Planes, Trains & Automobiles (1987)

Director:

John Hughes

Writer:

John Hughes (written by)

Release Date:

25 November 1987 (USA)

Genre:

Adventure | Comedy | Drama

Tagline:

Steve Martin had no reason to panic...until John Candy came along.

Plot:

A man must struggle to travel home for Thanksgiving, with an obnoxious slob of a shower ring salesman his only companion.

Plot Keywords:

Thanksgiving | Shower | Shower Curtain | Taxi | Electronic Music Score

US TV Schedule:

Fri. Nov. 27

9:45 AM

COMEDY

Cast

Steve Martin	...	Neal Page
John Candy	...	Del Griffith
Laila Robins	...	Susan Page
Michael McKean	...	State Trooper
Kevin Bacon	...	Taxi Racer
Dylan Baker	...	Owen
Carol Bruce	...	Joy
Olivia Burnette	...	Marti
Diana Douglas	...	Peg
Martin Ferrero	...	Second Motel Clerk
Larry Hankin	...	Doobie
Richard Herd	...	Walt
Susan Kellermann	...	Waitress (as Susan Kellerman)
Matthew Lawrence	...	Little Neal
Edie McClurg	...	Car Rental Agent

Also Known As:

Planes, Trains and Automobiles (USA) (video box title)

Runtime:

93 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Ireland:15 | Netherlands:AL | Iceland:L | Canada:14A (Ontario) | South Korea:15 | New Zealand:PG | Argentina:Atp | Australia:M | Canada:PG | Chile:14 | Finland:S | Peru:PT | Singapore:PG | Sweden:7 | UK:15 | USA:R (certificate #28537) | West Germany:6

Filming Locations:

Acton, California, USA

Company:

Hughes Entertainment

Trivia:

At the beginning of the movie, Neal Page (Steve Martin) races a character played by Kevin Bacon for a taxi. Later, Neal phones his wife to tell her that he has been delayed (again), in the background, you can hear the fight from She's Having a Baby (1988) (also directed by John Hughes) between Bacon and Elizabeth McGovern, when she screams that she doesn't like his friend's girlfriend.

Goofs:

Errors in geography: When driving down the highway, the road has raised reflector dots. Reflector dots are not used in the Midwest because the snow plows would rip them right out of the road.

Quotes:

Marti Page: Mom, is Grandpa Walter going to give me noogies?
Susan Page: Of course he's going to give you noogies. He loves giving you noogies. That's how he tells you he loves you.
Little Neal Page: Why doesn't he give me noogies?
Susan Page: Because you get Indian burns.
Little Neal Page: But I prefer noogies.

Movie Connections:

Featured in "Best! Movies! Ever!: Rants (#1.4)" (2007)

Soundtrack:

I Can Take Anything

Consistently funny with some good adult sentiment

Neal Page is trying to get home in time for thanksgiving with his family. When his plane is diverted to Wichita due to heavy snow elsewhere he finds himself partnering up with shower curtain salesman Del Griffith. However Del is not Neal's immediate first choice for travelling partner and the two soon find that one misfortune after another wears their patience very thin.

While comedies have moved on to become more grosser and outrageous in order to tickle our dulled funny bone, PT&A manages it with what now seems like restraint but is really a good example of `wacky™' comedy, mixed with a good vein of sentiment and character. The plot is pretty good although some of it pushes the boat out to the unreal in order to get laughs – but this isn't a problem because it DOES get laughs, if it hadn't then it might have been an issue. Most of it is hilarious although some drags early on.

The deeper beauty of the film is how well controlled Hughes is in painting his emotions. Usually his stuff can be sickly sweet but here he mixes it well with the comedy. The relationship between Neal and Del is good and they both have things to learn (more so Neal), the hurt they inflict on one another is well done and not to the point that the comedy is stopped. Thankfully the two actors are good enough to carry it off. Martin is close to his manic best and Candy plays a loveable goof. The best scene to see them working is when Martin is laying into Del in the hotel room – the expressions on their faces (Candy esp) during this makes it hard not to feel anything. The support cast do good work whether it be now-famous cameos or just support cast but each character has their own little thing!

Overall I worry that modern audiences may have become so used to everything being so OTT and gross that this film may seem subtle (even though it isn't). However aside from that this is a very funny film that does have a good heart. Not a perfect film in any way but it does exactly what it says on the tin - it made me laugh hard but also had a believable emotional core.