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264 comments in total

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73 out of 77 people found the following comment useful :-
"YOU'RE GOING THE WRONG WAY!!!!!!", 18 November 2001

Author: SmileysWorld from United States

I'm not sure who is responsible for bringing Steve Martin and John Candy together,but they are a genius in my book,and they were brought together with just the right material.This comedy from John Hughes is without question his best work as a director. I look at this film as a modern day Laurel and Hardy romp,which, incredibly was not included in the AFI's Top 100 comedies.It will cause you tears,both from laughter and it's touching ending.It is about two very different ways of life,clashing in the beginning, but slowly coming together from the realization they we are all human,despite our differences.It is becoming a tradition at the Williams household to view this movie every Thanksgiving.It is a must see,must own film. Thumbs up.

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49 out of 52 people found the following comment useful :-
John Hughes best adult comedy, 29 December 1999
Author: Dan Grant (dan.grant@bell.ca) from Toronto, Ontario

John Candy was a comic genius. He really was. Never was his talent on display better than it was in this film. John Hughes and John Candy went on to develop what I can only surmise was quite the friendship because Candy appeared in many Hughes films either as the star ( this one, Uncle Buck, Great Outdoors ) or with a cameo ( Home Alone, Vacation and a few others that I can't think of right now, but check the IMDb and you'll see that he did ). But of all the films that Candy did, including Stripes, I don't think he has ever been as good and as funny as he was in here. If there was any justice in the Academy ( and we all know that is an oxymoron, Academy and justice ) then Candy would have at least been nominated for best actor in 1987. I think Douglas won that year for Wall Street and he deserved to but Candy was brilliant in this film. It was a shame to see his career cut short because even in his bad films he was good. This is his best and most complete role. He will be missed but at least we have great roles like this to remember him by.

Planes.... is a film about one man trying to get home for the American Thanksgiving. He is Neil Page and he is played with perfect analness ( is that a word, oh well it is now ) by Steve Martin. He is a work-a-holic and his lifestyle is that of many John Hughes family men that live in suburbia Chicago. He lives in a huge house, much like the one in Home Alone and Weird Science, and his family is a beautiful one that consists of a lovely wife and three kids. But he is never home and for all of his success professionally, it is the kind of family that although is together now, it may not survive the fast approaching 90's if Neil Page continues his ways.

John Candy plays Dell Griffith. He is a jolly man, much like Santa Clause but without the beard and the age. This is a man that carries a giant trunk around with him and is a constant chatter box. He is the kind of man that you know is good at sales, but on a lower level. He is too much of a slob to really be a corporate sales guy. Of course this Laurel and Hardy pair cross paths and from here on out Neil's simple task of getting home to his family for Thanksgiving is going to be a journey from hell.

First of all he loses his cab in New York rush hour to Candy who unwittingly steals it from him, then he is bumped from first class and ends up sitting next to Candy on the plane. Then they are delayed because of weather problems and what do you know, they end up spending the night together in not only the same hotel, not only the same room but the same bed. This presents all sorts of comic possibilities and Hughes doesn't miss one of them. His comic timing and development of the two characters is brilliant. Some of the best scenes are when the two are bantering and Candy is verbally assaulted by Martin. Martin goes off and says that he is annoying to listen to and then he says this: " You know I could sit through an insurance seminar and still look happy and the others would say how do you do it? And I would say, because I can take anything, I've been with Dell Griffith, and they'd say, " I know what you mean. Whooooo, shower curtain guy! " And as funny as that scene is, Hughes goes for more than the quick payoff of laughter. He then reminds you that this isn't just a comedy but a film with many layers and substance to it. Because the next scene has Candy delivering a monologue that almost makes you embarrassed for laughing at what Martin said.

But truth be told, first and foremost, this is a funny, funny film. And if anyone has scene it, they will tell you about the airport scene where Page has lost his rental car and he comes back and does what we have all dreamed of doing ourselves, he goes ballistic on the person behind the desk, who subsequently is Grace, from Ferris Bueller's Day Off. She must have been fired by Ed Rooney and now rents cars at airports for a living. She plays a desk clerk that has decided to take the Thanksgiving holiday a little sooner that she is supposed to. Martin comes in and she starts by saying, "Can I help you?" Martin replies, "You can start by wiping that f***ing dumbass smile off your rosy f@**ing cheeks. " From there he goes into an F-Word filled tirade about how her company left him in the middle of f***ing nowhere with f****ing keys to a f***ing car that isn't f***ing there. It is one of the funniest moments that I have seen in any film because you don't expect it from a Hughes film.

Planes... is a heart warming film about family, friendship and good will towards men. It is also a wickedly funny movie and it will stand the test of time and I think in 30 or 40 years from now, it may be looked upon as Hughes best film. Candy and Martin are wonderful in here and it is really a treat to watch them work together.

9 out of 10

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41 out of 43 people found the following comment useful :-
The best Thanksgiving movie ever!, 1 December 2005

Author: Lee Eisenberg (eisenberg.lee@gmail.com) from Portland, Oregon, USA

When jittery advertising executive Neal Page (Steve Martin) is trying to go home for Thanksgiving, he gets stuck with boorish shower ring salesman Del Griffith (John Candy). Their experiences over the next two days are some of the funniest moments ever to grace the silver screen. The best parts are the "pillow" scene, the car rental scene, and the freeway scene (warning: you may very well laugh yourself to death). But overall, the reason that the movie is so good is because we come to understand why these two men are like they are.

I can't do "Planes, Trains & Automobiles" justice by trying to describe it. You have to see it to understand how hilarious it is. You won't have a dull moment in it.

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39 out of 40 people found the following comment useful :-
Martin & Candy make for a unique odd couple; hysterically funny holiday comedy, 16 April 2003
Author: george.schmidt (george.schmidt@hbo.com) from fairview, nj

PLANES, TRAINS AND AUTOMOBILES (1987) **** Steve Martin, John Candy, William Windom, Edie McClurg, Laila Robins, Kevin Bacon (cameo). One of my all time favorite comedies. Side-splittingly hilarious film by writer-director John Hughes about uptight advertising salesman Neal Page (Martin in a versatile comic turn) faced with many pitfalls in reluctantly traveling with obnoxious yet well-meaning shower curtain-ring salesman Del Griffith (Candy in arguably his best role) offering assistance and resulting in setback. Great scenes all around in this first-rate buddy road flick. Candy is bittersweet with his " I like me" moment but the best moments are him going down a highway the wrong way with two oncoming semis and Martin's priceless apoplectic moment at a car rental saying the "F" word 18 times (yes I counted! in fact I watched this video at least once a week for two years at college with my roommates laughing helplessly).

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41 out of 49 people found the following comment useful :-
Arguably the best comedy of the 1980s, 2 June 2004

Author: MovieAddict2009 from UK

The greatness and pure genius of "Planes, Trains and Automobiles" is that while it is uproariously hilarious, it also reveals hurt and truth, unlike any comedy I have ever seen before or since.

Scenes as that in the Bravewood Inn are classics. The argument scene between Neal and Del is the turning point in the film, and it is the first time that the audience realizes they're in for more than they thought they were. There's a certain element of tenderness, heart, agony, conflict, and heartfelt emotion in "Planes, Trains and Automobiles" that makes it transcend the genre, reigning supreme. This is, in my opinion, a better buddy movie than "The Odd Couple," and a better road travel comedy than "Tommy Boy." This is the ultimatum and the depth of the screenplay is proof.

Steve Martin and John Candy don't just act; they embody themselves so deeply in their characters that it almost sets a standard for how comedic pairings should be. Line them up next to Chris Farley and David Spade and the differences are astronomical. Watching Steve Martin is like acting a comedian at the top of his game. Just watch his reactions. The facial reaction from Steve in response to Del's comeback in the Bravewood Inn is perfect; we understand what Neal is going through, and Steve Martin lets us know this by placing himself in a recognizable area. We also understand Del, and that is really the key to this movie: Being able to identify with both characters almost equally. How often can you say that about buddy pictures? I don't ever feel much sympathy for Chris Farley, if that means anything.

John Candy remains one of the most underrated and underwritten film comedians of all time. Offered constant mediocre scripts during the eighties and early nineties, all the way up until his death in 1994, he could make the material something more, something watchable. I recently viewed "Funny Farm," a painfully unfunny film to sit through. I imagined what John Candy could have done with Chevy Chase's role, and I found myself laughing. Why? Because John Candy can make anything watchable. Just how many times would you watch "Summer Rental" or "The Great Outdoors" if the lead actor was Jim Carrey?

There's some important content in this film, but it is never overpowered by laughs, nor vice versa. They go hand-in-hand. I come back to the Bravewood Inn argument scene. After the hilarious, ongoing insults Neal throws at Del, Del responds and says, "You wanna hurt me? Go right ahead if it makes you feel any better. I'm an easy target. Yeah, you're right, I talk too much. But I also listen too much. I could be a cold-hearted cynical like you, but I don't like to hurt people's feelings. So you go right on and think what you like about me. But I'm not changing. I - I like me. My wife likes me. My customers like me. 'Cause I'm the real deal. Whatcha see is whatcha get." It's creepy how much dramatic, emotional and truthful subtext sneaks into this film, and yet it only makes it all the better for it. "Planes, Trains and Automobiles" is my favorite Comedy, yes I know that I have said it before. But, it is a serious comedy that has both heart and is hilarious at the same time. Entertainment at it's best. And isn't that what movies are all about?

5/5 stars.

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25 out of 27 people found the following comment useful :-
Consistently funny with some good adult sentiment, 5 October 2003
Author: bob the moo from Birmingham, UK

Neal Page is trying to get home in time for thanksgiving with his family. When his plane is diverted to Wichita due to heavy snow elsewhere he finds himself partnering up with shower curtain salesman Del Griffith. However Del is not Neal's immediate first choice for travelling partner and the two soon find that one misfortune after another wears their patience very thin.

While comedies have moved on to become more grosser and outrageous in order to tickle our dulled funny bone, PT&A manages it with what now seems like restraint but is really a good example of `wacky™' comedy, mixed with a good vein of sentiment and character. The plot is pretty good although some of it pushes the boat out to the unreal in order to get laughs – but this isn't a problem because it DOES get laughs, if it hadn't then it might have been an issue. Most of it is hilarious although some drags early on.

The deeper beauty of the film is how well controlled Hughes is in painting his emotions. Usually his stuff can be sickly sweet but here he mixes it well with the comedy. The relationship between Neal and Del is good and they both have things to learn (more so Neal), the hurt they inflict on one another is well done and not to the point that the comedy is stopped. Thankfully the two actors are good enough to carry it off. Martin is close to his manic best and Candy plays a loveable goof. The best scene to see them working is when Martin is laying into Del in the hotel room – the expressions on their faces (Candy esp) during this makes it hard not to feel anything. The support cast do good work whether it be now-famous cameos or just support cast but each character has their own little thing!

Overall I worry that modern audiences may have become so used to everything being so OTT and gross that this film may seem subtle (even though it isn't). However aside from that this is a very funny film that does have a good heart. Not a perfect film in any way but it does exactly what it says on the tin - it made me laugh hard but also had a believable emotional core.

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25 out of 30 people found the following comment useful :-
"You're messing with the wrong guy!", 14 August 2004

Author: Scott LeBrun from Winnipeg, Canada

Sentimental and farcical comedy from writer / producer / director John Hughes, who previously had had success with his teen-oriented growing pains movies, about uptight marketing executive Neal Page (Steve Martin) who is trying to get home for Thanksgiving and runs into one aggravating problem after another - especially after he makes the acquaintance of loudmouthed, lovable "Shower Curtain Ring Guy" Del Griffith (John Candy).

The only thing that gives the film its R-rating is Martin's hilarious, rapid-fire use of the f-word in a tirade against a too-chipper car rental agent (Edie McClurg). Otherwise, it might make for decent family viewing, and it teaches us that old lesson: not to always go on first impressions. As Neal Page himself remarks at the end, he says he has become wiser through his experiences.

Martin and Candy are/were old pros, and they handle their roles just right. Hughes does not take the film over the top, and instead treats these characters as real human beings, making us the audience care about them as well. In fact, I would dare to say that Candy was rarely better, in one of the best roles I think that he ever had. We are all truly less well off for not having him in this world any longer.

The film doesn't quite do for me what it used to; there truly are good laughs and inspired moments (in particular, I have the rant in the hotel room memorized almost word-for-word) but I think that overall too many viewings in the past (and therefore, too much familiarity with the material) have blunted my feelings somewhat.

Ira Newborn's music score is at times so utterly stupid it ought to make you laugh out loud.

I used to think that the ending was perhaps TOO sentimental, but then, I now think, how could it end any other way?

Look for funny roles for guest star Kevin Bacon (as the "taxi racer") and "Spider-Man 2" co-star Dylan Baker (in his film debut). Jeri Ryan was also supposed to have appeared in this but her scenes were cut.

A MUST for fans of Martin, Candy, and Hughes.

7/10

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25 out of 31 people found the following comment useful :-
Oh he's drunk, how would he know where we're going?, 30 March 2005

Author: cabasaexpert351 from United States

Steve Marin and John Candy are hilarious together in this comedy about a guy trying to get home to his family for thanksgiving with a guy who is really annoying. Everything that could go wrong to these guys goes wrong. Steve Martin plays a guy who is a businessman who is very uptight and John Candy plays a guy that means well but talks a lot and can be very annoying. Together they have the worst luck they could possibly have. During their venture they learn a lot from each other and become really good friends. This movie has a good storyline and will keep you laughing through most of the movie. I think anyone who has a sense of humor can appreciate this movie.

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21 out of 24 people found the following comment useful :-
Heartwarming Little Holiday-Themed Film., 2 May 2002
Author: tfrizzell from United States

Very good comedy that has businessman Steve Martin trying to get home for the Thanksgiving holidays but having absolutely no luck. What is worse is that he cannot shake traveling salesman John Candy. The duo go through so many crazy situations trying to get Martin home and the question is will they survive the experience? The film is not all fun though as John Candy has a secret that will be discovered by the film's finale. John Hughes is at his best here. Along with "Home Alone" this is his best work. He adds outstanding comedy with just a pinch of real drama to create a really good film that keeps entertaining as the years pass by. 4 stars out of 5.

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17 out of 17 people found the following comment useful :-
How To Drive Someone Crazy, 4 September 2006

Author: ccthemovieman-1 from Lockport, NY, United States

Steve Martin and John Candy do a wonderful job playing off each other in this memorable comedy. Of friends of mine I know who have seen this movie, they all vividly remember this movie and their favorite scenes.

Martin and Candy are stuck without plane rides home and wind up trying all modes of transportation to reach their destination. Both run into unbelievable obstacles, most of them the fault of Candy, who drives Martin almost insane. Candy was the funnier of the two in this story but both comedians were at the top of their game here. Too bad there was so much profanity for a film that could have been enjoyed by everyone but some it is almost appropriate, especially with Martin's character. Candy's role would have made anyone swear. Martin's profane tirade with the rental car woman at the airport is hilarious.

In addition to the wacky story, I enjoyed the soundtrack. Critics didn't like it, but I found the sudden bursts of rock 'n roll interesting and it added to the enjoyment of watching this almost-modern day classic.

After all the aggravation, there was a nice sentimental touch at the end which somehow made the whole disastrous trip worthwhile for the two leading characters.

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