IMDb > "Dekalog" Dekalog, cztery (1990)
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"Dekalog" Dekalog, cztery (1990)


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Overview

User Rating:
8.4/10   1,227 votes
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Writers:
Krzysztof Piesiewicz (written by) &
Krzysztof Kieslowski (written by)
Contact:
View company contact information for Dekalog, cztery on IMDbPro.
TV Series:
Original Air Date:
25 May 1990 (Season 1, Episode 4)
Genre:
Plot:
"Honour thy father and thy mother". Young Anka and her father have lived together since her mother's death... more | add synopsis
User Reviews:
A Tease more (9 total)

Cast

  (Episode Complete credited cast)
Adrianna Biedrzynska ... Anka
Janusz Gajos ... Michal
Artur Barcis ... Young Man
Adam Hanuszkiewicz ... Professor
Jan Tesarz ... Taxi Driver
Andrzej Blumenfeld ... Michal's friend
Tomasz Kozlowicz ... Jarek
Elzbieta Kilarska ... Jarek's mother
Helena Norowicz ... Doctor
rest of cast listed alphabetically:
Aleksander Bardini
Igor Smialowski
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Additional Details

Also Known As:
Dekalog: Decalogue Four: Honor Thy Father and Thy Mother (#1.4) (International: English title)
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Runtime:
55 min | USA:57 min | Argentina:59 min
Country:
Language:
Color:
Sound Mix:
Certification:
Filming Locations:

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5 out of 14 people found the following review useful.
A Tease, 29 December 2000
Author: simuland from San Franciso

Flirts with the sexual ambiguity of the father-daughter relationship. A mysterious letter left by her dead mother to be opened only upon her father's death disinhibits the daughter's Electra complex. The father, of course, is complicit in its opening. The movie, deliciously slippery and sly, matches its playful ambiguity to that of its subject matter; appearances are skillfully manipulated, realities shift. The friendly sexual antagonism is the female counterpart to the Oedipal hostility of Polanski's Knife in the Water.

Like the artificially notched-up conflict in III, there's a long unconvincing scene of direct confrontation between father and daughter at the heart of the movie that would have been better toned down or left out; the daughter's acting lessons similarly could have been deleted or minimized (we don't need to be told about subtext); both are too expository, too obvious, and detract from the momentum. Intrusive symbolism takes the form of a man repeatedly seen carrying a white diamond-shaped punt, i.e., for all intents and purposes a cross, which I found inadvertently funny. I thought the plot reversal near the end ingenuous; others have complained. After all, the letter and its contents are trivial compared to what they represent psychologically. It's a tease.

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