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Directed by | |||
| Charles Crichton | |||
| John Cleese | (uncredited) | ||
Writing credits | ||
| John Cleese | (story) and | |
| Charles Crichton | (story) | |
| John Cleese | (written by) | |
Produced by | |||
| Steve Abbott | .... | executive producer | |
| John Cleese | .... | executive producer | |
| John Comfort | .... | associate producer | |
| Michael Shamberg | .... | producer | |
Original Music by | |||
| John Du Prez | |||
Cinematography by | |||
| Alan Hume | |||
Film Editing by | |||
| John Jympson | |||
Casting by | |||
| Priscilla John | |||
Production Design by | |||
| Roger Murray-Leach | |||
Art Direction by | |||
| John Wood | |||
Set Decoration by | |||
| Stephanie McMillan | |||
Costume Design by | |||
| Hazel Pethig | |||
Makeup Department | |||
| Lynda Armstrong | .... | makeup artist (as Lynda Armstrong-Lawlor) | |
| Paul Engelen | .... | makeup supervisor | |
| Barry Richardson | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Jonathan Benson | .... | assistant director | |
| Melvin Lind | .... | second assistant director | |
| David Skynner | .... | third assistant director | |
Art Department | |||
| Leon Apsey | .... | head of construction | |
| Bruce Bigg | .... | property master | |
| Roy Evans | .... | construction manager | |
| Kevin Phipps | .... | assistant art director | |
| Brian Read | .... | production buyer | |
| Alfie Smith | .... | stand-by property supervisor | |
| Micky Swift | .... | stand-by propman (as Mickey Swift) | |
| Bill Stallion | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Jonathan Bates | .... | sound editor | |
| Gerry Humphreys | .... | sound re-recording mixer | |
| Chris Munro | .... | sound recordist | |
| Andrew Sissons | .... | sound maintenance engineer | |
| Colin Wood | .... | boom operator | |
Special Effects by | |||
| George Gibbs | .... | special effects supervisor | |
| David Watson | .... | special effects technician (as Dave Watson) | |
| Terence J. Cox | .... | special effects technician (uncredited) | |
| Alan Poole | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Alan Church | .... | optical camera (uncredited) | |
Stunts | |||
| Romo Gorrara | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Neil Binney | .... | camera operator | |
| Bob Bremner | .... | gaffer (as Bobby Bremner) | |
| Graham Hall | .... | clapper loader | |
| Simon Hume | .... | focus puller | |
| David James | .... | still photographer | |
| Bill Thornhill | .... | best boy | |
| Jimmy Waters | .... | grip | |
| Jimmy Worley | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Stephen Cornish | .... | wardrobe assistant (as Steve Cornish) | |
| Jenny Hawkins | .... | wardrobe assistant | |
| Ray Usher-Cooper | .... | wardrobe master (as Ray Usher) | |
Editorial Department | |||
| Kevin Phelan | .... | unit projectionist: Mercury Theatres, London | |
| William Webb | .... | assistant film editor | |
| David Barrett | .... | assistant editor (uncredited) | |
| Jonathan Lucas | .... | assistant editor (uncredited) | |
Music Department | |||
| Peter Holt | .... | music editor | |
| André Jacquemin | .... | music producer | |
| Dick Lewzey | .... | orchestral recording | |
| John Williams | .... | musician: solo guitar | |
Transportation Department | |||
| Roy Clarke | .... | driver: Jamie Lee Curtis (uncredited) | |
| Mark White | .... | production driver (uncredited) | |
Other crew | |||
| Andy Birmingham | .... | production accountant | |
| Peter Byck | .... | assistant: Mr. Shamberg, USA | |
| Sophie Clarke-Jervoise | .... | assistant: Dr. Cleese | |
| Pauline Clift | .... | animal supplier | |
| Robert Conway | .... | legal advisor | |
| Nick Daubeny | .... | location manager: Oxford | |
| Diana Dill | .... | continuity | |
| Bill Edwards | .... | unit publicist | |
| Yvonne Heeks | .... | assistant accountant | |
| Ralph Kamp | .... | production assistant | |
| Christopher Knowles | .... | assistant location manager: London | |
| William Lang | .... | location manager | |
| Liz Lehmans | .... | production assistant | |
| Janine Lodge | .... | production coordinator | |
| Ian Miles | .... | financial controller | |
| Alexandra Stone | .... | assistant to producer | |
| Mark Birmingham | .... | production assistant (uncredited) | |
| Yvonne Eastmond | .... | assistant production accountant (uncredited) | |
| Richard Morrison | .... | title designer (uncredited) | |
| Kimberley Vashiell | .... | choreographer (uncredited) | |
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| Trzy kolory: Bialy | Strangers on a Train | Snatch. | Midnight Express | Testosterone |
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'The Fish Called Wanda' and 'Some Like It Hot' are the two best comedies that I have ever seen. They're both very unique films and represent one complete story and manage at same to be devastatingly funny films. They don't need sequels because they are both 'perfect' in their own right. I have seen these films so many times but they always surprise me again and again when I find out how good they are.
'The Fish Called Wanda' is not only well made but also happens to be funny. I call this movie 'the best', which may sound ironical, because Cleese and Palin have even been more funny as Pythons. Also ironical is that Jamie Lee Curtis says only one joke (Aristotle was not...) in the whole film. Kevin Kline is hysterically funny without one-liners and slap-sticks. It is the overall situation that makes the film complete. This is to say, that the film is not at all stuck up with gags but has absolutely right timing for every event. This feature makes the film even better than anything what Monty Python and the Marx Brothers have done. Or at least reaches the same level with them. This film proves that a movie can kill you in laughter using only everyday realism.
A Masterpiece from John Cleese, who proves here that he can be funny even without Pythonity. He actually did the same with 'Fawlty Towers', but as a single film is this the very best. It just works.