| Videos |
| Lindsay Crouse | ... | Margaret Ford | |
| Joe Mantegna | ... | Mike | |
| Mike Nussbaum | ... | Joey | |
| Lilia Skala | ... | Dr. Maria Littauer | |
| J.T. Walsh | ... | The businessman | |
| Willo Hausman | ... | Girl with book | |
| Karen Kohlhaas | ... | Prison ward patient | |
| Steven Goldstein | ... | Billy Hahn | |
| Jack Wallace | ... | Bartender, House of Games | |
| Ricky Jay | ... | George / Vegas Man | |
| G. Roy Levin | ... | Poker player | |
| Bob Lumbra | ... | Poker player | |
| Andy Potok | ... | Poker player | |
| Allen Soule | ... | Poker player | |
| Ben Blakeman | ... | Bartender, Charlie's Tavern | |
| Scott Zigler | ... | Western Union clerk | |
| William H. Macy | ... | Sgt. Moran (as W.H. Macy) | |
| John Pritchett | ... | Hotel desk clerk | |
| Meshach Taylor | ... | Mr. Dean | |
| Johnny 'Sugarbear' Willis | ... | Hotel doorman (as Sugarbear Willis) | |
| Josh Conescu | ... | Garage attendant | |
| Julie Mendenhall | ... | Late student | |
| Rachel Cline | ... | Student | |
| Patricia Wolff | ... | Patient / Ford's office | |
| Paul Walsh | ... | Man in restaurant | |
| Roberta Maguire | ... | Restaurant hostess | |
| Jacqueline de La Chaume | ... | Woman with lighter |
Directed by | |||
| David Mamet | |||
Writing credits | ||
| Jonathan Katz | (story) & | |
| David Mamet | (story) | |
| David Mamet | (screenplay) | |
Produced by | |||
| Michael Hausman | .... | producer | |
Original Music by | |||
| Alaric Jans | |||
Cinematography by | |||
| Juan Ruiz Anchía | |||
Film Editing by | |||
| Trudy Ship | |||
Casting by | |||
| Cyrena Hausman | |||
Production Design by | |||
| Michael Merritt | |||
Set Decoration by | |||
| Derek R. Hill | (as Derek Hill) | ||
Costume Design by | |||
| Nan Cibula | |||
Makeup Department | |||
| Laurent Delouya | .... | hair stylist: Mr. Mantegna | |
| Erin Lyons | .... | hair stylist | |
| Gregory Villamil | .... | hair stylist: Miss Crouse | |
| Pamela S. Westmore | .... | makeup artist (as Pamela Westmore) | |
Production Management | |||
| Lee R. Mayes | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ned Dowd | .... | first assistant director | |
| Michael Hausman | .... | second assistant director | |
Art Department | |||
| Jeff Balsmeyer | .... | storyboard artist (as Jeffrey Balsmeyer) | |
| Valerie Ross | .... | property assistant | |
| Samara Schaffer | .... | property master | |
| J. Grey Smith | .... | lead man | |
| Jeffrey P. Soderberg | .... | set dresser (as Jeff Soderberg) | |
Sound Department | |||
| Douglas Axtell | .... | boom operator | |
| Suki Buchman | .... | assistant sound editor (as Susan Buchman) | |
| Anthony J. Ciccolini III | .... | supervising sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Pam DeMetruis-Thomas | .... | assistant sound editor (as Pam DeMetruis) | |
| Kathleen Earle Killeen | .... | assistant sound editor (as Kathy Killeen) | |
| Thomas A. Gulino | .... | sound editor | |
| John Pritchett | .... | sound mixer | |
| John Pritchett | .... | sound | |
| Marc S. Shaw | .... | adr editor | |
| Gail Showalter | .... | assistant sound editor | |
| Jeffrey Stern | .... | sound editor | |
| Jacqueline Tager | .... | assistant sound editor (as Jacqui Tager) | |
| Dick Vorisek | .... | sound re-recording supervisor | |
Special Effects by | |||
| Robert G. Willard | .... | special effects (as Robert Willard) | |
Camera and Electrical Department | |||
| Michael F. Barrow | .... | gaffer (as Michael Barrow) | |
| Michael F. Barrow | .... | grip equipment | |
| Michael F. Barrow | .... | lighting equipment | |
| Martin Bosworth | .... | grip (as Marty Bosworth) | |
| Chris Centrella | .... | key dolly grip | |
| Henry Cline | .... | second assistant camera | |
| Geoffrey Coburn | .... | electrician | |
| Robert Diehl | .... | electrician | |
| Bill Flick | .... | grip | |
| Lars Larson | .... | grip | |
| Mark Lorge | .... | electrician | |
| Hugh McCallum | .... | best boy grip | |
| Robert McClure | .... | electrician | |
| John Merriman | .... | best boy electric | |
| George Mooradian | .... | first assistant camera | |
| Lorey Sebastian | .... | still photographer | |
| Michael Sudmeier | .... | electrician | |
| Greg White-Wiegand | .... | electrician | |
| Quintin Woo | .... | electrician | |
Costume and Wardrobe Department | |||
| Candace Blake | .... | wardrobe assistant | |
| Dawn Johnson | .... | costumer | |
| Sally Roberts | .... | wardrobe assistant | |
| Sally Roberts | .... | assistant costume designer (uncredited) | |
Editorial Department | |||
| Peter B. Ellis | .... | apprentice editor | |
| K.F. Ligammari | .... | apprentice editor | |
| Colleen Sharp | .... | apprentice editor | |
| Barbara Tulliver | .... | assistant editor | |
Music Department | |||
| Warren Bernhardt | .... | musician: piano solom, "Fugue From the Toccata in C Minor" | |
| Suzana Peric | .... | music editor | |
Transportation Department | |||
| Gregory W. Anderson | .... | driver (as Gregory Anderson) | |
| Jerry Jackson | .... | transportation coordinator | |
| Jon McCarthy | .... | driver (as Jon R. McCarthy) | |
| David Milchen | .... | driver captain | |
Other crew | |||
| Alexa Albert | .... | production assistant | |
| Rachel Cline | .... | assistant to producer | |
| Liz Dixon | .... | coach | |
| Liz Dixon | .... | consultant | |
| Peter Hutcheson | .... | production assistant | |
| Kevin Hyman | .... | production accountant | |
| Ricky Jay | .... | consultant: confidence games | |
| Richard Lorenzana | .... | financial representative | |
| Ron Lynch | .... | location manager | |
| Susan McBrine | .... | caterer (as Susan MacBrine) | |
| Ivan Passer Jr. | .... | production assistant | |
| P.J. Pettiette | .... | dailies courier | |
| Deborah Pritchett | .... | production office coordinator | |
| Cathy Sarkowsky | .... | production office coordinator | |
| Sheila Thompson | .... | craft service | |
| Lynn Wegenka | .... | key production assistant | |
| Christine Wilson | .... | script supervisor | |
| Patricia Wolff | .... | production assistant | |
| Scott Zigler | .... | production assistant | |
| Randall Balsmeyer | .... | title designer (uncredited) | |
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| Nueve reinas | A Big Hand for the Little Lady | Lock, Stock and Two Smoking Barrels | The Grifters | Deceiver |
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Opening the film with a Bach Toccata is an aural hint of what is to unfold in this intense drama. All the compositional devices Bach perfected to keep his listener (and the performer) intrigued and entertained applies to this film. There isn't a mutual tenderness between the two lead characters and the lead female in the final scene I feel is justified in stating she was raped even though her victimizer feels she was forewarned that he was a cad. Mamet compellingly explores the emotional chasm and differences between the genders but I feel he is clueless about how they actually compliment one another given a healthy sense of humor. If Mamet ever developed a healthy humorous take on the interaction between the genders I wonder how this work would have ended? As it exists it is very somber and mean spirited.