| Videos (see all 2 NEW) |
| Patrick Dempsey | ... | Ronald Miller | |
| Amanda Peterson | ... | Cindy Mancini | |
| Courtney Gains | ... | Kenneth Wurman | |
| Tina Caspary | ... | Barbara | |
| Seth Green | ... | Chuckie Miller | |
| Sharon Farrell | ... | Mrs. Mancini | |
| Darcy DeMoss | ... | Patty | |
| Dennis Dugan | ... | David Miller | |
| Cloyce Morrow | ... | Judy Miller | |
| Devin DeVasquez | ... | Iris | |
| Cort McCown | ... | Quint | |
| Eric Bruskotter | ... | Big John | |
| Gerardo Mejía | ... | Ricky | |
| Ami Dolenz | ... | Fran | |
| Max Perlich | ... | Lester | |
| David Schermerhorn | ... | Albert | |
| Steve Franken | ... | Moda Clerk | |
| Phillip Simms | ... | Rock (as Phil Simms) | |
| Tudor Sherrard | ... | Brent | |
| George Gray | ... | Bobby Hilton | |
| Jimmie Lee Mitchell | ... | Mr. Webbly | |
| Jan O'Dell | ... | Mrs. Hagmer (as Jan Rooney) | |
| James Gooden | ... | Mr. Wurman | |
| Erin O'Flaherty | ... | Jr. Wurman | |
| Ty Gray | ... | Duane | |
| Will Hannah | ... | Camera Salesman | |
| Todd Walsh | ... | Stocky Jones | |
| Wayne Chandler | ... | African Host | |
| Meredith Wagelie | ... | Freshman #1 | |
| Jennifer Nelson | ... | Freshman #2 | |
| Corissa Miller | ... | Transfer Girl | |
| Lisa Givens | ... | Bambi La Brock | |
| rest of cast listed alphabetically: | |||
| Paula Abdul | ... | Dancer (uncredited) | |
| Brandi Brandt | ... | (uncredited) | |
| Anastasia Coon | ... | Dancer (extra) (uncredited) | |
| Christopher Maleki | ... | Frat guy (uncredited) | |
Directed by | |||
| Steve Rash | |||
Writing credits(in alphabetical order) | ||
| Michael Swerdlick | writer | |
Produced by | |||
| Ron Beckman | .... | executive producer | |
| Mark Burg | .... | co-producer | |
| Jere Henshaw | .... | executive producer | |
| Thom Mount | .... | producer | |
| Michael Swerdlick | .... | associate producer | |
Original Music by | |||
| Robert Folk | |||
Cinematography by | |||
| Peter Lyons Collister | |||
Film Editing by | |||
| Jeff Gourson | |||
Casting by | |||
| Caro Jones | |||
Production Design by | |||
| Donald Lee Harris | (as Donald L. Harris) | ||
Set Decoration by | |||
| Andrew Bernard | |||
| Christian W. Russhon | |||
Costume Design by | |||
| Gregory Poe | |||
Makeup Department | |||
| Annie Mayo | .... | hair stylist | |
| Annie Mayo | .... | makeup artist | |
| Cher Slater | .... | hair supervisor | |
| Cher Slater | .... | makeup artist | |
| Bob Smith | .... | hair stylist | |
| Bob Smith | .... | makeup artist | |
Production Management | |||
| Donald C. Klune | .... | production manager | |
| Rex Stewart | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Warren Glen Chidester | .... | second assistant director | |
| Jerram A. Swartz | .... | first assistant director | |
Art Department | |||
| Pasco Di Carlo | .... | set dresser | |
| Annie Koerner | .... | property master | |
| John Raineri | .... | assistant to set dresser | |
Sound Department | |||
| Rick Alexander | .... | re-recording mixer | |
| Peter Bentley | .... | sound mixer | |
| Dean Drabin | .... | foley mixer | |
| Les Fresholtz | .... | re-recording mixer | |
| Gary A. Hecker | .... | foley effects (as Gary 'Wrecker' Hecker) | |
| Pieter Hubbard | .... | sound editor | |
| Scott Jacobs | .... | boom operator | |
| Bruce Lacey | .... | sound editor | |
| Bill Phillips | .... | supervising sound editor | |
| John Phillips | .... | assistant sound editor | |
| Vern Poore | .... | re-recording mixer | |
| Hal Sanders | .... | sound editor | |
| Alicia Stevenson | .... | foley effects | |
| Mike Warner | .... | sound editor | |
Camera and Electrical Department | |||
| Gary Boulanger | .... | second assistant camera | |
| Mark Braun | .... | grip | |
| John Connell | .... | first assistant camera | |
| Jay Coolidge | .... | first assistant camera | |
| Bob Crockett | .... | electrician | |
| Randy Feemster | .... | camera operator (as Randal Feemster) | |
| Craig Fleming | .... | grip | |
| Ed Fortson | .... | still photographer | |
| Bob Fox | .... | gaffer | |
| Perry Karidis | .... | best boy grip | |
| Kyle T. MacDowell | .... | electrician | |
| Larry Niemi | .... | best boy electric | |
| David O'Neill | .... | electrician | |
| Tony Sackmann | .... | generator operator | |
| Mark S. Speake | .... | electrician | |
| Craig Woodruff | .... | key grip | |
| Mansur Johnson | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| George Cooper | .... | assistant costumer | |
| Katherine Quinif | .... | assistant costumer | |
| Eric Wise | .... | costumer | |
Editorial Department | |||
| Maria Lee Silver | .... | assistant editor | |
| Bill Turro | .... | second assistant editor | |
Music Department | |||
| Ellen Segal | .... | music editor | |
| Armin Steiner | .... | music recordist | |
Transportation Department | |||
| Dale I. Dodds | .... | transportation captain | |
| Roger Greer | .... | transportation coordinator | |
| Everett Everett | .... | driver: honeywagon (uncredited) | |
| Dennis Janovici | .... | transportation captain (uncredited) | |
Other crew | |||
| Paula Abdul | .... | choreographer | |
| Linda 'Kippi' Bell | .... | assistant to producer | |
| Russ Chesley | .... | production executive (as Russell Chesley) | |
| Allen Custard | .... | production assistant | |
| Deborah Cutler | .... | production assistant | |
| Gregory A. Gale | .... | production assistant | |
| Gillian P. Glen | .... | production coordinator | |
| Steven E. Housewright | .... | dga intern | |
| Carlton Jones | .... | assistant choreographer | |
| Cookie Knapp | .... | studio teacher | |
| Anne McCaffrey | .... | location manager | |
| Laura Namerow | .... | production secretary | |
| Daryl Robinson | .... | craft service | |
| William F. Rose Jr. | .... | assistant auditor | |
| Valerie Ross | .... | production secretary | |
| Ricki L. Stein | .... | production auditor | |
| Mark S. Thomas | .... | script supervisor (as Mark Thomas) | |
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| News articles | IMDb Comedy section | IMDb USA section |
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I've seen bundles of these teen comedies, and "Can't Buy Me Love" does contain every cliche in the book. But it was made in 1987. This was a little past the dawning of the high school movie, and the characters of the nerd, jock, cheerleader, etc. were just recently created. I don't know. Maybe this movie was even a huge cliche back in the eighties. But I'm still gonna give it the benefit of the doubt.
I catch this movie on TBS quite a lot of times, and I can't help but enjoy it. There are certain cliched scenes that just force me to roll my eyes and sigh, yet I can't change the channel. Well, there are two key elements that make this flyweight teen comedy work: Patrick Dempsey and Amanda Peterson. They both give charming performances, and have a wonderful chemistry. Even though you know exactly what will happen between them, it's still a delight to see them on screen. Dempsey hasn't had a big role in years, and you can technically classify him as a has-been, but he is a good, charismatic actor. And it would've been nice if his career actually took off. As for Peterson, I don't remember her from any other movies, so I have no knowledge of her career. All I know is she's good-looking and I liked her in this movie.
The story is as predictable as you can get, with paperthin characters, but as I said it's good flyweight entertainment. Strictly a guilty pleasure. If I were in the mood for a good--and by that I mean good in quality--high school movie I'd watch "Ghost World" or one of the "American Pie" movies. But if I just want to kick back and watch a cheesy high school movie that will put a smile on my face and contains no intellectual value, I'll watch "Can't Buy Me Love."
Of course, the movie has a "message" at the end about being yourself, and not caring what others think of you, but the message is delivered with the finesse of an after-school special and is strictly pasted on. When you have characters that are so stereotypical and implausible, it's hard to fit in a believable message. But what would a high school movie be without a schmaltzy third act?
That's why I recommend this movie, just as a guilty pleasure. It's far from great, yet undeniably appealing. But please do not bother to analyze this movie. You'll be wasting your time.
My score: 7 (out of 10)