| Charles Bronson | ... | Jay Killion | |
| Jill Ireland | ... | Lara Royce Craig | |
| Stephen Elliott | ... | Fitzroy | |
| Jan Gan Boyd | ... | Charlotte Chong | |
| Randy Brooks | ... | Tyler Loudermilk | |
| Erik Stern | ... | Eddie Bracken | |
| Michael Ansara | ... | Sen. Hector Bunsen | |
| James Staley | ... | Briggs | |
| Kathryn Leigh Scott | ... | Polly Sims | |
| James Acheson | ... | Osborne Weems | |
| Jim McMullan | ... | The Zipper | |
| Billy Hayes | ... | Pritchard Young (as William Hayes) | |
| William Prince | ... | H.H. Royce | |
| Charles Howerton | ... | President Calvin Craig | |
| Chris Alcaide | ... | Chief Justice | |
| Jack Gill | ... | Kerry Fane | |
| Mischa Hausserman | ... | Danzig | |
| Robert Axelrod | ... | Finney | |
| Peter Lupus | ... | TV Announcer | |
| Lora Stephens | ... | TV reporter | |
| Beverly Thompson | ... | June Merkel | |
| Natalie Alexander | ... | Featured | |
| Linda Harwood | ... | Sally Moore | |
| Mihoko Tokoro | ... | Reporter | |
| Susan Thompson | ... | Journalist (as Susan J. Thompson) | |
| Arthur Handel | ... | Barton | |
| John Salvi | ... | Platt | |
| Frank Zagarino | ... | Secret Service Driver | |
| Tony Borgia | ... | Bomb Squad Man | |
| Paul McCallum | ... | Sandy Ott | |
| Robert Dowdell | ... | Capt. Ogilvy (Cappy) | |
| Vivian Tyus | ... | Maid | |
| Jason Scura | ... | Captain Hammond | |
| David L. Bilson | ... | Wally Maine | |
| Larry Sellers | ... | Indian Joe | |
| Elizabeth Lauren | ... | Moonbeam | |
| Lucille Bliss | ... | Crone | |
| John Hawker | ... | Porter | |
| J. Michael Patterson | ... | Conductor | |
| James Frank Clark | ... | Locomotive Engineer | |
| Ed Levitt | ... | FBI Agent | |
| Michael Welden | ... | FBI Agent | |
| rest of cast listed alphabetically: | |||
| Gary Pinkston | ... | Barstow Team Member (uncredited) | |
| Kyle J. Wood | ... | Cameraman at White House (uncredited) | |
Directed by | |||
| Peter R. Hunt | (as Peter Hunt) | ||
Writing credits(in alphabetical order) | ||
| Richard Sale | writer | |
Produced by | |||
| Yoram Globus | .... | executive producer | |
| Menahem Golan | .... | executive producer | |
| Pancho Kohner | .... | producer | |
Original Music by | |||
| Valentine McCallum | |||
| Robert O. Ragland | |||
Cinematography by | |||
| Hanania Baer | |||
Film Editing by | |||
| James T. Heckert | |||
| Charles Simmons | (uncredited) | ||
Production Design by | |||
| William Cruse | |||
Production Management | |||
| George Van Noy | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Jack Gill | .... | second unit director | |
| Craig Huston | .... | first assistant director | |
Art Department | |||
| Hala Gabriel | .... | set dresser | |
Sound Department | |||
| Thomas Brandau | .... | sound mixer | |
| Ken Dufva | .... | foley artist | |
| Mike Le Mare | .... | supervising sound editor | |
| Dean Okrand | .... | sound re-recording mixer | |
| Karola Storr | .... | foley supervisor | |
| Jerome R. Vitucci | .... | boom operator | |
Stunts | |||
| John Alden | .... | stunts (as John F. Alden) | |
| Rick Avery | .... | stunts | |
| Christine Anne Baur | .... | stunts (as Christine Baur) | |
| Simone Boisseree | .... | stunts | |
| Debbie Evans | .... | stunts | |
| Donna Evans | .... | stunts | |
| Andy Gill | .... | stunts | |
| Jack Gill | .... | stunt coordinator | |
| Ed Hamilton | .... | stunts | |
| Al Jones | .... | stunts | |
| John F. McCarthy | .... | stunts | |
| Matt McColm | .... | stunts | |
| Spike Silver | .... | stunts | |
| Charlie Skeen | .... | stunts | |
| Steve W. Stricklin | .... | stunts (as Steve Stricklin) | |
| Mike Tillman | .... | stunts | |
Camera and Electrical Department | |||
| Randy Shanofsky | .... | assistant camera | |
Editorial Department | |||
| Omneya 'Nini' Mazen | .... | post-production coordinator | |
| Andrew Silver | .... | first assistant editor | |
Music Department | |||
| Paula Erickson | .... | music supervisor | |
| Bill Jenkins | .... | music scoring mixer | |
| Ken Johnson | .... | music editor | |
| Steve Livingston | .... | music editor | |
Other crew | |||
| Mischa Hausserman | .... | aerial coordinator | |
| John F. McCarthy | .... | stand-in | |
| Deborah Moore | .... | production accountant | |
| Patricia G. Payró | .... | assistant to producer | |
| Larry Pearson | .... | location manager | |
| Susan Thompson | .... | stand-in (as Susan J. Thompson) | |
| Mihoko Tokoro | .... | stand-in | |
| C. Ransom Walrod | .... | marine coordinator | |
| Bob Wishnefsky | .... | production assistant | |
| Clay Wright | .... | helicopter pilot (as Clayton D. Wright) | |
|
|
|
|
|
| Vantage Point | The Man in the Iron Mask | Guarding Tess | The Package | Dave |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
In the twilight years of his career, Charles Bronson forged long-running partnerships with several directors, most notably J. Lee Thompson and Michael Winner. He did two films for one-time Bond director Peter Hunt too - the first being the decent 1981 actioner Death Hunt, the second being this indifferent political chase thriller. Assassination is pretty dull if truth be known, and come the end you'll find yourself longing for something with a bit more passion and pace, like The Wilby Conspiracy for instance (which, plotwise, this film resembles).
Bronson sleepwalks through his role as bodyguard Jay Killian, whose assignment is to protect the American President's wife, Lara Royce Craig (Jill Ireland, real-life wife of Bronson). Killian believes that Mrs Craig has been targetted by assassins; she thinks he's an over-protective, paranoid pessimist. Turns out - surprise, surprise - that Killian was right all along and someone is indeed out to eradicate her. The pair of them go on the run, pursued by the assassins.
Everyone knows that the wife of an American President is known as The First Lady. For some reason, in this film they have renamed her "One Mama"! Quite what the point of this is is anybody's guess, but it's indicative of the film's pointlessness as a whole. Most of the film's performances are lazy, and the script takes a heck of a long time to get to where it's going. If I had to label Assassination within a specific genre, I'd say it is supposed to be a "thriller". I'd say that with some reservations, however, as to say that it's a thriller it has precious few thrills.