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Directed by | |||
| Charles Crichton | |||
| John Cleese | (uncredited) | ||
Writing credits | ||
| John Cleese | (story) and | |
| Charles Crichton | (story) | |
| John Cleese | (written by) | |
Produced by | |||
| Steve Abbott | .... | executive producer | |
| John Cleese | .... | executive producer | |
| John Comfort | .... | associate producer | |
| Michael Shamberg | .... | producer | |
Original Music by | |||
| John Du Prez | |||
Cinematography by | |||
| Alan Hume | |||
Film Editing by | |||
| John Jympson | |||
Casting by | |||
| Priscilla John | |||
Production Design by | |||
| Roger Murray-Leach | |||
Art Direction by | |||
| John Wood | |||
Set Decoration by | |||
| Stephanie McMillan | |||
Costume Design by | |||
| Hazel Pethig | |||
Makeup Department | |||
| Lynda Armstrong | .... | makeup artist (as Lynda Armstrong-Lawlor) | |
| Paul Engelen | .... | makeup supervisor | |
| Barry Richardson | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Jonathan Benson | .... | assistant director | |
| Melvin Lind | .... | second assistant director | |
| David Skynner | .... | third assistant director | |
Art Department | |||
| Leon Apsey | .... | head of construction | |
| Bruce Bigg | .... | property master | |
| Roy Evans | .... | construction manager | |
| Kevin Phipps | .... | assistant art director | |
| Brian Read | .... | production buyer | |
| Alfie Smith | .... | stand-by property supervisor | |
| Micky Swift | .... | stand-by propman (as Mickey Swift) | |
| Bill Stallion | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Jonathan Bates | .... | sound editor | |
| Gerry Humphreys | .... | sound re-recording mixer | |
| Chris Munro | .... | sound recordist | |
| Andrew Sissons | .... | sound maintenance engineer | |
| Colin Wood | .... | boom operator | |
| Garry Fiferman | .... | sound (uncredited) | |
Special Effects by | |||
| George Gibbs | .... | special effects supervisor | |
| David Watson | .... | special effects technician (as Dave Watson) | |
| Terence J. Cox | .... | special effects technician (uncredited) | |
| Alan Poole | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Alan Church | .... | optical camera (uncredited) | |
Stunts | |||
| Romo Gorrara | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Neil Binney | .... | camera operator | |
| Bob Bremner | .... | gaffer (as Bobby Bremner) | |
| Graham Hall | .... | clapper loader | |
| Simon Hume | .... | focus puller | |
| David James | .... | still photographer | |
| Bill Thornhill | .... | best boy | |
| Jimmy Waters | .... | grip | |
| Jimmy Worley | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Stephen Cornish | .... | wardrobe assistant (as Steve Cornish) | |
| Jenny Hawkins | .... | wardrobe assistant | |
| Ray Usher-Cooper | .... | wardrobe master (as Ray Usher) | |
Editorial Department | |||
| Kevin Phelan | .... | unit projectionist: Mercury Theatres, London | |
| William Webb | .... | assistant film editor | |
| David Barrett | .... | assistant editor (uncredited) | |
| Jonathan Lucas | .... | assistant editor (uncredited) | |
Music Department | |||
| Peter Holt | .... | music editor | |
| André Jacquemin | .... | music producer | |
| Dick Lewzey | .... | orchestral recording | |
| John Williams | .... | musician: solo guitar | |
Transportation Department | |||
| Roy Clarke | .... | driver: Jamie Lee Curtis (uncredited) | |
| Mark White | .... | production driver (uncredited) | |
Other crew | |||
| Andy Birmingham | .... | production accountant | |
| Peter Byck | .... | assistant: Mr. Shamberg, USA | |
| Sophie Clarke-Jervoise | .... | assistant: Dr. Cleese | |
| Pauline Clift | .... | animal supplier | |
| Robert Conway | .... | legal advisor | |
| Nick Daubeny | .... | location manager: Oxford | |
| Diana Dill | .... | continuity | |
| Bill Edwards | .... | unit publicist | |
| Yvonne Heeks | .... | assistant accountant | |
| Ralph Kamp | .... | production assistant | |
| Christopher Knowles | .... | assistant location manager: London | |
| William Lang | .... | location manager | |
| Liz Lehmans | .... | production assistant | |
| Janine Lodge | .... | production coordinator | |
| Ian Miles | .... | financial controller | |
| Alexandra Stone | .... | assistant to producer | |
| Mark Birmingham | .... | production assistant (uncredited) | |
| Yvonne Eastmond | .... | assistant production accountant (uncredited) | |
| Richard Morrison | .... | title designer (uncredited) | |
| Kimberley Vashiell | .... | choreographer (uncredited) | |
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| Trzy kolory: Bialy | Strangers on a Train | Snatch. | Midnight Express | Testosterone |
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Portraying a heist gone awry, "A Fish Called Wanda" goes all out in every way possible. Maybe the whole thing is little more than an excuse for a bunch of silly situations, but they have some great ones here. Whether it's John Cleese's dance, Kevin Kline's rips at England, Michael Palin's stuttering, or Jamie Lee Curtis's deadpan performance, they know how to do everything here. I can't describe how funny the movie is; you just have to see it. And you may very well die laughing - or if nothing else, you'll want to take a trip to England. Kevin Kline definitely deserved his Oscar. And of course, the cast teamed up again for the equally funny (maybe even better) "Fierce Creatures". This is a comedy classic in every way.
Oh, and in case Kevin Kline is reading this: Happy birthday! You're my favorite actor!