| Bill McCluskey | ... | Ross (as Bill McClusky) | |
| Allison Taylor | ... | Penny | |
| Deborra-Lee Furness | ... | Asta Cadell | |
| Tony Barry | ... | Tim Curtis | |
| Simone Buchanan | ... | Lizzie Curtis | |
| Gillian Jones | ... | Tina Farrel | |
| Peter Aanensen | ... | Sgt. Wal Cuddy | |
| Margaret Ford | ... | Norma Curtis | |
| David Franklin | ... | Danny Fiske | |
| Phil Dean | ... | Gary | |
| Stig Wemyss | ... | Bobby (as Graeme 'Stig' Wemyss) | |
| Douglas Walker | ... | Andrew | |
| Matthew Quartermaine | ... | Brian | |
| Matt Hayden | ... | Wayne | |
| Warren Jones | ... | Bruce | |
| Faith Clayton | ... | Dulcie | |
| Mandy Henning | ... | Rita | |
| Julie Hudspeth | ... | Fay | |
| Pat Skevington | ... | Mrs. Rudolph | |
| Robert Luobikis | ... | Little Stevie | |
| Jeremy Groves | ... | Steve's Friend | |
| Dean Daley | ... | Steve's Friend | |
| Darren Taylor | ... | Steve's Friend | |
| Libby Stone | ... | Beryl | |
| Patricia Cote | ... | Eileen | |
| Tiffany Evans | ... | Mrs. Hemingway | |
| Robert Faggetter | ... | Mr. Hemingway (as Bob Faggetter) | |
| Eileen Colocott | ... | Mrs. Sullivan | |
| Karen Hobson | ... | Lorna | |
| Diskson Oxenburgh | ... | Dave | |
| Kerri Lemus | ... | Melina | |
| Colin McEwan | ... | Mr. Fiske | |
| Leslie Wright | ... | Mr. Morgan | |
| Marian Rawlings | ... | Betty | |
| Don Halbert | ... | Officer Gavin | |
| Ann Goodale | ... | Meatworker | |
| Sarissa White | ... | Sussie |
Directed by | |||
| Steve Jodrell | |||
Writing credits(in alphabetical order) | ||
| Beverley Blankenship | written by | |
| Michael Brindley | written by | |
Produced by | |||
| Paul D. Barron | .... | producer | |
| Damien Parer | .... | producer | |
Original Music by | |||
| Mario Millo | |||
Cinematography by | |||
| Joseph Pickering | |||
Film Editing by | |||
| Kerry Regan | |||
Casting by | |||
| Susie Maizels | |||
Production Design by | |||
| Philip Peters | |||
Costume Design by | |||
| Noel Howell | |||
Makeup Department | |||
| Marilyn Smits | .... | makeup artist | |
Production Management | |||
| Peter Copland | .... | production manager | |
| Tim Hall | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Peter Kearney | .... | second assistant director | |
| Christopher Lynch | .... | third assistant director | |
| Stuart Wood | .... | first assistant director | |
Sound Department | |||
| Julian Ellingworth | .... | sound mixer | |
| David Glasser | .... | sound recordist | |
| Michael Thomas | .... | sound mixer | |
Special Effects by | |||
| Aldis Bernsteins | .... | special effects | |
| Sanjiva | .... | special effects | |
| Charlie Staples | .... | special effects | |
Stunts | |||
| Peter West | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Simon Akkerman | .... | camera operator: second unit | |
| Neil Cervin | .... | assistant camera | |
Other crew | |||
| Susie Campbell | .... | production coordinator | |
| Pru Donovan | .... | production executive | |
| Elizabeth Kirkham | .... | location manager | |
| Chris O'Connell | .... | continuity | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Australia section | Add this title to MyMovies |
Powerful but restrained acting highlights this story of a lawyer who happens upon a family whose daughter has been blamed for her own gangrape, on the old theory that she must have asked for it. The characters gradually and quite believably overcome their natural tendencies toward denial and passivity in the face of overwhelming circumstances. There is a refreshing absence of crusading spirit and rhetoric such as you usually get in films dealing with themes of this kind. Rather, quiet, inner heroism emerges quite naturally from the various characters as they deal with the specific problems that have come upon them. Beautifully done, wonderfully and subtly acted. Watch it.