IMDb > La chiesa (1989)
La chiesa
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La chiesa (1989) More at IMDbPro »


Overview

User Rating:
6.1/10   1,486 votes
MOVIEmeter: ?
Down 17% in popularity this week. See why on IMDbPro.
Director:
Michele Soavi
Writers:
Nick Alexander (dialogue: English version)
Dario Argento (writer)
(more)
Contact:
View company contact information for La chiesa on IMDbPro.
Release Date:
10 March 1989 (Italy) more
Genre:
Fantasy | Horror more
Tagline:
It will make you squirm. more
Plot:
An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth. full summary | add synopsis
NewsDesk:
Greatest Scream Queens
 (From SoundOnSight. 1 September 2009, 12:00 PM, PDT)

User Comments:
Say a little prayer. more (49 total)

Cast

  (in credits order) (verified as complete)
Hugh Quarshie ... Father Gus

Tomas Arana ... Evan
Feodor Chaliapin Jr. ... The Bishop
Barbara Cupisti ... Lisa
Antonella Vitale ... Bridal Model
Giovanni Lombardo Radice ... Reverend

Asia Argento ... Lotte
Roberto Caruso ... Freddie
Roberto Corbiletto ... Hermann, the Sacristan
Alina De Simone ... Lottie's Mother
Olivia Cupisti ... Mira
Gianfranco De Grassi ... The Accuser
Claire Hardwick ... Joanna
Lars Jorgenson ... Bruno
John Karlsen ... Heinrich
Katherine Bell Marjorie ... Heinrich's Wife
Riccardo Minervini ... Schoolboy
Enrico Osterman ... The Torturer
Micaela Pignatelli ... Fashion shoot photographer
Patrizia Punzo ... Miss Brückner
John Richardson ... Architect
Matteo Rocchietta ... Younger Schoolboy
rest of cast listed alphabetically:
Michele Soavi ... 1st Policeman at Lisa's House (uncredited)
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Directed by
Michele Soavi 
 
Writing credits
(in alphabetical order)
Nick Alexander  dialogue: English version
Dario Argento  writer
Fabrizio Bava  prologue (uncredited)
Lamberto Bava  uncredited
Franco Ferrini  writer
M.R. James  story "The Treasure of Abbot Thomas" (uncredited)
Dardano Sacchetti  uncredited
Michele Soavi  writer

Produced by
Dario Argento .... producer
Mario Cecchi Gori .... producer
Vittorio Cecchi Gori .... producer
 
Original Music by
Keith Emerson 
Philip Glass 
Goblin 
Fabio Pignatelli 
 
Cinematography by
Renato Tafuri 
 
Film Editing by
Franco Fraticelli 
 
Production Design by
Massimo Antonello Geleng 
 
Costume Design by
Maurizio Paiola 
 
Makeup Department
Laura Borselli .... makeup artist
Franco Casagni .... makeup artist
Piero Cucchi .... hair stylist
Assunta Emidi .... hair stylist
Rosario Prestopino .... makeup artist
 
Production Management
Giuseppe Mangogna .... executive in charge of production
Saverio Margogna .... unit manager
Ezio Orita .... production secretary
 
Second Unit Director or Assistant Director
Filiberto Fiaschi .... assistant director
 
Art Department
Fabio Altamura .... props
Daniela Giovannoni .... assistant set designer
Osvaldo Monaco .... props
Barbara Morosetti .... assistant designer: special scenic creations
Caterina Napoleone .... set dresser
G.P. Postgione .... set furnishing
Antigone Predatori .... carpenter
E. Rancati .... set furnishing
E. Rancoti .... set furnishing
Sergio Stivaletti .... special scenic effects
Aldo Taloni .... set construction chief
E. Tappezzeri .... carpenter
 
Sound Department
Luca Anzellotti .... sound effects editor
Luciano Anzellotti .... additional sound effects (as L. Anzellotti)
Massimo Anzellotti .... additional sound effects (as M. Anzellotti)
Mauro Anzelotti .... additional sound effects soundtrack
Claudio Paolucci .... boom operator
Giulio Viggiani .... production sound mixer
 
Special Effects by
Renato Agostini .... special effects
Danilo Bollettini .... special effects
Massimo Cristofanelli .... special effects
Sergio Stivaletti .... special effects
 
Stunts
Arnaldo Dell'Acqua .... stunt coordinator
 
Camera and Electrical Department
Alessandro Carlotto .... camera operator
Maurizio Cremisini .... assistant camera (as Maurizio Cremesini)
Enrico Maggi .... camera operator
Fernando Massaccesi .... gaffer
Nicola Pecorini .... Steadicam operator
Augusto Proietti .... key grip
Alfonso Vicari .... assistant camera
Franco Vitale .... still photographer
 
Costume and Wardrobe Department
Claudio Antonucci .... wardrobe assistant
Carla Latini .... dress maker
 
Editorial Department
Piero Bozza .... first assistant editor
Roberto Priori .... second assistant editor
 
Music Department
Max Carola .... composer: additional music
Max Carola .... conductor
Martin Goldray .... musician: synthesizer, Philip Glass pieces
Massimo Morante .... musician (as Goblin)
Fabio Pignatelli .... musician (as Goblin)
 
Other crew
Marisa Calia .... continuity
Carlo Cestari .... paymaster
Carlo Du Bois .... production accountant
Maurizio Garrone .... animal trainer
Claudio Lattanzi .... assistant to director
Enrico Lucherini .... unit publicist
Enzo Orita .... production secretary
Grunwald Martino P. .... animal supplier
Gianluca Pignatelli .... unit publicist
Daniela Rocco .... production secretary
Marco Stefanelli .... animal supplier
Sergio Stivaletti .... special scenic creations
Antonella Villanti .... bookkeeper (as Antonella Villaniti)
 

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Additional Details

Also Known As:
Cathedral of Demons
Demon Cathedral
Demons 3
In the Land of the Demons
The Church
more
Runtime:
102 min | USA:98 min (R-rated version)
Country:
Italy
Color:
Color (Eastmancolor)
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Mono
Filming Locations:
Budapest, Hungary more
Company:
ADC Films more

Fun Stuff

Trivia:
Though it was originally conceived as another entry in the popular Demons series, director Michele Soavi insisted that the film stand alone and not be connected with the films Dèmoni (1985) or Dèmoni 2: L'incubo ritorna (1986). In an interview Soavi referred to the Demons films as 'pizza schlock' and wanted La Chiesa to be more sophisticated. more
Quotes:
Hermann, the Sacristan: [to Lottie] Filthy liar! Here we'll wash your mouth out with soap, here!
Lottie's Mother: Don't make me wait for those onions Hermann
more
Movie Connections:
Featured in Dario Argento: Master of Horror (1991) more
Soundtrack:
The Wire Blaze more

FAQ

This FAQ is empty. Add the first question.
2 out of 2 people found the following comment useful.
Say a little prayer., 16 August 2007
7/10
Author: lost-in-limbo from the Mad Hatter's tea party.

In the middle ages a group of Knights slaughter a village full of suspected devil worshippers and a large cathedral is built on their burial pit. The church is now being reworked on, and when the seal from the crypt is broken by the new librarian Evan, slowly the occupants become possessed. An ancient mechanism is triggered off and a group of visitors find themselves locked inside with this relentless terror of madness and lust.

If you could ever say style very much over substance, director Michele Sovai's lavish Gothic horror piece "The Church" falls comfortably into that category. Originally it was going to be the third entry of the "Demons" films, But Sovai shaped it into what he wanted. Obviously the familiar groundwork of those films is still presented here, as this time the action takes place in a church where the trapped characters are eventually possessed. However it does take its time before the demented mayhem eventually erupts. Even then the splatter isn't particularly grisly, with more concern on the brooding atmosphere, striking art direction and gorgeously shot set pieces. The pacing might be terribly bumpy, but Renato Tafuri's dramatic flashes with the camera provide the film's main energy. Even the musical score by Keith Emerson and The Goblins stays fairly sombre, but poignantly effective nonetheless. What really lets this one down is the messy and inconsistent writing. Dario Argento, Franco Ferrini and Michele Soavi contributed to the material. Too much of it seems rushed and undeveloped, where the base of it was an inventive reworking that well thought-out, but there's too many loose ends. The script is pretty simple-minded, even with its religious structure, but it's not as compelling as it should be. At least your eyes have something to glaze over as Sovai's slow-grinding and densely detailed approach infuses some visually poetic images with a slowly surreal and claustrophobic feel making its way in. He makes great use of the shadows and lighting within well-etched infrastructure of the ominously sedate, but remarkably succulent looking cathedral. The demon make-up effects are well-exercised and look disturbingly menacing. Performances are hard to judge, because characters do seem to come and go. Tom Arana, Hugh Quarshie and Barbara Cupisti are solid. Also there's a fine turn by Feodor Chaliapin Jr. as the tormented Bishop and a young Asia Argento really does impress with her talented performance.

Accomplished direction, professionally catered production and a polished look help out on the problems facing its flat, confused material. Worth-a-look.

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