Drowning by Numbers (1988)

Director:

Peter Greenaway

Writer:

Peter Greenaway (written by)

Release Date:

June 1991 (USA)

Genre:

Comedy | Drama

Tagline:

The great death game.

Plot:

Tired of her husband's philanderous ways, the mother of two daughters drowns her husband. With the reluctant help of the local coroner...

Plot Keywords:

Coroner | Murder | Number | Counting | Game

Awards:

3 wins & 1 nomination

Cast

Joan Plowright	...	Cissie Colpitts 1
Juliet Stevenson	...	Cissie Colpitts 2
Joely Richardson	...	Cissie Colpitts 3
Bernard Hill	...	Madgett
Jason Edwards	...	Smut
Bryan Pringle	...	Jake
Trevor Cooper	...	Hardy
David Morrissey	...	Bellamy
John Rogan	...	Gregory
Paul Mooney	...	Teigan
Jane Gurnett	...	Nancy
Kenny Ireland	...	Jonah Bognor
Michael Percival	...	Moses Bognor
Joanna Dickens	...	Mrs. Hardy
Janine Duvitski	...	Marina Bellamy

Runtime:

118 min

Country:

UK | Netherlands

Language:

English

Color:

Color

Aspect Ratio:

1.66 : 1

Sound Mix:

Dolby

Certification:

South Korea:18 | Argentina:16 | Australia:M | Finland:K-16 | Sweden:15 | UK:18 | USA:R

Filming Locations:

Suffolk, England, UK

Company:

Film Four International

Trivia:

The painting in Madgett's room is that of Peter Bruegel's 'Children's Games (1560)'.

Quotes:

Smut: The object of this game is to dare to fall with a noose around your neck from a place sufficiently high enough off the ground, such that the fall will hang you. The object of the game is to punish those who have caused great unhappiness by their selfish actions. This is the best game of all, because the winner is also the loser, and the judge's decision is always final.

Movie Connections:

References The Falls (1980)

Soundtrack:

2nd Movement of Mozart's Sinfonia Concertante for Violin, Viola and Orchestra K354

Quirky, eccentric, engaging

I was ready to shut this movie off during the opening credits. A young girl skips rope as she names the stars in the cadence of her count 13-Rigel, 14- get it? Now you'd think most filmmakers would pick up this little symbol at a point near its end, but not Peter Greenaway. We see the whole count. I nearly fell asleep before the movie title appeared.

I'm glad I didn't. This is one weird movie, but a charming entertainment. The counting to 100 in the rope-jump prefigures the appearance of the numbers one through a hundred in sequence throughout the movie. It's fun after a while to see if you can spot them or to predict their appearance.

The plot, such as it is, centers around three women with the same name who all drown their husbands, with the assistance of the coroner, an inveterate gamesman. The other main character is the coroner's bizarre number-obsessed son, who narrates, and actually does most of the numbering that marks the progress of the film. The main characters are all utterly amoral.

Does the plot really matter? It's a black comedy, and a puzzle. The people are real, but they aren't. "The play's the thing". The film is odd and personal. I loved it. You may not. It reminded me of TV's famous "The Prisoner".

Peter Greenaway wrote and directed. The script is dryly amusing. The visual presentation is poetic and rich with symbols. The camera angles are unusual, befitting the material photographed. The landscape is ethereal, not unlike Prospero's Island in Greenaway's The Tempest. Except maybe for Zefferelli, nobody creates a richer texture of visual imagery.

For me, the only disappointment was an unsatisfying ending. I guess this was how it had to end. I couldn't come up with a better solution to the puzzle, but I wanted the characters to fare better than they did, and the fate of the boy-narrator seemed unduly harsh.

Still and all, it was Greenaway's game, and that's how he played it. I'm not sure why anyone financed this film, because the potential audience is small.

But I sure liked it.