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IMDb > Notte d'estate con profilo greco, occhi a mandorla e odore di basilico (1986)

Notte d'estate con profilo greco, occhi a mandorla e odore di basilico (1986) More at IMDbPro »

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Overview

User Rating:
5.8/10   70 votes
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Director:
Writer:
Lina Wertmüller (writer)
Contact:
View company contact information for Summer Night, with Greek Profile, Almond Eyes and Scent of Basil on IMDbPro.
Release Date:
31 October 1986 (Italy) more
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Cast

  (in credits order)
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Directed by
Lina Wertmüller 
 
Writing credits
(in alphabetical order)
Lina Wertmüller  writer

Produced by
Gianni Minervini .... producer
Elio Scardamaglia .... associate producer
 
Original Music by
Pino D'Angiò 
Greco 
 
Cinematography by
Camillo Bazzoni 
 
Film Editing by
Luigi Zitta 
 
Production Design by
Enrico Job 
 
Production Management
Gino Millozza .... production manager
 
Special Effects by
Franco Ragusa .... special effects
 
Visual Effects by
Christian Gazzi .... digital mastering colorist
 
Camera and Electrical Department
Maurizio Piano .... assistant camera
 
Costume and Wardrobe Department
Benito Persico .... costume coordinator
 

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Additional Details

Also Known As:
Summer Night, with Greek Profile, Almond Eyes and Scent of Basil (USA)
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Runtime:
USA:94 min
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2 out of 3 people found the following review useful.
Blurb., 3 December 2001
Author: Gerald A. DeLuca (italiangerry@gmail.com) from United States

The director of SWEPT AWAY, SEVEN BEAUTIES, LOVE AND ANARCHY, and SOTTO SOTTO has given us another of her offerings on the battle of the sexes, Italian style. Its full title translates as "Summer Night with Greek Profile, Almond Eyes and Scent of Basil". Mariangela Melato plays a tarantula-like Milanese industrialist, while Michele Placido is a brutish Sicilian bandit leader. In an update of the class warfare struggle and a reversal of the kidnapping roles, this super-rich dame abducts the handsome bandit/beast, has him bound in designer Enrico Coveri chains and transported to her plush villa where she provides him with some exquisitely vengeful torture and lovin'. It is a kinky and sometimes funny movie, but one hears the unsubtle voice of Wertmuller repeating itself ad nauseam from film to film and this ultimately has a tiresome effect. The most pleasing Wertmuller films of the past decade have not been sexual/political diatribes like this but the more human and humane charmers CIAO, PROFESSORE (IO, SPERIAMO CHE ME LA CAVO) and SATURDAY, SUNDAY, AND MONDAY with Sophia Loren.

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