| Videos (see all 3 NEW) |
Directed by | |||
| John Glen | |||
Writing credits | ||
| Ian Fleming | (story) uncredited | |
| Richard Maibaum | (screenplay) and | |
| Michael G. Wilson | (screenplay) | |
Produced by | |||
| Albert R. Broccoli | .... | producer | |
| Barbara Broccoli | .... | associate producer | |
| Tom Pevsner | .... | associate producer | |
| Michael G. Wilson | .... | producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Alec Mills | (director of photography) | ||
Film Editing by | |||
| Peter Davies | |||
| John Grover | |||
Casting by | |||
| Debbie McWilliams | |||
Production Design by | |||
| Peter Lamont | |||
Art Direction by | |||
| Terry Ackland-Snow | |||
Set Decoration by | |||
| Michael Ford | |||
| Tal Schneider | (uncredited) | ||
| Anne Seibel | (uncredited) | ||
Costume Design by | |||
| Emma Porteus | (as Emma Porteous) | ||
Makeup Department | |||
| Eric Allwright | .... | makeup artist | |
| Naomi Donne | .... | makeup artist | |
| Edwin Erfmann | .... | makeup artist | |
| George Frost | .... | makeup supervisor | |
| Ramon Gow | .... | hair styles supervisor | |
| Helen Lennox | .... | hair stylist | |
| Barbara Sutton | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Terry Blyther | .... | additional assistant director | |
| Urs Egger | .... | additional assistant director | |
| Gerry Gavigan | .... | assistant director | |
| Ahmed Hatimi | .... | additional assistant director | |
| Nick Heckstall-Smith | .... | additional assistant director | |
| Terry Madden | .... | assistant director: second unit | |
| Callum McDougall | .... | additional assistant director | |
| Crispin Reece | .... | additional assistant director | |
| Arthur Wooster | .... | second unit director | |
Art Department | |||
| Ted Ambrose | .... | assistant art director | |
| Dennis Bosher | .... | assistant art director | |
| Jille Brown | .... | assistant set decorator | |
| Ken Court | .... | additional art director | |
| Bert Davey | .... | additional art director | |
| Roger W. Deer | .... | sketch artist (as Roger Deer) | |
| Freddi Dobsak | .... | additional construction manager (as Alfred Dobsak) | |
| Tony Graysmark | .... | construction manager (as Anthony Graysmark) | |
| Bert Hearn | .... | property master | |
| Fred Hole | .... | additional art director | |
| Christoph Kanter | .... | assistant set decorator | |
| Michael Lamont | .... | additional art director | |
| Peter Manhardt | .... | additional art director (as Peter Manhard) | |
| Jim Morahan | .... | assistant art director (as James Morahan) | |
| Peter Palmer | .... | production buyer | |
| Sid Palmer | .... | production buyer | |
| Ken Pattenden | .... | additional construction manager | |
| Thomas Riccabona | .... | additional art director | |
| Jacqueline Stears | .... | scenic artist | |
| Andrew Ackland-Snow | .... | draughtsman (uncredited) | |
| Duncan Guest | .... | carpenter (uncredited) | |
| Johannes Slapa | .... | production buyer: Austria (uncredited) | |
| Colin Thurston | .... | prop storeman (uncredited) | |
Sound Department | |||
| Ross Adams | .... | assistant sound editor | |
| Derek Ball | .... | sound recordist | |
| Bill Barringer | .... | assistant sound editor (as William Barringer) | |
| Robert Gavin | .... | assistant sound editor | |
| Robi Güver | .... | additional sound recordist (as Roby Guever) | |
| Graham V. Hartstone | .... | sound re-recording mixer (as Graham Hartstone) | |
| John Hayward | .... | sound re-recording mixer | |
| Derek Holding | .... | sound editor | |
| Jean-Pierre Lelong | .... | additional sound effects | |
| Brian Marshall | .... | additional sound recordist | |
| Vernon Messenger | .... | sound editor | |
| Colin Miller | .... | sound editor | |
| Mark Mostyn | .... | assistant sound editor | |
| Peter Musgrave | .... | sound editor | |
| Ken Nightingall | .... | boom operator | |
| Nicolas Le Messurier | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Chris Corbould | .... | special effects | |
| Matthew Harlow | .... | special effects technician | |
| Roy Moores | .... | front projection | |
| Kenneth Morris | .... | special effects (as Ken Morris) | |
| Willi Neuner | .... | special effects (as Willy Neuner) | |
| Brian Smithies | .... | special effects | |
| Joss Williams | .... | special effects | |
| Clive Beard | .... | special effects (uncredited) | |
| Simon Cockren | .... | special effects assistant (uncredited) | |
| Neil Corbould | .... | special effects technician (uncredited) | |
| Daniel Dark | .... | special effects (uncredited) | |
| Nick Finlayson | .... | special effects technician (uncredited) | |
| Garth Inns | .... | special effects (uncredited) | |
| John Morris | .... | special effects (uncredited) | |
| Uli Nefzer | .... | special effects technician: Austria (uncredited) | |
| Andy Williams | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Leslie Dear | .... | model photographer | |
| Richard Hewitt | .... | video effects supervisor | |
| Terry Reed | .... | model maker (as Terence Reed) | |
| John Richardson | .... | special visual effects | |
| Alan Church | .... | optical camera (uncredited) | |
| Julian Parry | .... | model unit (uncredited) | |
Stunts | |||
| Roy Alon | .... | stunt team | |
| Del Baker | .... | stunt team | |
| Christian Bonnichon | .... | driving stunts | |
| Brian Bowes | .... | horse stunts | |
| Jake Brake | .... | aerial stunts | |
| Garry Carter | .... | aerial stunts | |
| Jorge Casares | .... | horse stunts | |
| Jo Cote | .... | driving stunts | |
| Simon Crane | .... | stunt team | |
| Graeme Crowther | .... | horse stunts | |
| Steve Dent | .... | horse stunts | |
| John Falkiner | .... | snow stunts | |
| Elaine Ford | .... | stunt team | |
| Nick Gillard | .... | horse stunts | |
| Jean-Claude Houbart | .... | driving stunts (as Jean-Claude Houbard) | |
| Ida Huber | .... | snow stunts | |
| Dominique Julienne | .... | driving stunts | |
| Michel Julienne | .... | stunt team | |
| Rémy Julienne | .... | driving stunts arranger (as Remy Julienne) | |
| Jean-Claude Justice | .... | driving stunts (as Jean Claude Justice) | |
| Jake Lombard | .... | aerial stunts | |
| Brigitte Magnin | .... | driving stunts | |
| Daniel T. O'Brien | .... | aerial stunts (as Dan O'Brien) | |
| Joaquin Olivas | .... | horse stunts (as Joaquin Olias) | |
| Miguel Pedregosa | .... | horse stunts | |
| Doug Robinson | .... | stunt team | |
| Rene Seiler | .... | snow stunts | |
| José María Serrano | .... | horse stunts (as Jose Maria Serrano) | |
| Herman Sporer | .... | snow stunts | |
| Jean-Jacques Villain | .... | driving stunts | |
| Paul Weston | .... | stunt supervisor | |
| Jason White | .... | stunt team | |
| Nick Wilkinson | .... | stunt team | |
| B.J. Worth | .... | aerial stunts arranger | |
| Helen Caldwell | .... | additional stunts (uncredited) | |
| Tom Delmar | .... | stunts (uncredited) | |
| Dorothy Ford | .... | additional stunts (uncredited) | |
| Paul Heasman | .... | additional stunts (uncredited) | |
| Frank Henson | .... | additional stunts (uncredited) | |
| Eddie Kidd | .... | stunt driver (uncredited) | |
| Valentino Musetti | .... | additional stunts (uncredited) | |
| Eddie Powell | .... | additional stunts (uncredited) | |
| Tal Schneider | .... | aerial stunts support (uncredited) | |
| Colin Skeaping | .... | additional stunts (uncredited) | |
| Chris Webb | .... | additional stunts (uncredited) | |
| Les White | .... | stunt double: Joe Don Baker (uncredited) | |
| Steve Whyment | .... | additional stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Don Mothersill | .... | wardrobe master: second unit | |
| Tiny Nicholls | .... | costume supervisor | |
Editorial Department | |||
| Matthew Glen | .... | assistant editor | |
| John Nuth | .... | assistant editor | |
| Wayne Smith | .... | assistant editor | |
Music Department | |||
| John Barry | .... | conductor | |
| Alan Killick | .... | music editor | |
| Stefan Kropfitsch | .... | musician: cello | |
| Dick Lewzey | .... | music mixer | |
| Gert Meditz | .... | conductor: Austrian Youth Symphony Orchestra | |
| Monty Norman | .... | composer: James Bond theme | |
| Nic Raine | .... | orchestrator (as Nicholas Raine) | |
Transportation Department | |||
| Andreas Grosch | .... | location transportation manager (as Andy Grosch) | |
| Arnaud Esterez | .... | transportation (uncredited) | |
| Gerhard Rupp | .... | transportation coordinator (uncredited) | |
| Mark White | .... | transportation (uncredited) | |
Thanks | |||
| His Majesty King Hassan II of Morocco | .... | special thanks (as His Majesty King Hassan II) | |
|
|
|
|
|
| GoldenEye | The World Is Not Enough | Die Another Day | The Spy Who Loved Me | For Your Eyes Only |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
| Add this title to MyMovies |
The year: 1987, the Man: Timothy Dalton, the film? The Living Daylights and good news for adults across the globe because after sending off their kids to joke it up with Roger Moore for over a decade they could finally sit down to a Bond movie which, whisper it quietly, resembled a real thriller...and a good one at that. We should be grateful for Dalton's two stints as the Bond because they came within a whisp of never existing. Had the studio had their way, Moore would have been wheeled off for Brosnan and a serious reinvention of the series would have been dropped in favour of the, er, "winning" return to form we've been privileged enough to have enjoyed since 1995's Goldeneye.
Dalton's take on the character was to return it (and I hope you're sitting down) to the brooding, cruel and methodical assassin envisioned by Flemming in his original stories. TD was a RADA trained Shakespearian actor for God's sake and certainly had no intention of smirking and punning his way through each adventure. Dalton said that half the world loved Connery and the other half loved Moore (which is hedging your bets a bit) but he bravely chose to play it like neither. We can only imagine at the relief Richard Maibrum must have felt, given the opportunity to finally write an real screenplay tailored to the new approach, having been no doubt advised in previous outings that plot and character was superfluous to requirements. The result is a story set in the real world . Goodbye super-villains bloated on world domination plots and hello to arms dealers, Afgan resistance fighters, double crosses and political assassinations. After so many remakes of You Only Live Twice it certainly is a tonic and Dalton's hard-edged, professional spy washes over you like a radox bath following a 300 mile trek through the Gobi. His performance reinvigorates the series and makes all thats old new again. The familiar elements are all here - the car, the girls, the locations, but anchored in a real cold war setting with Pretenders loving KGB agents round every corner and the credible whiff of counter-espionage, the whole thing crackles with an energy and an urgency that would have been a fantasy in any of Moores mirth-ridden efforts. Even John Barry's music, in his final contribution to the series, is a fresh and exciting affair - blending high tempo action cues with his usual gift for generating a sense of foreboding and pathos in equal measure. Yes, Bond hadn't felt this good or LOOKED this good since the mid-sixites but as if to prove the old adage that you can't have too much of a good thing, we didn't. Audiences found Dalton humorless and the heady excesses of good story, three-dimensional characterisation and real world setting somewhat distracting. After all, where were all the puns (Dalton's "he got the boot" aside), the jokes and the evil bloke at the end who plans to ravage the planet with deadly spores? People were beginning to ask and Dalton still had two films to go on his contract....