|
| Myron Hoffert | .... | second assistant director / third assistant director / ... (54 episodes, 1987-1990) |
| T.J. Scott | .... | second unit director (38 episodes, 1987-1990) |
| Andrea Raffaghello | .... | third assistant director / second assistant director (23 episodes, 1989-1990) |
| Mac Bradden | .... | first assistant director / second unit director (19 episodes, 1987-1989) |
| Terry Gould | .... | second assistant director / third assistant director (18 episodes, 1988-1990) |
| Francis R. Mahoney III | .... | second assistant director (12 episodes, 1987-1988) |
| David McLeod | .... | first assistant director (11 episodes, 1988-1989) |
| Peter Watson | .... | third assistant director (11 episodes, 1988) |
| Michael G. Burke | .... | trainee assistant director / third assistant director (11 episodes, 1989-1990) |
| Jill Compton | .... | second assistant director / third assistant director (10 episodes, 1988-1989) |
| Johanne Chene | .... | trainee assistant director (9 episodes, 1990) |
| John Board | .... | first assistant director (8 episodes, 1988-1990) |
| John Lind | .... | third assistant director (7 episodes, 1988-1989) |
| Fergus Barnes | .... | assistant director: second unit / second assistant director (7 episodes, 1989-1990) |
| Ani Baravyan | .... | assistant director: second unit (6 episodes, 1990) |
| David M. Robertson | .... | first assistant director (5 episodes, 1987-1988) |
| Frank Siracusa | .... | second unit first assistant director (5 episodes, 1989) |
| William Spahic | .... | first assistant director (4 episodes, 1989-1990) |
| David Till | .... | second assistant director (4 episodes, 1989-1990) |
| Jeff J.J. Authors | .... | first assistant director (3 episodes, 1988) |
| Howard Barish | .... | first assistant director (3 episodes, 1988) |
| Maggie Craig | .... | third assistant director (3 episodes, 1988) |
| John Hurle-Hobbs | .... | first assistant director (2 episodes, 1987) |
| Sam Mahony | .... | second assistant director (2 episodes, 1987) |
| Rita Picard | .... | first assistant director (2 episodes, 1988-1989) |
| |
|
| Frauke Illing | .... | lead props / props buyer / ... (66 episodes, 1987-1990) |
| Kim Steede | .... | lead set dresser (44 episodes, 1987-1989) |
| Ron Lightfoot | .... | construction coordinator (41 episodes, 1988-1991) |
| Alex Kutschera | .... | property master / lead props (39 episodes, 1987-1989) |
| Alexandra Anthony | .... | lead set dresser (34 episodes, 1987-1989) |
| David Maltese | .... | swing gang (33 episodes, 1989-1990) |
| Adam Kolodziej | .... | assistant art director (26 episodes, 1987-1988) |
| Jake De Villiers | .... | construction coordinator / construction manager (25 episodes, 1987-1988) |
| Bruce Mailing | .... | lead set dresser (20 episodes, 1988-1990) |
| Rob Ballantyne | .... | assistant art director (19 episodes, 1989-1990) |
| Joe Madziak | .... | head carpenter (18 episodes, 1989-1990) |
| Otto Fondan | .... | scenic painter (17 episodes, 1989-1990) |
| Joan Parkinson | .... | art department trainee (16 episodes, 1989-1990) |
| Darryl Beebe | .... | swing gang (16 episodes, 1989) |
| John Allen | .... | props assistant / property master (14 episodes, 1988-1990) |
| David Lylloff | .... | swing gang (9 episodes, 1989-1990) |
| Peter Risi | .... | property master (9 episodes, 1989-1990) |
| Juanita Holden | .... | property master / lead props (7 episodes, 1987) |
| Rex Fields | .... | swing gang (7 episodes, 1990) |
| Paula Deresti | .... | lead set dresser (6 episodes, 1989-1990) |
| Lee Wildgen | .... | property master (5 episodes, 1988-1989) |
| John Wilcox | .... | scenic painter (4 episodes, 1987) |
| Jeffrey A. Melvin | .... | property master (3 episodes, 1988) |
| Chris Dutton | .... | property master (3 episodes, 1989) |
| Jak Oliver | .... | key scenic artist (2 episodes, 1987) |
| Vic Rigler | .... | property master (2 episodes, 1987) |
| Doug Harlocker | .... | property master (2 episodes, 1988) |
|
| Jim Veale | .... | head carpenter (unknown episodes) |
| |
|
| Tim Archer | .... | sound mixer / sound re-recording mixer / ... (38 episodes, 1988-1990) |
| Terry Gordica | .... | sound mixer / audio post-production supervisor / ... (38 episodes, 1988-1990) |
| Jon Archer | .... | dialogue editor / sound editor (31 episodes, 1989-1990) |
| François Perrier | .... | boom operator (26 episodes, 1987-1988) |
| Nolan Roberts | .... | sound supervisor (26 episodes, 1987-1988) |
| Gabor Vadnay | .... | sound recordist (26 episodes, 1987-1988) |
| Ao Loo | .... | sound recordist (25 episodes, 1988-1989) |
| Peter Harper | .... | foley artist / foley (22 episodes, 1989-1990) |
| Christopher Hutton | .... | supervising sound editor (21 episodes, 1988-1989) |
| Helen Watson | .... | sound editor (20 episodes, 1988-1989) |
| Alban Streeter | .... | sound editor (18 episodes, 1987-1988) |
| Gary Daprato | .... | foley artist (18 episodes, 1989-1990) |
| Steve Foster | .... | dialogue editor (18 episodes, 1989-1990) |
| David Appleby | .... | sound mixer / sound re-recording mixer (17 episodes, 1987-1988) |
| Frank Morrone | .... | sound re-recording mixer (17 episodes, 1987-1988) |
| Eric Fitz | .... | boom operator (17 episodes, 1988-1989) |
| Bryan Day | .... | sound recordist (17 episodes, 1989-1990) |
| Rick Ellis | .... | sound re-recording mixer / re-recording mixer (17 episodes, 1989-1990) |
| Steve Gorman | .... | sound effects editor (15 episodes, 1989-1990) |
| Robin Short | .... | sound mixer (14 episodes, 1987-1988) |
| John Sievert | .... | foley artist / foley (14 episodes, 1989) |
| Michael MacLaverty | .... | sound editor (12 episodes, 1988) |
| John Gare | .... | sound re-recording mixer (10 episodes, 1987-1988) |
| Orest Sushko | .... | foley artist (10 episodes, 1990) |
| Michael LaCroix | .... | boom operator (9 episodes, 1989-1990) |
| Martin Lacroix | .... | boom operator (8 episodes, 1989-1990) |
| Ralph Chiaravalloti | .... | sound editor (6 episodes, 1988-1989) |
| Christopher Leech | .... | boom operator (6 episodes, 1988-1989) |
| Michele Cook | .... | sound editor (4 episodes, 1988) |
| Ken Porter | .... | boom operator (2 episodes, 1988) |
|
| Stuart French | .... | production sound mixer (unknown episodes) |
| Yuri Gorbachow | .... | special effects sound designer (unknown episodes) |
| Matthew Iadarola | .... | sound effects / sound re-recording mixer (unknown episodes) |
| Gregory King | .... | sound editor (unknown episodes) |
| Eric Lambi | .... | assistant sound editor (unknown episodes) |
| |
|
| Jordan Craig | .... | special effects coordinator / special effects (18 episodes, 1988-1990) |
| Randy Daudlin | .... | special effects makeup (16 episodes, 1987-1988) |
| Nicolette Beasley | .... | special effects / special effects assistant (15 episodes, 1988) |
| John Gajdecki | .... | special effects / special effects assistant (15 episodes, 1988) |
| Bruce Turner | .... | special effects / special effects assistant (15 episodes, 1988) |
| Dan Gibson | .... | special effects (6 episodes, 1988) |
| Brian Q. Kelley | .... | effects editorial (4 episodes, 1987-1988) |
| Frank C. Carere | .... | special effects (4 episodes, 1987) |
| François Dagenais | .... | prosthetics designer (3 episodes, 1989-1990) |
| Darren Perks | .... | prosthetics assistant / prosthetics artist (3 episodes, 1989) |
|
| Ian Mah | .... | special effects (unknown episodes) |
| |
|
| Patrick Stepien | .... | first assistant camera / assistant camera (68 episodes, 1987-1990) |
| Owen Taylor | .... | gaffer / electrician / ... (67 episodes, 1987-1990) |
| Travor Haws | .... | second assistant camera (52 episodes, 1988-1990) |
| Kevin Murphy | .... | best boy / electrician (46 episodes, 1987-1989) |
| Nigel Draper | .... | electrician (44 episodes, 1988-1990) |
| Blake Balentine | .... | grip (38 episodes, 1988-1990) |
| Mark Silver | .... | key grip (38 episodes, 1988-1990) |
| Randal Platt | .... | camera operator (33 episodes, 1988-1989) |
| Steve Morrison | .... | electrician (29 episodes, 1988-1989) |
| Richard Wincenty | .... | director of photography: second unit / second assistant director of photography (25 episodes, 1989-1990) |
| Ian Bibby | .... | best boy (22 episodes, 1987-1988) |
| Malcolm Nefsky | .... | grip (21 episodes, 1988-1989) |
| Gregory Palermo | .... | best boy grip / grip (20 episodes, 1988-1989) |
| Mitch Holmes | .... | grip / key grip / ... (18 episodes, 1987-1988) |
| Ronald G. Paulauskas | .... | best boy grip (18 episodes, 1989-1990) |
| Tracy Shaw | .... | grip (18 episodes, 1989-1990) |
| Carlo Campana | .... | key grip (17 episodes, 1987-1988) |
| Kevin Murphy | .... | best boy (16 episodes, 1989-1990) |
| Ian Taylor | .... | dolly grip (15 episodes, 1987-1988) |
| Richard Gaal | .... | best boy electric: second unit / electrician (15 episodes, 1988-1990) |
| John Zulinski | .... | grip (13 episodes, 1987-1988) |
| Michael Auger | .... | electrician (13 episodes, 1989-1990) |
| Hugh Brule | .... | grip (8 episodes, 1988) |
| David Hynes | .... | dolly grip (8 episodes, 1988) |
| Tim Spencer | .... | grip (8 episodes, 1988) |
| Mark Manchester | .... | key grip (7 episodes, 1988) |
| John Bakker | .... | electrician (6 episodes, 1988) |
| Christopher Porter | .... | gaffer (5 episodes, 1987) |
| Rob McDonald | .... | electrician (5 episodes, 1988) |
| Don Payne | .... | dolly grip / grip (5 episodes, 1988) |
| Barry Bergthorson | .... | camera operator (5 episodes, 1989) |
| Frank Merino | .... | gaffer (4 episodes, 1987) |
| Ian Henderson | .... | grip / dolly grip / ... (4 episodes, 1988) |
| Ben Mark Holzberg | .... | still photographer (4 episodes, 1989) |
| Mike Auger | .... | electrician (3 episodes, 1989) |
| Steve Anderson | .... | grip (2 episodes, 1988) |
| Imre Geiszt | .... | grip (2 episodes, 1988) |
| Michael Iwan | .... | grip (2 episodes, 1988) |
| John Crockford | .... | assistant camera (2 episodes, 1989-1990) |
| Robert MacDonald | .... | camera operator (2 episodes, 1990) |
|
| Christophe Bonnière | .... | director of photography: second unit (unknown episodes) |
| Duane Gullison | .... | electrician (unknown episodes) |
| James R. Tynes | .... | gaffer (unknown episodes) |
| |
|
| Robin Brinsmead | .... | location manager (57 episodes, 1987-1990) |
| Mary Fraser | .... | production coordinator / assistant coordinator / ... (55 episodes, 1988-1990) |
| Nathalie Laporte | .... | production accountant / production accoutant (52 episodes, 1988-1990) |
| Barbara Sachs | .... | supervising executive: Hometown Films (51 episodes, 1987-1989) |
| Rick Schwartz | .... | executive production consultant / story executive: Hometown Films / ... (47 episodes, 1988-1990) |
| Jim Henshaw | .... | executive story consultant (42 episodes, 1988-1990) |
| Bill Taub | .... | executive story editor / executive story consultant (28 episodes, 1987-1989) |
| Victoria Harding | .... | assistant coordinator / production secretary / ... (27 episodes, 1988-1990) |
| Tracy Kennedy | .... | story assistant / story coordinator / ... (26 episodes, 1987-1988) |
| Roy Sallows | .... | story editor (23 episodes, 1987-1988) |
| Aileen Bell | .... | studio manager (18 episodes, 1989-1990) |
| Susan Perry | .... | assistant to producer (18 episodes, 1989-1990) |
| Ginger Reynolds-Smith | .... | assistant to executive producer (18 episodes, 1989-1990) |
| Dawn MacNair | .... | production accountant / assistant accountant (17 episodes, 1987-1988) |
| Marc Scott Zicree | .... | story consultant (17 episodes, 1987-1988) |
| R. Scott Gemmill | .... | script consultant / story editor (17 episodes, 1989-1990) |
| Pat Turner | .... | paralegal (17 episodes, 1989-1990) |
| Gillian Helfield | .... | production coordinator (14 episodes, 1988) |
| Paule Mercier | .... | script supervisor (12 episodes, 1987-1989) |
| Janet Kranz | .... | script supervisor (12 episodes, 1988-1989) |
| Madeleine Duff | .... | script supervisor (10 episodes, 1987-1988) |
| Diana Dobier | .... | production auditor (10 episodes, 1988) |
| Sheri McGrath | .... | script assistant (10 episodes, 1990) |
| Margaret McNair | .... | production coordinator / location manager (9 episodes, 1987-1988) |
| Benu Bhandari | .... | script supervisor (9 episodes, 1988-1990) |
| Lesley Clark | .... | assistant coordinator / production secretary (8 episodes, 1989-1990) |
| Natalie Capone | .... | production secretary (8 episodes, 1990) |
| Ann MacNaughton | .... | story editor (6 episodes, 1987) |
| Carole Rosenberg | .... | assistant coordinator (6 episodes, 1987) |
| Fran Solomon | .... | production coordinator (6 episodes, 1987) |
| Dug Rotstein | .... | script supervisor (6 episodes, 1988-1990) |
| Nancy Eagles | .... | script supervisor (6 episodes, 1988-1989) |
| Tom McLoughlin | .... | story editor (6 episodes, 1989) |
| Donald Ayres | .... | production secretary (5 episodes, 1987-1988) |
| Michael Tough | .... | location manager (5 episodes, 1988) |
| Rob Hedden | .... | story consultant (4 episodes, 1987) |
| Stephanie Rossel | .... | script supervisor (4 episodes, 1989) |
| Dorigen Fode | .... | location manager (4 episodes, 1990) |
| Barbara Gordon | .... | script supervisor (3 episodes, 1988-1990) |
| Eric T. Snyder | .... | location manager (3 episodes, 1990) |
| Diane Parsons | .... | script supervisor (2 episodes, 1989) |
| Alexandra Crépeau | .... | script supervisor (2 episodes, 1990) |
|
| Michael Stevens | .... | adr voice / stand-in: Chris Wiggins (unknown episodes) |
| |
Also Known As:
Friday the 13th: The Series
Friday's Curse (UK) (repeat compilations title)
The 13th Hour (USA) (working title)
more
Trivia:
Though they share the same title, this series is not linked to the Friday the 13th movie franchise. The main characters search for magically-cursed objects that were sold through their uncle's store. Reportedly, the last item that was supposed to be retrieved by the characters in the series finale was to be a hockey mask which would undoubtedly have belonged to Jason Vorhees. While the show's crew did play with the idea of having a hockey mask in one of the episodes as an in-joke, there was never any serious intention to tie the film series with the television series.
more
Goofs:
Errors in geography: Although no geographical location is ever given during the run of the series, it was clearly meant to be set in the US, with such things as American currency being used in any scene that involved money, and in one episode, a character saying something about being "in America." Even so, there were often things shown in scenes that clearly identified the location as Toronto, where the show was filmed, or Canada in general. Well known Canadian landmarks such as Casa Loma and part of the Toronto skyline, showing the recognizable Royal York hotel were seen, a train boxcar is shown with the word Canada written across its length in large letters, and vehicles also had Ontario license plates. While most outdoor scenes were kept non-descript, there were several scenes throughout the run of the series where the trio was driving along Yonge Street in Downtown Toronto, which is one of the most recognizable areas of Toronto. Americans who had never been to Toronto would likely recognize the area, just as Canadians recognize well known areas of New York and LA seen in TV shows, even if they have never been there before. These are just a few examples, but there are others as well.
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company.
I remember watching Friday the 13th the series on a little black and white hand-held television that my father had bought for me when I was 10-13 years old. It used to air at 11:30pm on Sunday nights, and I was supposed to be asleep at the time, so I'd hide under my bed covers and watch it with headphones on. I am not kidding you! I cannot say how many sleepless Sunday nights I had due to being scared out of my mind after watching one of those shows...
Of course that was 15years ago, so maybe I was a little more naive, innocent and impressionable back then. I suppose the fear of my parents catching me up so late watching television added to my anxiety....
I would absolutely appreciate this program being reissued on DVD. I see an online petition has been started, and already dozens of people like myself agree. I am convinced that anyone who actually saw the show when it originally aired wouldn't hesitate to spend a good chunk of change to obtain the whole series. The fact that 15years later, people have such fond memories of this show is surely is a testament to its enduring power and superior quality!