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Overview
User Rating:
Director:
Writers:
Dario Argento (screenplay)
Dario Argento (story)
more
Release Date:
19 December 1987 (Italy) more
Tagline:
obsession. murder. madness. more
Plot:
A young opperata is stalked by a deranged fan bent on killing the people associated with her to claim her for himself. full summary | full synopsis
Awards:
1 nomination more
NewsDesk:
(73 articles)
Constantine Kitsopoulos To Conduct La Boheme At The Baldwin-Wallace College Conservatory 2/2011
(From BroadwayWorld.com. 4 November 2009, 2:43 PM, PST)
Icons Of Fright Exclusive: Coralina Cataldi-Tassoni Art Exhibit Opens This Thursday!
(From Icons of Fright. 27 October 2009, 1:02 PM, PDT)
User Comments:
OPERA (1987) more (89 total)
Cast
(Cast overview, first billed only)| Cristina Marsillach | ... | Betty | |
| Ian Charleson | ... | Marco | |
| Urbano Barberini | ... | Inspector Alan Santini | |
| Daria Nicolodi | ... | Mira | |
| Coralina Cataldi-Tassoni | ... | Giulia | |
| Antonella Vitale | ... | Marion | |
| William McNamara | ... | Stefano | |
| Barbara Cupisti | ... | Signora Albertini | |
| Antonino Iuorio | ... | Baddini (as Antonio Juorio) | |
| Carola Stagnaro | ... | Alma's mother | |
| Francesca Cassola | ... | Alma | |
| Maurizio Garrone | ... | Maurizio, the raven trainer | |
| Cristina Giachino | ... | Maria, the assistant director | |
| György Gyõriványi | ... | Miro | |
| Bjorn Hammer | ... | Cop #1 |
Additional Details
Also Known As:
Terror at the Opera (USA)
more
Parents Guide:
Runtime:
107 min | USA:88 min (edited version)
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Italy:VM14 (re-rating) | USA:R (heavily cut) | Canada:16+ (Quebec) | Germany:18 (TV premiere) (1992) (heavily cut) | Germany:18 (video rating) (1988) (heavily cut) | New Zealand:R18 | Argentina:18 | Australia:R | Canada:R | Finland:K-18 | Italy:VM18 | Norway:18 | UK:18 | USA:Unrated | West Germany:18
Filming Locations:
Fun Stuff
Trivia:
Vanessa Redgrave was attached to star, but dropped out shortly before production began. more
Goofs:
Crew or equipment visible: In the killer's POV shot entering the costume workshop, the camera and camera dolly are seen in a mirror on the right. more
Soundtrack:
Opera Theme more
FAQ
This FAQ is empty. Add the first question.more (89 total)
Message Boards
Discuss this movie with other users on IMDb message board for Opera (1987)| Recent Posts (updated daily) | User |
|---|---|
| The Ending.. | lonchaney20 |
| A WASTE OF LIFE | JustBeOK |
| Betty is..so stupid. | rufio_casanova |
| Bracelet question | jamieleefan1 |
| She closes her eyes... | WarNerve626 |
| Opera Soundtrack Question | Tom-373 |
Recommendations
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| La coda dello scorpione | L'uccello dalle piume di cristallo | La tarantola dal ventre nero | Profondo rosso | Il gatto a nove code |
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Related Links
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Italy section |
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Yesterday, I watched a recording of Dario Argento's OPERA (1987) taken from Anchor Bay's R1 DVD, and I must say I agree with many of you here that the film was pretty good (if a bit heavy on flamboyant camera moves) for the first 90 minutes - but then went completely bonkers towards the end. The ending is mystifying, to say the least (the bug-loving scene most of all), and horribly executed to boot! The heavy-metal soundbites were a pain too; actually, I felt that the entire music score was relatively subpar for an Argento film. As usual, the hideous dubbing was another major drawback.
There seems to be some disagreement about Cristina Marsillach's contribution: for me, she's very nearly Argento's best leading lady, quite in the same class as Jessica Harper in SUSPIRIA (1976) and Jennifer Connelly in PHENOMENA (1984).
The hectic backstage activity and the masked killer reminded me a lot of Mario Bava's BLOOD AND BLACK LACE (1964), though comparisons with that landmark film only helps to bring out more OPERA's shortcomings. The elaborately staged murders were rather hit-or-miss as well: the butchering of the stage manager and Daria Nicolodi's legendary death scene, at least, were classic Argento. The big scene with the ravens, ingenious in itself, was too protracted for maximum impact.
All in all, it's not one of Argento's best but then, apart from DEEP RED (1975) and SUSPIRIA, all his films leave a lot to be desired though I'm sure everyone here has his or her own personal favorite.