| Hugh Quarshie | ... | Father Gus | |
| Tomas Arana | ... | Evan | |
| Feodor Chaliapin Jr. | ... | The Bishop | |
| Barbara Cupisti | ... | Lisa | |
| Antonella Vitale | ... | Bridal Model | |
| Giovanni Lombardo Radice | ... | Reverend | |
| Asia Argento | ... | Lotte | |
| Roberto Caruso | ... | Freddie | |
| Roberto Corbiletto | ... | Hermann, the Sacristan | |
| Alina De Simone | ... | Lottie's Mother | |
| Olivia Cupisti | ... | Mira | |
| Gianfranco De Grassi | ... | The Accuser | |
| Claire Hardwick | ... | Joanna | |
| Lars Jorgenson | ... | Bruno | |
| John Karlsen | ... | Heinrich | |
| Katherine Bell Marjorie | ... | Heinrich's Wife | |
| Riccardo Minervini | ... | Schoolboy | |
| Enrico Osterman | ... | The Torturer | |
| Micaela Pignatelli | ... | Fashion shoot photographer | |
| Patrizia Punzo | ... | Miss Brückner | |
| John Richardson | ... | Architect | |
| Matteo Rocchietta | ... | Younger Schoolboy | |
| rest of cast listed alphabetically: | |||
| Michele Soavi | ... | 1st Policeman at Lisa's House (uncredited) | |
Directed by | |||
| Michele Soavi | |||
Writing credits(in alphabetical order) | ||
| Nick Alexander | dialogue: English version | |
| Dario Argento | writer | |
| Fabrizio Bava | prologue (uncredited) | |
| Lamberto Bava | uncredited | |
| Franco Ferrini | writer | |
| M.R. James | story "The Treasure of Abbot Thomas" (uncredited) | |
| Dardano Sacchetti | uncredited | |
| Michele Soavi | writer | |
Produced by | |||
| Dario Argento | .... | producer | |
| Mario Cecchi Gori | .... | producer | |
| Vittorio Cecchi Gori | .... | producer | |
Original Music by | |||
| Keith Emerson | |||
| Philip Glass | |||
| Goblin | |||
| Fabio Pignatelli | |||
Cinematography by | |||
| Renato Tafuri | |||
Film Editing by | |||
| Franco Fraticelli | |||
Production Design by | |||
| Massimo Antonello Geleng | |||
Costume Design by | |||
| Maurizio Paiola | |||
Makeup Department | |||
| Laura Borselli | .... | makeup artist | |
| Franco Casagni | .... | makeup artist | |
| Piero Cucchi | .... | hair stylist | |
| Assunta Emidi | .... | hair stylist | |
| Rosario Prestopino | .... | makeup artist | |
Production Management | |||
| Giuseppe Mangogna | .... | executive in charge of production | |
| Saverio Margogna | .... | unit manager | |
| Ezio Orita | .... | production secretary | |
Second Unit Director or Assistant Director | |||
| Filiberto Fiaschi | .... | assistant director | |
Art Department | |||
| Fabio Altamura | .... | props | |
| Daniela Giovannoni | .... | assistant set designer | |
| Osvaldo Monaco | .... | props | |
| Barbara Morosetti | .... | assistant designer: special scenic creations | |
| Caterina Napoleone | .... | set dresser | |
| G.P. Postgione | .... | set furnishing | |
| Antigone Predatori | .... | carpenter | |
| E. Rancati | .... | set furnishing | |
| E. Rancoti | .... | set furnishing | |
| Sergio Stivaletti | .... | special scenic effects | |
| Aldo Taloni | .... | set construction chief | |
| E. Tappezzeri | .... | carpenter | |
Sound Department | |||
| Luca Anzellotti | .... | sound effects editor | |
| Luciano Anzellotti | .... | additional sound effects (as L. Anzellotti) | |
| Massimo Anzellotti | .... | additional sound effects (as M. Anzellotti) | |
| Mauro Anzelotti | .... | additional sound effects soundtrack | |
| Claudio Paolucci | .... | boom operator | |
| Giulio Viggiani | .... | production sound mixer | |
Special Effects by | |||
| Renato Agostini | .... | special effects | |
| Danilo Bollettini | .... | special effects | |
| Massimo Cristofanelli | .... | special effects | |
| Sergio Stivaletti | .... | special effects | |
Stunts | |||
| Arnaldo Dell'Acqua | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Alessandro Carlotto | .... | camera operator | |
| Maurizio Cremisini | .... | assistant camera (as Maurizio Cremesini) | |
| Enrico Maggi | .... | camera operator | |
| Fernando Massaccesi | .... | gaffer | |
| Nicola Pecorini | .... | Steadicam operator | |
| Augusto Proietti | .... | key grip | |
| Alfonso Vicari | .... | assistant camera | |
| Franco Vitale | .... | still photographer | |
Costume and Wardrobe Department | |||
| Claudio Antonucci | .... | wardrobe assistant | |
| Carla Latini | .... | dress maker | |
Editorial Department | |||
| Piero Bozza | .... | first assistant editor | |
| Roberto Priori | .... | second assistant editor | |
Music Department | |||
| Max Carola | .... | composer: additional music | |
| Max Carola | .... | conductor | |
| Martin Goldray | .... | musician: synthesizer, Philip Glass pieces | |
| Massimo Morante | .... | musician (as Goblin) | |
| Fabio Pignatelli | .... | musician (as Goblin) | |
Other crew | |||
| Marisa Calia | .... | continuity | |
| Carlo Cestari | .... | paymaster | |
| Carlo Du Bois | .... | production accountant | |
| Maurizio Garrone | .... | animal trainer | |
| Claudio Lattanzi | .... | assistant to director | |
| Enrico Lucherini | .... | unit publicist | |
| Enzo Orita | .... | production secretary | |
| Grunwald Martino P. | .... | animal supplier | |
| Gianluca Pignatelli | .... | unit publicist | |
| Daniela Rocco | .... | production secretary | |
| Marco Stefanelli | .... | animal supplier | |
| Sergio Stivaletti | .... | special scenic creations | |
| Antonella Villanti | .... | bookkeeper (as Antonella Villaniti) | |
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In the middle ages a group of Knights slaughter a village full of suspected devil worshippers and a large cathedral is built on their burial pit. The church is now being reworked on, and when the seal from the crypt is broken by the new librarian Evan, slowly the occupants become possessed. An ancient mechanism is triggered off and a group of visitors find themselves locked inside with this relentless terror of madness and lust.
If you could ever say style very much over substance, director Michele Sovai's lavish Gothic horror piece "The Church" falls comfortably into that category. Originally it was going to be the third entry of the "Demons" films, But Sovai shaped it into what he wanted. Obviously the familiar groundwork of those films is still presented here, as this time the action takes place in a church where the trapped characters are eventually possessed. However it does take its time before the demented mayhem eventually erupts. Even then the splatter isn't particularly grisly, with more concern on the brooding atmosphere, striking art direction and gorgeously shot set pieces. The pacing might be terribly bumpy, but Renato Tafuri's dramatic flashes with the camera provide the film's main energy. Even the musical score by Keith Emerson and The Goblins stays fairly sombre, but poignantly effective nonetheless. What really lets this one down is the messy and inconsistent writing. Dario Argento, Franco Ferrini and Michele Soavi contributed to the material. Too much of it seems rushed and undeveloped, where the base of it was an inventive reworking that well thought-out, but there's too many loose ends. The script is pretty simple-minded, even with its religious structure, but it's not as compelling as it should be. At least your eyes have something to glaze over as Sovai's slow-grinding and densely detailed approach infuses some visually poetic images with a slowly surreal and claustrophobic feel making its way in. He makes great use of the shadows and lighting within well-etched infrastructure of the ominously sedate, but remarkably succulent looking cathedral. The demon make-up effects are well-exercised and look disturbingly menacing. Performances are hard to judge, because characters do seem to come and go. Tom Arana, Hugh Quarshie and Barbara Cupisti are solid. Also there's a fine turn by Feodor Chaliapin Jr. as the tormented Bishop and a young Asia Argento really does impress with her talented performance.
Accomplished direction, professionally catered production and a polished look help out on the problems facing its flat, confused material. Worth-a-look.