| Photos (see all 3 | slideshow) |
| Michael Murphy | ... | Jack Tanner (11 episodes, 1988) | |
| Pamela Reed | ... | T.J. Cavanaugh (11 episodes, 1988) | |
| Daniel Jenkins | ... | Stringer Kincaid (11 episodes, 1988) | |
| Matt Malloy | ... | Deke Connors (11 episodes, 1988) | |
| Ilana Levine | ... | Andrea Spinelli (11 episodes, 1988) | |
| Cynthia Nixon | ... | Alex Tanner (10 episodes, 1988) | |
| Jim Fyfe | ... | Emile Berkoff (10 episodes, 1988) | |
| Veronica Cartwright | ... | Molly Hark (10 episodes, 1988) | |
| Frank Barhydt | ... | Frank Gatling (9 episodes, 1988) | |
| Sandra Bowie | ... | Stevie Chevalier (8 episodes, 1988) | |
| Wendy Crewson | ... | Joanna Buckley (8 episodes, 1988) | |
| Kevin J. O'Connor | ... | Hayes Taggerty (7 episodes, 1988) | |
| Richard Cox | ... | David Seidelman (7 episodes, 1988) | |
| Greg Procaccino | ... | Barney Kittman (7 episodes, 1988) |
Series Directed by | |||
| Robert Altman | (11 episodes, 1988) | ||
Series Writing credits | ||
| Garry Trudeau | (11 episodes, 1988) | |
Series Produced by | |||
| Scott Bushnell | .... | producer (11 episodes, 1988) | |
| Robert Altman | .... | executive producer (unknown episodes) | |
| Zennia M. Barahona | .... | post-production producer (unknown episodes) | |
| Frank Barhydt | .... | associate producer (unknown episodes) | |
| Mark Jaffee | .... | line producer (unknown episodes) | |
| Matthew Seig | .... | associate producer (unknown episodes) | |
| Garry Trudeau | .... | executive producer (unknown episodes) | |
Series Cinematography by | |||
| Jean Lépine | (unknown episodes) | ||
Series Film Editing by | |||
| Sean-Michael Connor | (unknown episodes) | ||
| Alison Ellwood | (unknown episodes) | ||
| Mark Fish | (unknown episodes) | ||
| Ruth Foster | (unknown episodes) | ||
| Dorian Harris | (unknown episodes) | ||
Series Production Design by | |||
| Stephen Altman | (unknown episodes) | ||
Series Art Direction by | |||
| Stephen Altman | (unknown episodes) | ||
Series Costume Design by | |||
| Kristine Flones | (unknown episodes) | ||
Series Makeup Department | |||
| Kristine Flones | .... | makeup artist (unknown episodes) | |
Series Second Unit Director or Assistant Director | |||
| Albert B. Cooper IV | .... | assistant director (unknown episodes) | |
Series Art Department | |||
| Jacqueline Arnot | .... | assistant property master (1 episode, 1988) | |
| Jerry Fleming | .... | property master (unknown episodes) | |
| Peter M. Gurski | .... | props (unknown episodes) | |
Series Sound Department | |||
| John Alberts | .... | sound post-production (unknown episodes) | |
| Laura Derrick | .... | boom operator (unknown episodes) | |
| George Leong | .... | boom operator (unknown episodes) | |
| Steve Ning | .... | sound mixer (unknown episodes) | |
Series Camera and Electrical Department | |||
| Michael Gulbin | .... | key grip (unknown episodes) | |
| Mitch Gulbin | .... | best boy grip (unknown episodes) | |
| Denis Hann | .... | grip (unknown episodes) | |
| Tom McGrath | .... | assistant camera (unknown episodes) | |
| Don Muchow | .... | gaffer (unknown episodes) | |
| Wally Pfister | .... | camera operator: second unit (unknown episodes) | |
| Al Vasquez | .... | video technician (unknown episodes) | |
Series Editorial Department | |||
| R.T. Burden | .... | on-line editor (unknown episodes) | |
| Rob Kobrin | .... | assistant editor (unknown episodes) | |
| Judith Sobol | .... | additional editor (unknown episodes) | |
| Bill Stephan | .... | on-line editor (unknown episodes) | |
| Douglas Tishman | .... | on-line editor (unknown episodes) | |
Series Other crew | |||
| Matthew R. Altman | .... | production assistant (unknown episodes) | |
| Sidney Blumenthal | .... | political consultant (unknown episodes) | |
| Anthony De Fonzo | .... | utilities (unknown episodes) | |
| Christine Guarnaccia | .... | script supervisor (unknown episodes) | |
| Robert Hilferty | .... | production assistant (unknown episodes) | |
| Anne Kaplan | .... | production assistant (unknown episodes) | |
| Cathy Keller | .... | publicist (unknown episodes) | |
| Jack Kney | .... | location manager (unknown episodes) | |
| Michael McCormick | .... | production auditor (unknown episodes) | |
| Tom Milo | .... | location manager (unknown episodes) | |
| Allan F. Nicholls | .... | stage manager (unknown episodes) | |
| Wendy Lee Roberts | .... | script supervisor (unknown episodes) | |
| Valerie Ross | .... | production coordinator (unknown episodes) | |
| Recent Posts (updated daily) | User |
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| Exercise the right to vote! | KingofWayne66 |
| the 'girlfriend factor' episode was great | teejay6682 |
| Weird Coincidence | willis_881 |
| The West Wing | Yodelling Llama |
| mock t-shirts? | srh1son |
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| Episode guide | Full cast and crew | Company credits |
| External reviews | News articles | IMDb TV section |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Where the whole world is holding its breath because of the upcoming 2004 election, it is refreshing to watch this TV series. Not only because of the superb acting of Pamela Reed & Michael Murphy and each and every one of the ensemble (something we almost take for granted with Altman pictures, which always give sublime acting) and the great writing, but also because it gives non-Americans some insight in Political USA.
Inspiring and clarifying, it makes one wonder first of all why it's always the wrong movie people that get elected in politics. Wouldn't we all be much more relaxed if USA politics had a bit of the Altman-touch to it...
Unfortunately, the inspiration of this Maverick doesn't seem to reach the oligarchy in power. Altman DOES show us that TV can be fascinating and uplifting, even though he got curtailed, which will keep us wondering how that 12th episode that was never shot would be like.
Does this TV-series, which is over before one knows it and doesn't seem to take the 12x 30 minutes it says on the DVD jewelbox, draw a true picture of political USA ? Being from Europe I sincerely hope not, but I'm afraid it is even worse than Tanner is showing us. 'Let's not tell too much and focus on the face'.
And even worse, after globalization and sugarfrosted horrors for breakfast, the 'old world' is quickly picking up on this terrible excrescence too...