Dove | Born to Gamble | Summer and Smoke |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
After watching this film I had some questions. What does the title refer to? There are horses in this film but are they fresh? Does it refer to the couple at all? And what does that have to do with the love story? Who comes up with these movie titles? And why?
Silly questions aside, Fresh Horses is a film with an adult story aimed at using the onscreen chemistry of Andrew McCarthy and Molly Ringwald, (who were first paired as everyone knows in the excellent Pretty In Pink) in a serious love story. Ringwald is Jewel, a mysterious country girl, all pink lips and tousled curly hair. She meets Matt (McCarthy) a college upper middle class guy with a pretty stable and boring life. He's engaged to the perfect women, and has your typical annoying university friends. She has a past and a reputation, but he becomes smitten with her and attempts to change his life so they can be together.
As my Video and Movie Guide said, this film is just an adult version of Pretty In Pink. He's more classy than her, she knows who she is and he has to learn to be worthy of her, not the other way around. I don't know about that judgement. Yes, it is the same couple. Yes, the story is similiar, but with sexual themes. But the more I think about the ending, the scenery and the sets of this film the more its intelligence shines through. The film is about pushing you to change, propelling someone to see their life through other's eyes and making you believe in yourself.
As someone said in the messageboards, the settings are eerie, and the characterisations are spooky. Viggo Mortensen is great as Green. Ben Stiller, as Matt's friend is weirdly creepy. We never quite know what people's motvations are, and although the dialogue is terribly clunky in moments between the two leads, this is a film that knows it is not formulaic. For the plastic period the 80's, Fresh Horses sits nicely jagged in its themes and story. They should not be all be standard and set.