| Michael Murphy | ... | Jack Tanner (11 episodes, 1988) | |
| Pamela Reed | ... | T.J. Cavanaugh (11 episodes, 1988) | |
| Daniel Jenkins | ... | Stringer Kincaid (11 episodes, 1988) | |
| Matt Malloy | ... | Deke Connors (11 episodes, 1988) | |
| Ilana Levine | ... | Andrea Spinelli (11 episodes, 1988) | |
| Cynthia Nixon | ... | Alex Tanner (10 episodes, 1988) | |
| Jim Fyfe | ... | Emile Berkoff (10 episodes, 1988) | |
| Veronica Cartwright | ... | Molly Hark (10 episodes, 1988) | |
| Frank Barhydt | ... | Frank Gatling (9 episodes, 1988) | |
| Sandra Bowie | ... | Stevie Chevalier (8 episodes, 1988) | |
| Wendy Crewson | ... | Joanna Buckley (8 episodes, 1988) | |
| Kevin J. O'Connor | ... | Hayes Taggerty (7 episodes, 1988) | |
| Richard Cox | ... | David Seidelman (7 episodes, 1988) | |
| Greg Procaccino | ... | Barney Kittman (7 episodes, 1988) |
Series Directed by | |||
| Robert Altman | (11 episodes, 1988) | ||
Series Writing credits | ||
| Garry Trudeau | (11 episodes, 1988) | |
Series Produced by | |||
| Scott Bushnell | .... | producer (11 episodes, 1988) | |
| Robert Altman | .... | executive producer (unknown episodes) | |
| Zennia M. Barahona | .... | post-production producer (unknown episodes) | |
| Frank Barhydt | .... | associate producer (unknown episodes) | |
| Mark Jaffee | .... | line producer (unknown episodes) | |
| Matthew Seig | .... | associate producer (unknown episodes) | |
| Garry Trudeau | .... | executive producer (unknown episodes) | |
Series Cinematography by | |||
| Jean Lépine | (unknown episodes) | ||
Series Film Editing by | |||
| Sean-Michael Connor | (unknown episodes) | ||
| Alison Ellwood | (unknown episodes) | ||
| Mark Fish | (unknown episodes) | ||
| Ruth Foster | (unknown episodes) | ||
| Dorian Harris | (unknown episodes) | ||
Series Production Design by | |||
| Stephen Altman | (unknown episodes) | ||
Series Art Direction by | |||
| Stephen Altman | (unknown episodes) | ||
Series Costume Design by | |||
| Kristine Flones | (unknown episodes) | ||
Series Makeup Department | |||
| Kristine Flones | .... | makeup artist (unknown episodes) | |
Series Second Unit Director or Assistant Director | |||
| Albert B. Cooper IV | .... | assistant director (unknown episodes) | |
Series Art Department | |||
| Jacqueline Arnot | .... | assistant property master (1 episode, 1988) | |
| Jerry Fleming | .... | property master (unknown episodes) | |
| Peter M. Gurski | .... | props (unknown episodes) | |
Series Sound Department | |||
| John Alberts | .... | sound post-production (unknown episodes) | |
| Laura Derrick | .... | boom operator (unknown episodes) | |
| George Leong | .... | boom operator (unknown episodes) | |
| Steve Ning | .... | sound mixer (unknown episodes) | |
Series Camera and Electrical Department | |||
| Michael Gulbin | .... | key grip (unknown episodes) | |
| Mitch Gulbin | .... | best boy grip (unknown episodes) | |
| Denis Hann | .... | grip (unknown episodes) | |
| Tom McGrath | .... | assistant camera (unknown episodes) | |
| Don Muchow | .... | gaffer (unknown episodes) | |
| Wally Pfister | .... | camera operator: second unit (unknown episodes) | |
| Al Vasquez | .... | video technician (unknown episodes) | |
Series Editorial Department | |||
| R.T. Burden | .... | on-line editor (unknown episodes) | |
| Rob Kobrin | .... | assistant editor (unknown episodes) | |
| Judith Sobol | .... | additional editor (unknown episodes) | |
| Bill Stephan | .... | on-line editor (unknown episodes) | |
| Douglas Tishman | .... | on-line editor (unknown episodes) | |
Series Other crew | |||
| Matthew R. Altman | .... | production assistant (unknown episodes) | |
| Sidney Blumenthal | .... | political consultant (unknown episodes) | |
| Anthony De Fonzo | .... | utilities (unknown episodes) | |
| Christine Guarnaccia | .... | script supervisor (unknown episodes) | |
| Robert Hilferty | .... | production assistant (unknown episodes) | |
| Anne Kaplan | .... | production assistant (unknown episodes) | |
| Cathy Keller | .... | publicist (unknown episodes) | |
| Jack Kney | .... | location manager (unknown episodes) | |
| Michael McCormick | .... | production auditor (unknown episodes) | |
| Tom Milo | .... | location manager (unknown episodes) | |
| Allan F. Nicholls | .... | stage manager (unknown episodes) | |
| Wendy Lee Roberts | .... | script supervisor (unknown episodes) | |
| Valerie Ross | .... | production coordinator (unknown episodes) | |
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After a contentious decade for Robert Altman, during which he was pretty much shunned by the Hollywood system and made some of his worst films, it's only fitting that he should cap the decade off with an absolute triumph, this absorbing mini-series made for HBO.
I don't know why it took so long for someone to pair "Doonesbury" writer Garry Trudeau with Altman, because in retrospect, it seems like a match made in heaven. Both have the exact same sarcastic sense of humor and the talent for seeing the absurd in the mundane. They crafted a fascinating look into the world of political machinations, following the story of fictitious 1988 presidential candidate Jack Tanner but setting it against the real world of the democratic primaries. Therefore, actual members of the political scene at the time interact with star Michael Murphy as if he's a real presidential nominee, and the viewer is never sure what action is authentic and what is staged.
Murphy is superb as Tanner, and he's perfectly cast. Tanner is handsome and charismatic enough to make a fairly successful run for the nomination, but he's too bland and too nice to make it all the way. The series examines one of the major conundrums about American politics: to have a candidate with conviction and good ideas isn't enough. He must also be a personality and be able to navigate the tricky terrain of the American media, with the result that those who go farthest are those who know how to work the system, not those who are most honest. "Tanner '88" captured perfectly my own feelings about presidential elections. On the one hand, they're of supreme importance, because they determine who will be the leader of one of the most powerful nations in the world. But on the other hand, they seem like such pointless exercises, and it's hard to muster up the energy to care time after time.
But one of the strongest and most serious points made by this series comes in an episode in which Tanner visits the slums of Detroit in his home state of Michigan. He realizes that he is completely out of touch with the very people he promises to help, and has no clue about what their lives are really like. That's painfully true about our own leadership -- it was in 1988 and still is today. There's a vast and probably insurmountable gap between the privileged few who ever have the remotest hope of being president and the millions of average Americans over whom they govern.
All of the acting in "Tanner '88" is sensational, to the point where I forgot I wasn't just watching real people being filmed by a documentary filmmaker. Most notable are Pamela Reed, as Tanner's campaign manager, Cynthia Nixon, as his overbearing and very young daughter, and E.G. Marshall, who makes a few memorable appearances as Tanner's awful father.
This is a must see for Altman fans, or really anyone with an interest in American politics.
Grade: A+