| Photos (see all 65 | slideshow) | Videos (see all 3) |
Directed by | |||
| Emile Ardolino | |||
Writing credits | ||
| Eleanor Bergstein | (written by) | |
Produced by | |||
| Doro Bachrach | .... | associate producer | |
| Eleanor Bergstein | .... | co-producer | |
| Mitchell Cannold | .... | executive producer | |
| Linda Gottlieb | .... | producer | |
| Steven Reuther | .... | executive producer | |
Original Music by | |||
| John Morris | |||
Cinematography by | |||
| Jeff Jur | |||
Film Editing by | |||
| Peter C. Frank | |||
Casting by | |||
| Bonnie Timmermann | |||
Production Design by | |||
| David Chapman | |||
Art Direction by | |||
| Mark Haack | |||
| Stephen J. Lineweaver | (as Stephen Lineweaver) | ||
Set Decoration by | |||
| Clay A. Griffith | (as Clay Griffith) | ||
Costume Design by | |||
| Hilary Rosenfeld | |||
Makeup Department | |||
| Fríða Aradóttir | .... | hair stylist (as Frida Aradottir) | |
| David Forrest | .... | makeup artist | |
| Gilbert La Chapelle | .... | makeup artist (as Gilbert LaChapelle) | |
| Marlies Vallant | .... | hair stylist | |
Production Management | |||
| Eileen Eichenstein | .... | production supervisor | |
| Tammy J. Green | .... | post-production supervisor | |
| Jeffrey L. Hayes | .... | production manager (as Jeffrey Hayes) | |
Second Unit Director or Assistant Director | |||
| Herb Gains | .... | first assistant director | |
| Nathalie Vadim | .... | second assistant director | |
Art Department | |||
| David H. Allen | .... | property master (as David Allen) | |
| Kevin Allen | .... | assistant art director | |
| Tommy Allen | .... | assistant art director (as Tom Allen) | |
| Bill Ballou | .... | construction coordinator | |
| Jennifer Gilbert | .... | set dresser | |
| Wayne Shepherd | .... | set dresser (uncredited) | |
Sound Department | |||
| Douglas Axtell | .... | sound recordist (as Doug Axtell) | |
| George Baetz | .... | sound recordist | |
| Michael DiCosimo | .... | stereo sound consultant: Dolby | |
| Rick Dior | .... | sound re-recording mixer | |
| John Pritchett | .... | sound mixer | |
| Mark Rathaus | .... | sound editor | |
| Dan Sable | .... | supervising sound editor | |
| Ann Stein | .... | adr editor (as Anne Stein) | |
| Douglas Axtell | .... | boom operator (uncredited) | |
| Bob Olari | .... | sound recordist (uncredited) | |
| Lynn Sable | .... | assistant sound editor (uncredited) | |
| Mel Zelniker | .... | adr mixer (uncredited) | |
Stunts | |||
| Denise Amirante | .... | stunts | |
| Bill Anagnos | .... | stunts | |
| Norman Douglass | .... | stunts | |
| Jim Lovelett | .... | stunt coordinator (as James Lovlett) | |
Camera and Electrical Department | |||
| Tom Barrett | .... | grip | |
| Michael F. Barrow | .... | gaffer (as Michael Barrow) | |
| Michael F. Barrow | .... | provider: lighting and grip equipment (as Michael Barrow) | |
| Robert L. Blatman | .... | first assistant camera (as Rob Blatman) | |
| Ted Churchill | .... | Steadicam operator | |
| Adger W. Cowans | .... | special still photographer (as Adger Cowans) | |
| Donne Daniels | .... | key grip | |
| Ric Delgado | .... | electrician (as Richard Delgado) | |
| Bill Flick | .... | grip (as William Flick) | |
| Neil Holcomb | .... | grip | |
| David Knox | .... | Steadicam operator | |
| Kelly Elder McGowen | .... | second assistant camera (as Kelly McGowan) | |
| John Merriman | .... | best boy | |
| Randy Nolen | .... | Steadicam operator (as Randy Nolan) | |
| Curtis Pepper | .... | electrician | |
| Robert Spencer | .... | electrician | |
| Peter Van Eynde | .... | dolly grip | |
| Greg White-Wiegand | .... | generator operator | |
| Quintin Woo | .... | electrician | |
| Scott Zigler | .... | electrician | |
| Edward Cohen | .... | electrician (uncredited) | |
| Gábor Kövér | .... | Steadicam assistant (uncredited) | |
Casting Department | |||
| Jeff Block | .... | casting assistant (as Jeffrey Block) | |
| David Cady | .... | casting assistant | |
| Isabelle Kramer | .... | extras casting (as Isabelle Cramer) | |
| Sabrina Padwa | .... | extras casting | |
| Greg Smith | .... | dance casting | |
Costume and Wardrobe Department | |||
| Mark Burchard | .... | wardrobe | |
| Lisa Grace Erndt | .... | wardrobe (as Lisa G. Erndt) | |
| Elizabeth Feldbauer | .... | wardrobe | |
| Claudia Stephens | .... | wardrobe | |
Editorial Department | |||
| Guy Barresi | .... | assistant editor | |
| Girish Bhargava | .... | editor: additional dance editing | |
| Farrel Levy | .... | associate editor (as Farrel Levy Duffy) | |
| Andrew Marcus | .... | assistant editor | |
Music Department | |||
| Joseph S. DeBeasi | .... | music editor | |
| Danny Goldberg | .... | music supervisor | |
| Michael Lloyd | .... | music supervisor | |
| 'Cousin Brucie' Morrow | .... | period music consultant | |
| Roger Rhodes | .... | scoring engineer | |
| Jimmy Ienner | .... | music supervisor (uncredited) | |
Transportation Department | |||
| Tutt Esquerre | .... | provider: picture cars | |
| Jerry Jackson | .... | transportation coordinator (as Jerry W. Jackson) | |
| David Milchen | .... | transportation captain (as Dave Milchen) | |
Thanks | |||
| Michael Goldman | .... | special thanks | |
| Jackie Horner | .... | special thanks | |
| Jimmy Ienner | .... | special thanks | |
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There was talk on the E! Hollywood Special about the Making of Dirty Dancing which still is considered by many women including a dear friend of mine in her fifties to be one of her favorite all time movies. Maybe the music, the dancing, or the melodrama around the plot of Baby Frances becoming a dancing sensation with Johnny Castle. Of course, this film established Jennifer Grey whose biggest role to date was the resentful sister in Ferris Beuller's Day Off. Patrick Swayze is perfectly cast as the heart throb leading man who sweeps baby away literally. Dirty Dancing has it all to become a Broadway or West End smash hit. It has the love story, the music, and most of all lots of dancing. Jennifer and Patrick could revive their roles easily. it is nice to see Jerry Orbach play a doctor instead of a police officer and Kelly Bishop as the mother. It all took place in the Catskills in the sixties where many Jewish families vacationed in the area during their summer vacations. At the end of the film, it is sad to see the hotel owner, Kellerman, be baffled by the next generation. It happened anyway! Most people prefer cruises and traveling through Europe than spending the summer in the Catskills. Those old grand hotels are becoming Indian gaming casinos. Let Broadway bring Dirty Dancing alive and well. After all, they could do it for Footloose and Saturday Night Fever, this should be a no brainer! I know that this film is one of the favorites that you don't get tired of after watching 800 times. There are people that have probably seen this film-a 1,000 times by now. Somehow watching the making and the story behind Dirty Dancing made me long for my childhood days as a thirteen year old. Dirty Dancing may not be the greatest film ever made in the history but its universal appeal still draws crowds and repeated watchers like the 800 club whose members have watched it so many times. I watch it fondly now with all the awkwardness of Baby's first days and her first true love with Patrick Swayze as heart throb, Johnny Castle. Nobody could have imagined this little film as a big hit then with the sixties music, two soundtracks, and even a tour in the late eighties. I hope they bring it to Broadway in a musical. It would work for the audience to be part of a film. No wonder it still attracts kids and even adults particularly women of all ages to watch it over and over again. Well, Australia and London both have had productions of Dirty Dancing. It looks like it will come to Broadway in 2007 just in time for it's 20th anniversary.