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Hope and Glory (1987)
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Overview
User Rating:
Director:
Writer:
John Boorman (written by)
Release Date:
November 1987 (USA)
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Tagline:
The epic story of a world at war. And a boy at play.
Plot:
A semiautobiographical project by John Boorman about a nine year old boy called Bill as he grows up in London during the blitz of World War 2...
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Plot Keywords:
Awards:
Nominated for 5 Oscars.
Another 15 wins
&
18 nominations
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User Comments:
Through the eyes of a child
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Cast
(Cast overview, first billed only) | Sebastian Rice-Edwards | ... | Bill Rowan (as Sebastian Rice Edwards) |
| Geraldine Muir | ... | Sue Rowan |
| Sarah Miles | ... | Grace Rowan |
| David Hayman | ... | Clive Rowan |
 | Sammi Davis | ... | Dawn Rowan |
 | Derrick O'Connor | ... | Mac |
| Susan Wooldridge | ... | Molly |
| Jean-Marc Barr | ... | Cpl. Bruce Carrey |
| Ian Bannen | ... | Grandfather George |
| Annie Leon | ... | Grandma |
| Jill Baker | ... | Faith |
| Amelda Brown | ... | Hope |
| Katrine Boorman | ... | Charity |
| Colin Higgins | ... | Clive's Pal |
| Shelagh Fraser | ... | WVS Woman |
Additional Details
Parents Guide:
Runtime:
113 min
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Australia:M |
Singapore:NC-16 |
Iceland:L |
Canada:14A (Ontario) |
Argentina:13 |
Chile:14 |
Finland:K-12 |
Sweden:11 |
UK:15 |
USA:PG-13
Filming Locations:
Company:
Fun Stuff
Trivia:
Goofs:
Revealing mistakes: Not only is the string quartet not actually playing the music, but the Mozart serenade in G K.525 (Eine kleine Nachtmusik) is scored for five instruments, not four.
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Quotes:
Winston Churchhill:
[on a radio broadcast] Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning.
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Movie Connections:
Referenced in "Ally McBeal: Hope and Glory (#3.20)" (2000)
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Soundtrack:
We'll Meet Again
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Undoubtably one of the best movies about "the home front" of WWII, Hope and Glory effectively recalls the child's perspective of living amidst the rubble of the Blitz. The film's strength, in my view, is how people tried their best to maintain their normal lives and customs as their world crumbled around them, both literally and figuratively.
The young man playing the central character does a fine job of bringing Boorman's childhood to life. The natural ability of children to adjust to change (but not without consequences) is brilliantly depicted. The "gang" sequences were not only funny but also felt remarkably true, especially the collection of plundered booty and scrap war material. It's just the type of mischief you'd expect from letting the boys run wild through this type of damage.
Sarah Miles and Sammi Davis are excellent as the mother and older sister to the central character; their interaction shows the damage war does to relationships and moral values. The highlight for me was the grandfather, however. The gentleman stole every scene in which he appears. The final scenes of the movie show his delight in his grandson in such a novel and moving way that it became almost the film's highlight.
I worked with a man who lived in London during the war, when he would have been the same age as the boy in this story. He told me that he considered this movie the best one he'd ever seen on World War II and recommended that I watch it. I've never regretted it. Thanks, Jack.