| Photos (see all 40 | slideshow) | Videos |
Directed by | |||
| Charles Crichton | |||
| John Cleese | (uncredited) | ||
Writing credits | ||
| John Cleese | (story) and | |
| Charles Crichton | (story) | |
| John Cleese | (written by) | |
Produced by | |||
| Steve Abbott | .... | executive producer | |
| John Cleese | .... | executive producer | |
| John Comfort | .... | associate producer | |
| Michael Shamberg | .... | producer | |
Original Music by | |||
| John Du Prez | |||
Cinematography by | |||
| Alan Hume | |||
Film Editing by | |||
| John Jympson | |||
Casting by | |||
| Priscilla John | |||
Production Design by | |||
| Roger Murray-Leach | |||
Art Direction by | |||
| John Wood | |||
Set Decoration by | |||
| Stephanie McMillan | |||
Costume Design by | |||
| Hazel Pethig | |||
Makeup Department | |||
| Lynda Armstrong | .... | makeup artist (as Lynda Armstrong-Lawlor) | |
| Paul Engelen | .... | makeup supervisor | |
| Barry Richardson | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Jonathan Benson | .... | assistant director | |
| Melvin Lind | .... | second assistant director | |
| David Skynner | .... | third assistant director | |
Art Department | |||
| Leon Apsey | .... | head of construction | |
| Bruce Bigg | .... | property master | |
| Roy Evans | .... | construction manager | |
| Kevin Phipps | .... | assistant art director | |
| Brian Read | .... | production buyer | |
| Alfie Smith | .... | stand-by property supervisor | |
| Micky Swift | .... | stand-by propman (as Mickey Swift) | |
| Bill Stallion | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Jonathan Bates | .... | sound editor | |
| Gerry Humphreys | .... | sound re-recording mixer | |
| Chris Munro | .... | sound recordist | |
| Andrew Sissons | .... | sound maintenance engineer | |
| Colin Wood | .... | boom operator | |
Special Effects by | |||
| George Gibbs | .... | special effects supervisor | |
| David Watson | .... | special effects technician (as Dave Watson) | |
| Terence J. Cox | .... | special effects technician (uncredited) | |
| Alan Poole | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Alan Church | .... | optical camera (uncredited) | |
Stunts | |||
| Romo Gorrara | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Neil Binney | .... | camera operator | |
| Bob Bremner | .... | gaffer (as Bobby Bremner) | |
| Graham Hall | .... | clapper loader | |
| Simon Hume | .... | focus puller | |
| David James | .... | still photographer | |
| Bill Thornhill | .... | best boy | |
| Jimmy Waters | .... | grip | |
| Jimmy Worley | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Stephen Cornish | .... | wardrobe assistant (as Steve Cornish) | |
| Jenny Hawkins | .... | wardrobe assistant | |
| Ray Usher-Cooper | .... | wardrobe master (as Ray Usher) | |
Editorial Department | |||
| Kevin Phelan | .... | unit projectionist: Mercury Theatres, London | |
| William Webb | .... | assistant film editor | |
| David Barrett | .... | assistant editor (uncredited) | |
| Jonathan Lucas | .... | assistant editor (uncredited) | |
Music Department | |||
| Peter Holt | .... | music editor | |
| André Jacquemin | .... | music producer | |
| Dick Lewzey | .... | orchestral recording | |
| John Williams | .... | musician: solo guitar | |
Transportation Department | |||
| Roy Clarke | .... | driver: Jamie Lee Curtis (uncredited) | |
Other crew | |||
| Andy Birmingham | .... | production accountant | |
| Peter Byck | .... | assistant: Mr. Shamberg, USA | |
| Sophie Clarke-Jervoise | .... | assistant: Dr. Cleese | |
| Pauline Clift | .... | animal supplier | |
| Robert Conway | .... | legal advisor | |
| Nick Daubeny | .... | location manager: Oxford | |
| Diana Dill | .... | continuity | |
| Bill Edwards | .... | unit publicist | |
| Yvonne Heeks | .... | assistant accountant | |
| Ralph Kamp | .... | production assistant | |
| Christopher Knowles | .... | assistant location manager: London | |
| William Lang | .... | location manager | |
| Liz Lehmans | .... | production assistant | |
| Janine Lodge | .... | production coordinator | |
| Ian Miles | .... | financial controller | |
| Alexandra Stone | .... | assistant to producer | |
| Mark Birmingham | .... | production assistant (uncredited) | |
| Yvonne Eastmond | .... | assistant production accountant (uncredited) | |
| Richard Morrison | .... | title designer (uncredited) | |
| Kimberley Vashiell | .... | choreographer (uncredited) | |
|
|
|
|
|
| The Godfather | Lo strano vizio della Signora Wardh | Reservoir Dogs | Snatch. | Batman Returns |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
This is the only film I ever paid to see two days in a row. I missed too much of it the first time because of my own hysterical snorting laughter.
This is a work of comic genius. And, like any good film, the screenplay is at the heart of the belly laughs. Every character is given a detailed personality quirk or two, and then it is shamefully exploited for laugh after laugh. Note for example, John Cleese's speech to Jamie Lee Curtis about how awful it is to be British - the eternal fear of embarrassment. Moments later, he is caught buck naked in a marital tryst in some else's flat by the people to used to live in his own home. Also, the funny-offensive envelope is pushed to the limit when K-K-K-Ken (Michael Palin), the passionate animal lover inadvertently kills three innocent dogs in his attempt to murder an old woman who would otherwise be a prosecution witness. Now that's funny!
Cleese's character, Archie Leach (Carey Grant's real name) is a likable buffoon of a lawyer, happy in his banal existence until he meets the sexy American, Wanda (Jamie Lee). I cannot even being to describe the plot beyond that point without doing it a grave disservice. It twists and dangles about in a world of double-cross and goldfish-eating for no other reason than to set up a joke.
You cannot speak of this film without mention of Kevin Kline as Otto, a role that won him a richly-deserved Oscar. Otto is the ex-CIA "weapons man" who makes it his business to read philosophy but would be more at home with Curious George. An obsessive, self-indulgent, painfully stupid, violent, deceitful, gullible egomaniac, the character of Otto is amongst the best comedic performances ever delivered.
The film's funniest scene takes place at Leach's (Cleese) house. In a scene that rivals anything that has ever hit the screen for laughs, the film and its scripts looks deep enough into itself to even give Cleese's dry-as-toast wife a laugh or two. Then, later on, this scene proves to be the set up for even more jokes. A Fish Called Wanda is pure comedy and every scene either provides a laugh or sets one up - it graciously does not waste our time trying to be moral or turning into a formula car-chase flick.
My comments are choppy but so is this movie. If you see it and don't laugh, check your pulse. We have only been given a handful of good comedies in the last decade. A Fish Called Wanda is a treasure. **** out of ****.
NOTE: TBS and some other TV networks show this film with the "offensive language" edited out. It kills the movie - if you can't hack the language, pass this one over.