Harry and the Hendersons (1987)

User Rating:

5.5/10   

Director:

William Dear

Writers:

William Dear (written by)
Bill Martin (written by)

Release Date:

5 June 1987 (USA)

Genre:

Family | Comedy

Tagline:

When you can't believe your eyes, trust your heart.

Plot:

Returning from a hunting trip in the forest, the Henderson family's car hits an animal in the road. At first they fear it was a man...

Plot Keywords:

Bigfoot | Animal Rampage | Bad Smell | Seattle Washington | Freaked Out

Awards:

Won Oscar. Another 1 win & 7 nominations

Cast

John Lithgow	...	George Henderson
Melinda Dillon	...	Nancy Henderson
Margaret Langrick	...	Sarah Henderson
Joshua Rudoy	...	Ernie Henderson
Kevin Peter Hall	...	Harry
Lainie Kazan	...	Irene Moffat
Don Ameche	...	Dr. Wallace Wrightwood
M. Emmet Walsh	...	George Henderson Sr.
Bill Ontiverous	...	Sgt. Mancini
David Richardt	...	Dirty Harry Officer
Jacqueline Moscou	...	DMV Clerk
Laura Kenny	...	'Mouse' Woman
Richard Arnold	...	'Mouse' Spouse
Sean Morgan	...	Jerry Seville
Nick Flynn	...	Stuart

Also Known As:

Bigfoot (Philippines: English title)
Bigfoot and the Hendersons (UK)

Runtime:

110 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Iceland:L | Australia:PG | Argentina:Atp | Chile:TE | Finland:K-8 | Sweden:11 | UK:PG | USA:PG | West Germany:6

Filming Locations:

Index, Washington, USA

Company:

Amblin Entertainment

Trivia:

Bill Martin (IV), who co-wrote the screenplay for "Harry and the Hendersons," wrote songs for Harry Nilsson's "Harry" album and is pictured (wearing a bear suit) inside the album's cover. Martin says that the character "Harry" in the film is named after Harry Nilsson.

Goofs:

Continuity: The Henderson's station wagon is clearly already damaged in the close-up of it hitting Harry. The headlight cover is already open instead of coming open in the crash, and damage to the left front panel is grossly exaggerated and inconsistent with hitting Harry the way they did.

Quotes:

[George's father had changed George's kind drawing of Harry to make Harry look like a vicious monster]
George Henderson Sr.: How's that for an arthritic old shooter, huh?
George Henderson: What the hell did you do that for? It's my drawing! Why'd you change it?
George Henderson Sr.: Cool down, George, it's just a piece of cardboard.
George Henderson: Not to me. It means something to me! Can't you see that he means something to me?
George Henderson Sr.: What the hell are you talking about?
George Henderson: The hell with it! I quit!
[Storms out]
George Henderson Sr.: Over this? You can't quit! We're too busy! Hey, what the hell's the matter with you?

Movie Connections:

References Claws (1977)

Better than E.T.

Harry and the Hendersons is one of the first films I remember seeing in the cinema as a kid. It was 1987 and my uncle had just passed his driving test so he was well into driving places and the cinema just happened to be one of them.

Even though the film is only 110 minutes long, they still had an intermission halfway through, for some reason. And I swear, they actually had ushers coming round selling stuff before it started back up again. I believe that is the first and only time I have seen such old-fashioned picturehouse practices. But it makes my original memory of this film so much more nostalgic.

The Hendersons consist of wannabe artist/gun salesman dad George (that always brilliant John Lithgow), loving mum Melinda Dillon, a bratty daughter and a hyperactive son. On returning from a camping trip in the Pacific Northwest, they accidentally run into some sort of large furry creature on the forest road. Originally believing it to be a bear, George steps out of the car to prod it with his gun a few times. But the bear has man-like hands and George suddenly asks his family 'What if it's...HIM'.

Bigfoot! Think of how much he's worth! So they tie him to the roof of the car and drive him home, while George thinks of the best way of selling him. Later that night, he is curious as to how big his feet really are. So he sneaks down to the garage with a measuring tape only to find that he's no longer strapped to the roof of the car, but poking around in the kitchen fridge.

The Hendersons stand back as bigfoot (or Harry as he is later renamed) stomps around the house and garden investigating all their strange belongings. Though he doesn't care much for all the animal trophies hanging around everywhere. Freaking out, George tries to snipe Harry from through the bedroom window, but has a change of heart when he realises that Harry is just big, harmless oaf.

The best scenes of the film involve Harry making himself at home in the Henderson house. His mannerisms and body language are similar to a child warned to be on their best behavior while visiting old relatives. He constantly looks a bit nervous and uncomfortable but is always ready to grab you for a big hug.

Rick Baker deservedly took home an Academy Award for Best Make-Up Effects back in 1988 for this movie. Harry Henderson is an amazing character with a wonderfully wide range of expressions and emotions. All E.T. ever did was sit there looking bug-eyed. Not Harry though, you can't help loving him. I so want my own Bigfoot.

Even now as an adult I this movie is still great. As a kid I remember feeling the panic and excitement when Harry got lost in Seattle and the half-crazed Bigfoot hunter Jacques LaFleur (David Suchet) doing lots of sleaziness in order to have him shot, gutted and sold to science. Forgive the repeated comparison, but to me it was more involving and fun than the man with the keys in E.T.

You just don't get family movies like this anymore. Back in the 80's Steven Spielberg's Amblin production company made loads of great family movies like Gremlins, Goonies, the Back to the Future Trilogy, Young Sherlock Holmes and Innerspace. They all had some kind high-concept spin that crud such as Like Mike and Crapper by the Dozen don't.

It was a great time to be a kid back in those days. We weren't cynical and jaded and hooked on Playstation like modern children. We still had a sense of adventure, a longing for the outdoors. Anything could be out there. Maybe Harry is actually bumbling around in the woods as I write this.

Like the Patterson/Gimlin film that inspired it, Harry and the Hendersons is one movie that will be timeless forever.