Hellraiser (1987)

Director:

Clive Barker

Writers:

Clive Barker (novel)
Clive Barker (screenplay)

Release Date:

18 September 1987 (USA)

Genre:

Horror

Tagline:

Still Raising Hell [20th Anniversary Re-Issue]

Plot:

An unfaithful wife encounters the zombie of her dead lover, who's being chased by demons after he escaped from their sado-masochistic Hell.

Plot Keywords:

Cenobites | Demon | Hell | Blood | House

Awards:

2 wins & 5 nominations

Cast

Andrew Robinson	...	Larry
Clare Higgins	...	Julia
Ashley Laurence	...	Kirsty
Sean Chapman	...	Frank
Oliver Smith	...	Frank the Monster
Robert Hines	...	Steve
Anthony Allen	...	1st Victim
Leon Davis	...	2nd Victim
Michael Cassidy	...	3rd Victim
Frank Baker	...	Derelict
Kenneth Nelson	...	Bill
Gay Baynes	...	Evelyn
Niall Buggy	...	Dinner Guest
Dave Atkins	...	Moving Man 1
Oliver Parker	...	Moving Man 2

Also Known As:

Clive Barker's Hellraiser (UK) (complete title)
Sadomasochists from Beyond the Grave (USA) (working title)

Runtime:

94 min | Sweden:89 min (cut version) | Finland:86 min (cut)

Country:

UK

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Finland:K-18 (uncut) (1998) (2002) | West Germany:18 (video rating) (cut) | New Zealand:R16 | Belgium:16 (video rating) | Finland:K-16 (cut) (1998) | Australia:M (theatrical rating) | Australia:R | Canada:13+ (Québec) | Canada:18A (Alberta) (re-rating) (2000) | Denmark:15 (DVD rating) | France:-12 | Iceland:(Banned) | Iceland:16 (cut) | Netherlands:16 | Norway:18 | Singapore:R21 | South Korea:15 (original rating) (cut) | South Korea:18 (DVD rating) | Spain:18 | Sweden:15 | UK:18 | USA:R (certificate #28562) | Canada:R (Manitoba/Nova Scotia/Ontario) | Germany:BPjM Restricted

Filming Locations:

187 Dollis Hill Lane, Dollis Hill, London, England, UK

Company:

Cinemarque Entertainment BV

Trivia:

Industrial band Coil originally did the soundtrack for this movie, but it was turned down by the studio. Clive Barker said, " [Coil was] the only group I've heard on disc whose records I've taken off because they made my bowels churn."

Goofs:

Continuity: When Frank first opens the puzzle box in the beginning of the film, the inner sides of the sliding pieces are white. Later, when Kirsty opens the box in the hospital, the box's inner sides are brown woodgrain, just like the exterior of the box.

Quotes:

Frank Cotton: Come to Daddy.

Movie Connections:

Referenced in Hellbound: Hellraiser II - Lost in the Labyrinth (2000) (V)

More Urbane and Interesting Than Other 1980s Horror Movies

Hellraiser may not be an incredible work of horror genius, but it certainly is one of the more inventive and engagingly dark and twisted horror films of the 1980s, when horror films were almost all dull, poorly made, recycled, and absurd. Hellraiser's themes include sadomasochism, in an intriguing concept of the slasher figure in the story, which is a Gothic- looking antique puzzle box that summons ruthless demons to victimize the person in possession of it by subjecting them to a world of debilitating eternal pain. It also involves a femme fatale on the level of a chiller that does not involve fantasy, played brilliantly in an extremely acute performance by beautiful Clare Higgins. There is the layer of plot surrounding her that inhabits late-thirties, early-forties married and adulterous life with her almost frustratingly naive and unsuspecting husband, which is invaded by the devilish embodied soul of her ex-lover, brutalized by the demons of the puzzle box. Finally, at the core of the story is the pivotal character, as her fill of screen time patiently awaits to the point where she is revealed to be so, and she is the teenage stepdaughter, played by Ashley Laurence, one of the sexiest actresses I have ever seen. Everything from her voluptuous body to her scream-bloody-murder portrayal of the stepdaughter makes me wonder why her career never went any higher than this.

So yes, the movie is more urbane than the vast majority of other horror films in that decade. It's even set in England. It's interesting that no one has an English accent in England, according to this movie, but nevertheless the locale serves the film with a dark atmosphere of sophistication and antiquity, which suits a story that surrounds an age-old puzzle box. This feel of the movie that I speak of is interrupted, quite inexplicably by beer-drinking, dirty-T-shirt-wearing American furniture movers, which I didn't know they had in England.

Hellraiser is quite an enormous entertainment despite its 1980s-style inconsistencies that I suppose it just couldn't help but have. It's especially enjoyable during autumn, mainly during Halloween time.