| Photos (see all 44 | slideshow) | Videos (see all 3 NEW) |
| John Lone | ... | Pu Yi - Adult | |
| Joan Chen | ... | Wan Jung | |
| Peter O'Toole | ... | Reginald 'R. J.' Johnston | |
| Ruocheng Ying | ... | The Governor (as Ying Ruocheng) | |
| Victor Wong | ... | Chen Pao Shen | |
| Dennis Dun | ... | Big Li | |
| Ryûichi Sakamoto | ... | Amakasu | |
| Maggie Han | ... | Eastern Jewel | |
| Ric Young | ... | Interrogator | |
| Vivian Wu | ... | Wen Hsiu (as Wu Jun Mei) | |
| Cary-Hiroyuki Tagawa | ... | Chang (as Cary Hiroyuki Tagawa) | |
| Jade Go | ... | Ar Mo | |
| Fumihiko Ikeda | ... | Yoshioka | |
| Richard Vuu | ... | Pu Yi - 3 Years | |
| Tsou Tijger | ... | Pu Yi - 8 Years (as Tijger Tsou) | |
| Tao Wu | ... | Pu Yi - 15 Years (as Wu Tao) | |
| Guang Fan | ... | Pu Chieh - Adult (as Fan Guang) | |
| Henry Kyi | ... | Pu Chieh - 7 Years | |
| Alvin Riley III | ... | Pu Chieh - 14 Years | |
| Lisa Lu | ... | Tzu Hsui | |
| Hideo Takamatsu | ... | General Ishikari | |
| Hajime Tachibana | ... | Japanese Translator | |
| Basil Pao | ... | Prince Chun | |
| Henry O | ... | Lord Chamberlain (as Jiang Xi Ren) | |
| Kaige Chen | ... | Captain of Imperial Guard (as Chen Kai Ge) | |
| Liangbin Zhang | ... | Big Foot (as Zhang Liangbin) | |
| Wenjie Huang | ... | Hunchback (as Huang Wenjie) | |
| Dong Liang | ... | Lady Aisin-Gioro (as Liang Dong) | |
| Zhendong Dong | ... | Old Doctor (as Dong Zhendong) | |
| Jiechen Dong | ... | Doctor (as Dong Jiechen) | |
| Constantine Gregory | ... | Oculist | |
| Huaikuei Soong | ... | Lung Yu (as Soong Huaikuei) | |
| Ruzhen Shao | ... | First High Consort (as Shao Ruzhen) | |
| Li Yu | ... | Second High Consort | |
| Guangli Li | ... | Third High Consort (as Li Guangli) | |
| Chunqing Xu | ... | Grey Eyes | |
| Tianmin Zhang | ... | Old Tutor (as Zhang Tianmin) | |
| Hongnian Luo | ... | Sleeping Old Tutor (as Luo Hongnian) | |
| Shihong Yu | ... | Hsiao Hsiu (as Yu Shihong) | |
| Jun Wu | ... | Wen Hsiu - 12 Years (as Wu Jun) | |
| Lucia Hwong | ... | Lady of the Book | |
| Jingping Cui | ... | Lady of the Pen (as Cui Jingping) | |
| Shi Liang | ... | Republican Officer (as Wu Hai) | |
| Junguo Gu | ... | Tang (as Gu Junguo) | |
| Xu Tongrui | ... | Captain of Feng's Army | |
| Fusheng Li | ... | Minister of Trade (as Li Fusheng) | |
| Shu Chen | ... | Chang Chinghui (as Chen Shu) | |
| Shuyan Cheng | ... | Lady Hiro Saga (as Cheng Shuyan) | |
| Daxing Zhang | ... | Tough Warder (as Zhang Daxing) | |
| Ruigang Zu | ... | Second Warder (as Zu Ruigang) | |
| Yuan Jin | ... | Party Boss (as Jin Yuan) | |
| Akira Ikuta | ... | Japanese Doctor | |
| Michael Vermaaten | ... | American | |
| Matthew Spender | ... | Englishman | |
| rest of cast listed alphabetically: | |||
| Hongxiang Cai | ... | Scarface (uncredited) | |
| Xinmin Cui | ... | Japanese Bodyguard (uncredited) | |
| Zhenduo Li | ... | Dignitary (uncredited) | |
| Shigang Luo | ... | Chang Chinghui's Secretary (uncredited) | |
| Guang Ma | ... | Japanese Bodyguard (uncredited) | |
| Biao Wang | ... | Prisoner (uncredited) | |
| Baozong Yang | ... | General Yuan Shikai (uncredited) | |
| Hongchang Yang | ... | Scribe (uncredited) | |
| Lingmu Zhang | ... | Emperor Hirohito (uncredited) | |
Directed by | |||
| Bernardo Bertolucci | |||
Writing credits | ||
| Enzo Ungari | (initial screenplay collaboration) | |
| Mark Peploe | screenplay & | |
| Bernardo Bertolucci | with | |
| Henry Pu-yi | autobiography "From Emperor to Citizen, The Autobiography of Aisin-Gioro Pu Yi" (uncredited) | |
Produced by | |||
| John Daly | .... | executive producer | |
| Franco Giovale | .... | associate producer | |
| Joyce Herlihy | .... | associate producer: UK | |
| Jeremy Thomas | .... | produced by | |
Original Music by | |||
| David Byrne | (music by) | ||
| Ryûichi Sakamoto | (music by) | ||
| Cong Su | (music by) | ||
Cinematography by | |||
| Vittorio Storaro | (photography by) | ||
Film Editing by | |||
| Gabriella Cristiani | |||
| Anthony Sloman | (uncredited) | ||
Casting by | |||
| Joanna Merlin | |||
Production Design by | |||
| Ferdinando Scarfiotti | |||
Art Direction by | |||
| Maria-Teresa Barbasso | (as Maria Teresa Barbasso) | ||
| Gianni Giovagnoni | |||
| Gianni Silvestri | |||
Set Decoration by | |||
| Chunpu Wang | (as Wang Chunpu) | ||
Costume Design by | |||
| James Acheson | |||
Makeup Department | |||
| Ennio Cascioli | .... | assistant hair stylist | |
| Iole Cecchini | .... | hair designer | |
| Elisabetta De Leonardis | .... | assistant hair stylist | |
| Giancarlo De Leonardis | .... | hair designer | |
| Franco Giannini | .... | make up assistant | |
| Feng Guixiang | .... | make up | |
| Antonio Maltempo | .... | make up assistant | |
| Fabrizio Sforza | .... | make up artist | |
| Gino Zamprioli | .... | make up assistant | |
| Wanxiang Zhang | .... | make up | |
| Giancarlo De Leonardis | .... | hair stylist (uncredited) | |
Production Management | |||
| Stefano Bolzoni | .... | production manager | |
| Mario Cotone | .... | production supervisor | |
| Richard Lloyd | .... | post-production supervisor (tv version) | |
| Lamberto Palmieri | .... | production manager | |
| Alberto Passone | .... | production manager | |
| Pietro Sassaroli | .... | production manager | |
| Michael Saxton | .... | post-production supervisor | |
| Attilio Viti | .... | production manager | |
| Liansheng Wang | .... | associate production manager (as Wang Liansheng) | |
| Kebing Yang | .... | associate production manager (as Yang Kebing) | |
| Yumin Zhang | .... | associate production manager (as Zhang Yuming) | |
Second Unit Director or Assistant Director | |||
| Franco Angeli | .... | third assistant director | |
| Serena Canevari | .... | second assistant director | |
| Fabian Gerard | .... | third assistant director | |
| Lou Hangmin | .... | assistant director | |
| Li Hongsheng | .... | assistant director | |
| Giulio Levi | .... | third assistant director | |
| Ying Ning | .... | third assistant director (as Ning Ying) | |
| Basil Pao | .... | third assistant director | |
| Nicoletta Peyran | .... | third assistant director | |
| Gabriele Polverosi | .... | first assistant director | |
| Biao Wang | .... | assistant director (as Wang Biao) | |
Art Department | |||
| Sante Barelli | .... | special set paintings | |
| Bruno Cesari | .... | set dresser | |
| Osvaldo Desideri | .... | set dresser | |
| Galliano Donati | .... | sculptor | |
| Roberto Magagnini | .... | props | |
| Carlo Maggi | .... | head plasterer | |
| Dario Micheli | .... | set dresser | |
| Zhu Jin Ming | .... | property (as Zhu Ming) | |
| Barnaba Pagliarini | .... | drapery | |
| Cynthia Sleiter | .... | draughtswoman | |
| Boriana Soong | .... | art department assistant | |
| Fernando Valento | .... | construction manager | |
| Jixian Wang | .... | art designer (as Wang Jixian) | |
| Zhang Xianchun | .... | property | |
| Xu Xianqing | .... | property | |
| Andy Friend | .... | illustrator (uncredited) | |
Sound Department | |||
| Don Banks | .... | boom operator | |
| Alan Bell | .... | dialogue editor | |
| Geoff R. Brown | .... | dialogue assistant (as Geoff Brown) | |
| Terry Busby | .... | footsteps editor | |
| Mike Hopkins | .... | dialogue editor | |
| David Motta | .... | sound engineer | |
| William Parnell | .... | sound assistant (as Bill Parnell) | |
| Bill Rowe | .... | sound mixer | |
| Ivan Sharrock | .... | sound mixer | |
| Les Wiggins | .... | sound editor | |
| Colin Wood | .... | boom operator | |
Special Effects by | |||
| Gino De Rossi | .... | special effects | |
| Fabrizio Martinelli | .... | special effects | |
| Jinguo Yang | .... | special effects (as Yang Jingguo) | |
| Mario Cassar | .... | special effects technician (uncredited) | |
| Claudio Quaglietti | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Shulamit Levin | .... | digital restoration (2007 restored version) | |
| Craig Chandler | .... | optical effects (uncredited) | |
| Alan Church | .... | optical effects (uncredited) | |
| Tony Willis | .... | effects cameraman (uncredited) | |
Camera and Electrical Department | |||
| Giuseppe Alberti | .... | focus puller | |
| Luigi Bernardini | .... | focus puller | |
| Filippo Cafolla | .... | head gaffer | |
| Sean Herlihy | .... | camera assistant | |
| Alfredo Marchetti | .... | head grip (as Alredo Marchetti) | |
| Mauro Marchetti | .... | camera operator: "b" camera | |
| Angelo Novi | .... | still photographer | |
| Nicola Pecorini | .... | steadicam operator | |
| Enrico Umetelli | .... | camera operator: "a" camera | |
| Riccardo Umetelli | .... | loader | |
| Zhenhua Wang | .... | lighting (as Wang Zhenghua) | |
| Fabio Zamarion | .... | loader | |
| Ni Zhongze | .... | lighting | |
| Keith Hamshere | .... | special photographer (uncredited) | |
| Stefano Marino | .... | electrician (uncredited) | |
| Rob McEwan | .... | still photographer (uncredited) | |
| Mauro Pezzotti | .... | grip (uncredited) | |
Casting Department | |||
| Brendan Donnison | .... | adr casting (as Brendon Donnison) | |
| Alice Jankowiak | .... | casting assistant | |
| Ulrike Koch | .... | casting: China | |
| Patricia Pao | .... | casting: Hong Kong | |
| Nina Axelrod | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Martin Adams | .... | costume prop maker | |
| Franco Antonelli | .... | wardrobe coordinator | |
| Vincenzo Cancellara | .... | wardrobe assistant | |
| Thomas Casterline | .... | assistant costume designer | |
| Damiana Celletti | .... | wardrobe assistant | |
| Silvana Cocuccione | .... | wardrobe assistant (as Silvana Cocuccioni) | |
| Shirley Cooper | .... | costume prop maker | |
| Millina Deodato | .... | assistant military costume designer | |
| Anna Foresi | .... | wardrobe assistant | |
| Magot Forster | .... | costume applique work | |
| Frank Gardiner | .... | assistant costume designer | |
| Annie Hadley | .... | cutter | |
| Gilly Hebden | .... | assistant costume designer | |
| Michael Jones | .... | milliner | |
| Colette Koo | .... | assistant costume designer (as Collette Koo) | |
| Teresa Micocci | .... | cutter | |
| Day Murch | .... | costume applique work | |
| Paola Pedricca | .... | wardrobe assistant (as Paola Petricca) | |
| Ugo Pericoli | .... | military costumer | |
| Gregorio Simili | .... | dyer | |
| Huanxiang Sun | .... | costumer (as Sun Huanxiang) | |
| David Whiteing | .... | wardrobe assistant | |
| Gong Zhangjing | .... | costumer | |
Editorial Department | |||
| Martin Crane | .... | first assistant editor | |
| Fiorella Giovanelli | .... | second assistant editor | |
| Mike Griffiths | .... | telecine colorist (television version) | |
| Catherine Hodgson | .... | second assistant editor | |
| Carlo La Bella | .... | color supervisor | |
| Aldo Manni | .... | negative cutter | |
| Nadia Mazzoni | .... | second assistant editor | |
| Elvio Sordoni | .... | first assistant editor | |
Music Department | |||
| Haydn Bendall | .... | engineer: London (as Hayden Bendall) | |
| Aki Ikuta | .... | music producer: London | |
| Aki Ikuta | .... | musical associate: Tokyo | |
| Mike Jarratt | .... | engineer: London | |
| Clive Martin | .... | engineer: David Byrne's sessions | |
| Michio Nakagoshi | .... | engineer: Tokyo | |
| Yuji Nomi | .... | additional arrangements: Tokyo | |
| Ian Silvester | .... | engineer: Audio FX, London | |
| Shigeru Takise | .... | engineer: Tokyo | |
| Koji Ueno | .... | additional arrangements: Tokyo | |
| Ray Williams | .... | music supervisor | |
| Gavin Wright | .... | conductor: London | |
| Hans Zimmer | .... | music producer: London (as Hans F. Zimmer) | |
| Hans Zimmer | .... | musical associate: London (as Hans F. Zimmer) | |
| Gemma Dempsey | .... | assistant music supervisor (uncredited) | |
| Greg Fulginiti | .... | music engineer (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
Other crew | |||
| Verena Baldeo | .... | production assistant | |
| Cicely Berry | .... | dialogue coach | |
| Maurice Binder | .... | title designer: main title | |
| Lizzie Bryant | .... | secretary to producer | |
| Rubin Cai | .... | organizer: Beijing Film Studio (as Cai Rubin) | |
| Andrew Calvert | .... | computer operator | |
| Riccardo Caneva | .... | accountant | |
| Concetta Caporale | .... | production secretary | |
| Anita Capozzi | .... | interpreter | |
| Fausto Capozzi | .... | accountant | |
| Marco Carosi | .... | video | |
| Hazel Crombie | .... | production accountant | |
| Sheala Daniell | .... | assistant production accountant | |
| Michael Day | .... | interpreter | |
| Sevilla Delofski | .... | assistant to producer | |
| Gianna Di Michele | .... | accountant (as Gianna De Micheli) | |
| Suzanne Durrenberger | .... | continuity | |
| Susanna Ferrari | .... | interpreter | |
| Sergio Forcina | .... | armourer | |
| Giovanna Fulvi | .... | interpreter | |
| Juliet Garland | .... | computer operator | |
| Vanessa Goddard | .... | publicity coordinator | |
| Marina Grappelli | .... | accountant | |
| Maurizio Graziosi | .... | accountant | |
| Constantine Gregory | .... | dialogue coach | |
| Massimo Iacobis | .... | production assistant (as Massimo Jacobis) | |
| Aisin Gioro Pu Jie | .... | advisor | |
| Sara Keene | .... | director of publicity | |
| Mary Lance | .... | documentary film researcher | |
| Memo Mancino | .... | armourer | |
| Carlo Pasini | .... | production secretary | |
| Cloe Peploe | .... | historical research | |
| Manuela Pineskj | .... | production coordinator (as Manuela Pineskj Berger) | |
| Guoburou Run Qi | .... | advisor | |
| Ann Roddy | .... | interpreter | |
| Daniel Shallon | .... | assistant continuity | |
| Shirley Sun | .... | production consultant | |
| Betty Swinburne | .... | accounts secretary | |
| Ron Swinburne | .... | financial controller | |
| Cinzia Taffani | .... | production secretary | |
| Luciano Tartaglia | .... | accountant | |
| Ann Tasker | .... | unit publicist | |
| Riccardo Umetelli | .... | screenings operator | |
| Li Wenda | .... | advisor | |
| Aisin Gioro Wen Xin | .... | advisor | |
| Chunqing Xu | .... | representative: China Film Co-Production Corporation (as Xu Chunquing) | |
| Federica Zappalà | .... | accountant (as Federica Zappala) | |
| Aisin Gioro Yu Zhan | .... | advisor | |
| Liangbin Zhang | .... | representative: China Film Co-Production Corporation (as Zhang Lianbin) | |
| Monica Zucchetti | .... | interpreter | |
| Pauline Hume | .... | graphic artist: titles (uncredited) | |
| Lee Katz | .... | production consultant (uncredited) | |
Thanks | |||
| Gemma Dempsey | .... | many thanks | |
| Jean Pasqualini | .... | special thanks: author of 'Prisoner of Mao' | |
| Hiroaki Sugawara | .... | many thanks | |
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The Last Emperor, like Once Upon a Time in America, is an epic saga that delves, among various aspects, into the realm of Time and the ensuing effects it has on a human being and his culture as it passes through his lifetime. The Last Emperor of the Qing dynasty, Pu-Yi, was coronated in 1909 at the age of three and due to his youth ended up being a puppet to his adminstration. Bertolucci successfully shows us a young man who while understandably spoilt by many luxuries of monarchy, is in actuality a tender hearted, independent thinker (not doer) who is passionate about his homeland (Manchuria) and has a ravenous desire for experiencing life in the outside world. His caged lifestyle in the Forbidden City (Beijing) is definitely a major contributor to this mindset. From his infancy the director takes us through a chain of historical events that ultimately lead to Pu-Yi being an ordinary man (we know this from the beginning, however flashbacks explain his situation at the start). However, it is not the desired lifestyle that he sought as an Emperor in his youth.
The Last Emperor is breathtaking in its cinematography and Bertolucci's direction is impeccable. A lot of criticism was directed at his film '1900' (1976) due to its sheer length. The Last Emperor clocks in at 215 minutes (director's cut) and barring 10 minutes of a marriage related scene, it never lets up. Bertolucci seamlessly interweaves the flashbacks with Pu-Yi's situation in post-WWII China by providing us with a real life tragedy that epitomizes human weaknesses, vices, love and loyalty. Here is a film that is a true story but goes beyond mere narration or simple depiction - it is a three and a half hour, non-stop attention grasping journey through the spectrum of humanity that defines our lifetime through the eyes of an unfortunate soul who was a victim of circumstances like many are. Any questions that the viewer will have concerning an event in the plot will be immediately answered through the rich tapestry that Bertolucci shows when depicting Pu-Yi's imperial life.
On a technical note, the acting in this film is brilliant. John Lone deserved atleast an Oscar nomination for best actor due to his seamless portrayal of Pu-Yi. He makes his portrayal of a 21 - 60 year old Pu-Yi seem like an effortless act. Through his performance the audience feels an even greater compassion for the last emperor as we come across a man who despite all the hardships he endured was very compassionate and soft centered. The sheer down to earth nature of his character as a 55-60 year old who walks with a tired smile, forever accompanied by his loving brother, is a testament to Lone's ability to portray any age and move the audience.
Once again, it takes a Hailey's comet like event for the Academy to nominate someone from the eastern world (or non-British, non-American when it comes to best actor). The rest of the cast is also brilliant barring Ryuichi Sakamoto (who portrays the one-armed Masahiko Amakasu) who, for the most part, presents us with a classic display of Japanese overacting. Although I wouldn't call it overacting in a Kurasawa-esque/Japanese film environment, it becomes quite hilarious in a production such as this.
This apart, the film is brilliant. It is the last great epic (yes, Gladiator is very good, but is far from an epic in my mind) and somehow I hope it is rediscovered and re-appreciated as it once was back in the late eighties.
While the Oscars have always contrived to ignore the true best picture for most of the last two decades, here is an example of a best picture winner which beat the competition by miles.