| Kevin Bacon | ... | Alan | |
| Tom Atkins | ... | Douglas | |
| Lindsay Crouse | ... | Ronnie | |
| Kyra Sedgwick | ... | Carol | |
| Welker White | ... | Penny (as Laura White) | |
| Casey Affleck | ... | Jerry | |
| Peter MacEwan | ... | Jack |
Directed by | |||
| Jan Egleson | |||
Writing credits(in alphabetical order) | ||
| Lanford Wilson | play | |
| Lanford Wilson | screenplay | |
Produced by | |||
| Marcus Viscidi | .... | producer | |
Original Music by | |||
| Pat Metheny | |||
Cinematography by | |||
| James Glennon | |||
Film Editing by | |||
| William A. Anderson | |||
| Jeanne Jordan | |||
Production Design by | |||
| Howard Cummings | |||
Art Direction by | |||
| Dianna Freas | |||
Set Decoration by | |||
| Katherine Conklin | |||
| Debra Schutt | |||
Costume Design by | |||
| Barbara Weiss | |||
Makeup Department | |||
| Lori Hicks | .... | assistant hair stylist | |
| Lori Hicks | .... | assistant makeup artist | |
| Hiram Ortiz | .... | hair designer | |
| Hiram Ortiz | .... | makeup designer | |
Production Management | |||
| Daniel Lupi | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lori A. Balton | .... | second assistant director | |
| Kim Beede | .... | third assistant director | |
| Richard Feury | .... | first assistant director (as Dick Feury) | |
Art Department | |||
| Coburn Bennett | .... | construction supervisor | |
| Dan Bishop | .... | draftsman | |
| Tracey A. Doyle | .... | property master (as Tracey Doyle) | |
| Fairlie Myers | .... | assistant property master (as M. Fairlie Myers) | |
| Jeffrey Scholten | .... | scenic artist | |
| Lisa Winick | .... | scenic artist | |
Sound Department | |||
| Richard Bock | .... | sound re-recording mixer | |
| Mario Cardenas | .... | second boom operator | |
| William Lattanzi | .... | sound editor | |
| Lawrence Loewinger | .... | sound mixer (as Larry Loewinger) | |
| Christopher O'Donnell | .... | boom operator (as Chris O'Donnell) | |
Camera and Electrical Department | |||
| Karine Albano | .... | electrician | |
| Dan Gillham | .... | gaffer | |
| Craig Haagensen | .... | camera operator | |
| Elizabeth Hanson | .... | additional grip | |
| Shane Hurlbut | .... | additional grip (as L. Shane Hurlbut) | |
| Bruce MacCallum | .... | first assistant camera | |
| Richard Mall | .... | key grip | |
| Robert Tompkins | .... | best boy grip (as Bob Tompkins) | |
| Donna Vega | .... | grip | |
| William M. Weberg | .... | grip | |
| Dick Williams | .... | second assistant camera | |
Casting Department | |||
| Patty Collinge | .... | casting | |
| Carolyn Pickman | .... | casting | |
Costume and Wardrobe Department | |||
| Betty Besio | .... | wardrobe assistant | |
| Melissa Merwin | .... | wardrobe assistant | |
| Ruth Hammell Obaoill | .... | wardrobe supervisor (as Ruth Hammell) | |
Editorial Department | |||
| Victoria Garvin-Davis | .... | first assistant editor (as Victoria Garvin) | |
| Jay Keuper | .... | assistant editor | |
Music Department | |||
| Rob Eaton | .... | music engineer | |
Other crew | |||
| Tamara Bally | .... | production auditor | |
| Alan Breton | .... | key intern | |
| Olivia Bruce | .... | assistant production coordinator | |
| Carolyn Jacobs | .... | script supervisor | |
| Denise Pinckley | .... | production coordinator | |
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| Love Streams | Monster in a Box | 'night, Mother | Agnes of God | Biloxi Blues |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Lemon sky is a filmed stage play that transfers poorly to the screen. The actors basically give stage style performances that are meant to reach the last row in the theatre and on film it comes across as artificial and remote.
It is fifties America and its dream and promise is in full ascendancy and nowhere better than the Golden State, California. Alan (Kevin Bacon) has come from Nebraska to live with his father whom he hasn't seen since he was five. Alan is there to go to school and work part time as well as get to reconnect with dad and get to know his new family. On the surface all is well with the family in this sun drenched land of opportunity but underneath they all hold dark secrets that over the course of the play fester and eventually implode this all American brood in the film's climactic moment.
Technically Director Jan Egleson plays it safe with his camera, flatly filming the fabulous fifties kitsch (including a 55 Chevy) set with little or no movement outside of the opening tracking shot of the home that economically establishes place and character. It then bogs down in cliché character development telegraphing most of what's up ahead.
Kevin Bacon gives an excellently measured and powerful performance as Allan. His search to find himself in a generation of conformity evolving from impish teen to social outcast is the film's saving grace. Tom Atkins as the bullying and predatory father imparts a convincing an uncomfortable ugliness. The three lead actresses (Lindsay Crouse, Kyra Sedgewick and Welker White) come across as heavily medicated zombies. Given their talent one wonders if it is Egleson's feeble attempt to define them as battered women.
Lanford Wilson's play is a tepid entry from the endless exposes of societal and domestic hypocrisy. While it might make for a mildly thought provoking and emotional night at the theatre which has the capability of putting the audience in the kitchen it becomes lifeless upon being transferred to screen. Unlike Bergman who was a master at filming memory plays such as this Egleson fails to get his camera fully involved or explore it's possibilities and Lemon Sky gets lost in the clouds.