Eight Men Out (1988)

Director:

John Sayles

Writers (WGA):

Eliot Asinof (book)
John Sayles (screenplay)

Release Date:

2 September 1988 (USA)

Genre:

Drama | History | Sport

Tagline:

1919. The year America saw major league baseball played a whole new way...underhanded.

Plot:

A dramatization of the Black Sox scandal when the underpaid Chicago White Sox accepted bribes to deliberately lose the 1919 World Series.

Plot Keywords:

World Series | Chicago White Sox | Scandal | Gambler | Baseball

Cast

John Cusack	...	George 'Buck' Weaver
Clifton James	...	Charles 'Commie' Comiskey
Michael Lerner	...	Arnold Rothstein
Christopher Lloyd	...	'Sleepy' Bill Burns
John Mahoney	...	William 'Kid' Gleason
Charlie Sheen	...	Oscar 'Hap' Felsch
David Strathairn	...	Eddie Cicotte
D.B. Sweeney	...	Joseph 'Shoeless Joe' Jackson
Michael Rooker	...	Arnold 'Chick' Gandil
Don Harvey	...	Charles 'Swede' Risberg
James Read	...	Claude 'Lefty' Williams
Perry Lang	...	Fred McMullin
Gordon Clapp	...	Ray Schalk
Jace Alexander	...	Dickie Kerr
Bill Irwin	...	Eddie Collins

Runtime:

119 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Australia:PG | Iceland:L | Canada:PG (Ontario) | Singapore:PG | Finland:S | USA:PG | UK:15

Filming Locations:

Bush Stadium - 1501 W. 16th Street, Indianapolis, Indiana, USA

Company:

Orion Pictures Corporation

Trivia:

According to some sources, the nickname 'Black Sox' was already in use for the Chicago White Sox long before the World Series fixing scandal. It was a reference to owner Charles Comiskey refusing to launder uniforms himself, forcing the players to do it themselves, which inevitably led to uniforms becoming filthy. Other sources, including Eliot Asimov's book 'Eight Men Out', do not mention the team being referred to as the 'Black Sox' before the scandal, however.

Goofs:

Factual errors: When the confessions disappeared, the next newspaper headline shows a date of Feb 2, 1920. The trial for the White Sox scandal didn't even open until June 27, 1921.

Quotes:

Eddie Cicotte: I always figured it was talent made a man big, you know, if I was the best at something. I mean, we're the guys they come to see. Without us, there ain't a ballgame. Yeah, but look at who's holding the money and look at who's facing a jail cell. Talent don't mean nothing. And where's Comiskey and Sullivan, Attell, Rothstein? Out in the back room cutting up profits, that's where. That's the damn conspiracy.

Movie Connections:

Referenced in "Who Wants to Be a Millionaire: (#7.28)" (2008)

Soundtrack:

After You've Gone

Beautiful, Devastating. The Finest Baseball Film Ever Made.

When people talk about their favorite baseball movies, you always hear the same titles being tossed around. Bull Durham, Field of Dreams, and of course, these are terrific movies. But I don't think any one movie has so perfectly caputured the game, the public's love and obsession with it, and how fragile and vulnerable the men whos play it can be. John Sayles movie, from Eliot Asinof's impeccably researched book, so perfectly caputres America in 1919, and paints the Black Sox scandal as a tragedy, whereby men capable of great things are brought down to the level of theives and gangsters by something as simple as greed, and as awful as revenge. What sets this movie apart, to me, is the cast. There is an athleticism about this cast. Charlie Sheen had a scholarship to play ball at Kansas State, and is well known for his passion for baseball. D.B. Sweeney, who is simply remarkable as Shoeless Joe Jackson, the illiterate hitting machine, whose tragedy also spawned the novel Shoeless Joe by W.P. Kinsella, which served as the source for Field of Dreams, played minor league ball before a motorcycle accident ended his career. They look and play like ballplayers. In far too many films there is something horribly fake about the baseball aspect. Some capture baseball scenes perfectly, and simply haven't the emotional, real life depth that a movie needs, while others capture plenty on the emotional side but fall short in terms of the realism on the field. This movie is a rare GEM that captures both so well. The acting is terrific. Sweeny, as said, does a fantastic job, as do John Mahoney as the team's manager, and the terrific character player Michael Rooker (who oddly is only good in movies where he isn't highly billed...for example, don't see Jean Claude Van Damme and Michael Rooker in Replicant...) as Chick Gandil, the first baseman whose shady connections initiate the whole gambling scenario. But the standout performance has to be John Cusack as third-baseman Buck Weaver. His being drawn into the scandal's backlash is by far the most devastating part of this film, as he is the moral center of the film, torn between his love of his teammates, and his loyalty to the integrity of a game he loves, and never got over the loss of. Simply Remarkable.