| Hugh Quarshie | ... | Father Gus | |
| Tomas Arana | ... | Evan | |
| Feodor Chaliapin Jr. | ... | The Bishop | |
| Barbara Cupisti | ... | Lisa | |
| Antonella Vitale | ... | Bridal Model | |
| Giovanni Lombardo Radice | ... | Reverend | |
| Asia Argento | ... | Lotte | |
| Roberto Caruso | ... | Freddie | |
| Roberto Corbiletto | ... | Hermann, the Sacristan | |
| Alina De Simone | ... | Lottie's Mother | |
| Olivia Cupisti | ... | Mira | |
| Gianfranco De Grassi | ... | The Accuser | |
| Claire Hardwick | ... | Joanna | |
| Lars Jorgenson | ... | Bruno | |
| John Karlsen | ... | Heinrich | |
| Katherine Bell Marjorie | ... | Heinrich's Wife | |
| Riccardo Minervini | ... | Schoolboy | |
| Enrico Osterman | ... | The Torturer | |
| Micaela Pignatelli | ... | Fashion shoot photographer | |
| Patrizia Punzo | ... | Miss Brückner | |
| John Richardson | ... | Architect | |
| Matteo Rocchietta | ... | Younger Schoolboy | |
| rest of cast listed alphabetically: | |||
| Michele Soavi | ... | 1st Policeman at Lisa's House (uncredited) | |
Directed by | |||
| Michele Soavi | |||
Writing credits(in alphabetical order) | ||
| Nick Alexander | dialogue: English version | |
| Dario Argento | writer | |
| Fabrizio Bava | prologue (uncredited) | |
| Lamberto Bava | uncredited | |
| Franco Ferrini | writer | |
| M.R. James | story "The Treasure of Abbot Thomas" (uncredited) | |
| Dardano Sacchetti | uncredited | |
| Michele Soavi | writer | |
Produced by | |||
| Dario Argento | .... | producer | |
| Mario Cecchi Gori | .... | producer | |
| Vittorio Cecchi Gori | .... | producer | |
Original Music by | |||
| Keith Emerson | |||
| Philip Glass | |||
| Goblin | |||
| Fabio Pignatelli | |||
Cinematography by | |||
| Renato Tafuri | |||
Film Editing by | |||
| Franco Fraticelli | |||
Production Design by | |||
| Massimo Antonello Geleng | |||
Costume Design by | |||
| Maurizio Paiola | |||
Makeup Department | |||
| Laura Borselli | .... | makeup artist | |
| Franco Casagni | .... | makeup artist | |
| Piero Cucchi | .... | hair stylist | |
| Assunta Emidi | .... | hair stylist | |
| Rosario Prestopino | .... | makeup artist | |
Production Management | |||
| Giuseppe Mangogna | .... | executive in charge of production | |
| Saverio Margogna | .... | unit manager | |
| Ezio Orita | .... | production secretary | |
Second Unit Director or Assistant Director | |||
| Filiberto Fiaschi | .... | assistant director | |
Art Department | |||
| Fabio Altamura | .... | props | |
| Daniela Giovannoni | .... | assistant set designer | |
| Osvaldo Monaco | .... | props | |
| Barbara Morosetti | .... | assistant designer: special scenic creations | |
| Caterina Napoleone | .... | set dresser | |
| G.P. Postgione | .... | set furnishing | |
| Antigone Predatori | .... | carpenter | |
| E. Rancati | .... | set furnishing | |
| E. Rancoti | .... | set furnishing | |
| Sergio Stivaletti | .... | special scenic effects | |
| Aldo Taloni | .... | set construction chief | |
| E. Tappezzeri | .... | carpenter | |
Sound Department | |||
| Luca Anzellotti | .... | sound effects editor | |
| Luciano Anzellotti | .... | additional sound effects (as L. Anzellotti) | |
| Massimo Anzellotti | .... | additional sound effects (as M. Anzellotti) | |
| Mauro Anzelotti | .... | additional sound effects soundtrack | |
| Claudio Paolucci | .... | boom operator | |
| Giulio Viggiani | .... | production sound mixer | |
Special Effects by | |||
| Renato Agostini | .... | special effects | |
| Danilo Bollettini | .... | special effects | |
| Massimo Cristofanelli | .... | special effects | |
| Sergio Stivaletti | .... | special effects | |
Stunts | |||
| Arnaldo Dell'Acqua | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Alessandro Carlotto | .... | camera operator | |
| Maurizio Cremisini | .... | assistant camera (as Maurizio Cremesini) | |
| Enrico Maggi | .... | camera operator | |
| Fernando Massaccesi | .... | gaffer | |
| Nicola Pecorini | .... | Steadicam operator | |
| Augusto Proietti | .... | key grip | |
| Alfonso Vicari | .... | assistant camera | |
| Franco Vitale | .... | still photographer | |
Costume and Wardrobe Department | |||
| Claudio Antonucci | .... | wardrobe assistant | |
| Carla Latini | .... | dress maker | |
Editorial Department | |||
| Piero Bozza | .... | first assistant editor | |
| Roberto Priori | .... | second assistant editor | |
Music Department | |||
| Max Carola | .... | composer: additional music | |
| Max Carola | .... | conductor | |
| Martin Goldray | .... | musician: synthesizer, Philip Glass pieces | |
| Massimo Morante | .... | musician (as Goblin) | |
| Fabio Pignatelli | .... | musician (as Goblin) | |
Other crew | |||
| Marisa Calia | .... | continuity | |
| Carlo Cestari | .... | paymaster | |
| Carlo Du Bois | .... | production accountant | |
| Maurizio Garrone | .... | animal trainer | |
| Claudio Lattanzi | .... | assistant to director | |
| Enrico Lucherini | .... | unit publicist | |
| Enzo Orita | .... | production secretary | |
| Grunwald Martino P. | .... | animal supplier | |
| Gianluca Pignatelli | .... | unit publicist | |
| Daniela Rocco | .... | production secretary | |
| Marco Stefanelli | .... | animal supplier | |
| Sergio Stivaletti | .... | special scenic creations | |
| Antonella Villanti | .... | bookkeeper (as Antonella Villaniti) | |
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After making the excellent slasher Deliria (1987), director Michele Soavi collaborated with genre master Dario Argento to produce this above-average tale of demonic evils.
Church constructed upon the mass grave of some medieval witches begins to unleash demons upon its subjects.
Soavi gives La Chiesa such great visual style and inventive direction that it becomes one of the most beautifully atmospheric Italian horror films out there. The storyline falls short at times with some thin plotting, but there isn't a dull moment in this surreal journey. It's a solidly well made film, with some nice special effects, slick cinematography, and colorful imagery. There's a number of dream like scenes in the film and a few unforgettably shocking ones, like the subway escape scene.
Goblin and Keith Emerson provides a unique and beautiful music score that's downright powerful.
The cast also helps to carry the film. Attractive Tomas Arana and Barbara Cupisti make for good leads. Argento's daughter Asia Argento appears as a youngster in the film. The supporting cast is also in good form, despite the English dubbing.
All around, La Chiesa is a great European horror film, especially seen in a technical light or just for style. But horror genre fans will find plenty to enjoy as well.
*** 1/2 out of ****