Tough Guys (1986)

User Rating:

5.9/10   

Director:

Jeff Kanew

Writers:

Jim Cruickshank (writer)
James Orr (writer)

Release Date:

3 October 1986 (USA)

Genre:

Comedy

Tagline:

They're Out To Teach A New World Some Old Tricks.

Plot:

Two elderly gangsters are released from prison only to find they have trouble fitting in as old men who still take no guff from anyone.

Plot Keywords:

Train | Senior Citizen | Ex Convict | Train Robbery

Awards:

Nominated for Golden Globe.

Cast

Burt Lancaster	...	Harry Doyle
Kirk Douglas	...	Archie Long
Charles Durning	...	Deke Yablonski
Alexis Smith	...	Belle
Dana Carvey	...	Richie Evans
Darlanne Fluegel	...	Skye
Eli Wallach	...	Leon B. Little
Monty Ash	...	Vince
Billy Barty	...	Philly
Simmy Bow	...	Schultz
Darlene Conley	...	Gladys Ripps
Nathan Davis	...	Jimmy Ellis
Matthew Faison	...	Man in Gay Bar
Corkey Ford	...	Gang Leader
Rick Garcia	...	Federale Captain

Runtime:

104 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.20 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)

Certification:

Norway:12 | Iceland:L | West Germany:12 (f) | Australia:PG | Finland:K-14 | Sweden:15 | UK:12 (video re-rating) (2003) | UK:15 (original rating) | UK:15 (video rating) (1987) | USA:PG | Canada:14A

Filming Locations:

Eagle Mountain, California, USA

Company:

Bryna Productions

Trivia:

After the police fire at the train, Sgt. Deke Yablonski (Charles Durning) says, "What is this, Gunfight at the O.K. Corral?". Burt Lancaster and Kirk Douglas both starred in Gunfight at the O.K. Corral (1957); Lancaster played Wyatt Earp, and Douglas played Doc Holliday in the classic western.

Goofs:

Continuity: Belle tells Harry at the retirement home her room is 321. But later on, when Leon and Richie come to her room, the number on the door is completely different.

Quotes:

Leon B. Little: How can you live in a hell hole like this? If I lived in a place like this I'd kill myself in an hour.
Belle: You've been here forty-five minutes.

Movie Connections:

Featured in Century of Black Cinema (2003) (V)

Soundtrack:

Bill Bailey, Won't You Please Come Home

The End of the Line, Harry and Archie

The 1980s was a period of transition as many great film legends died. Cary Grant, Bette Davis, Lawrence Olivier, Fred Astaire, Jimmy Cagney were just a few of those who left the scene. But there were attempts (before the end) to bring some of the great figures together. Bette Davis and Jimmy Steward made there only film together. Henry Fonda and Katherine Hepburn did ON GOLDEN POND. Cagney appeared with pal Pat O'Brien, as well as Donald O'Connor, in RAGTIME. Davis appeared with Lillian Gish, Anne Southern, and Vincent Price in THE WHALES OF AUGUST. And Burt Lancaster and Kirk Douglas appeared in this film.

In the Oscar ceremonies of 1985, Lancaster and Douglas had come in together to deliver an award, and everyone noted how healthy both men still were. It was over two decades since they appeared in a film as co-stars (SEVEN DAYS IN MAY), and some of the news items in the wake of their appearance suggested it was too bad there was no property that they could develop together. Shortly afterward this comedy was produced.

It had a great build-up, and I was fortunate to see it in a movie house. But it did not have a massive audience box-office, and was gone within six weeks. It was too bad, because it was a funny film, and would turn out to be the best comedy buddy film of the films that they did together.

Harry and Archie (Lancaster and Douglas) pulled off one of the smoothest and most impressive railway train robberies in American history back in 1947. They almost got away with it, except for the persistence of a police officer (played by Charles Durning) who broke the case and managed to bring them to jail. They have served nearly forty years in jail, and when released they are in for time shocks. After all, they were used to the world of 1946/47. While both are physically fit, both can't get out of their mental views from their youth.

On top of that, they have to deal with Durning, whose police career - after it's brilliant start - petered out leaving him embittered, and desperate to prove himself to the young pups who count the days until his enforced retirement. They have to deal with parole officer Dana Carvey, who has all the typical problems of a nice, naive parole officer. They have to deal with hostility around them from all peoples - mostly the young, but the middle aged are not much better. They resemble Reggie Kray, one time kingpin of London's largest criminal empire, who in his later years when interviewed pointed out to reporters that (while he did not dismiss his own use of violence against opponents in other gangs) he did dislike the lack of respect he observed towards older citizens. He and his brother Ronnie never stood for that kind of thing. Neither do Harry and Archie here. When threatened as easy, elderly targets by a gang of punks, they beat up the punks quite effectively.

To add to their woes is the most ridiculous, but scrupulous, hit-man in modern cinema: Leon B. Little (Eli Wallach - who almost walks off with the picture). Hired on a contract against the boys back in their heyday, their being in prison prevented the ever ready Little from completing their executions. Even the death of the idiot who hired him means nothing - he was paid already, and he has a code of honor with his clients.

That in the end, the battle of youth and old age unites Lancaster, Douglas, Wallach, and even Durning should not surprise anyone. All four manage to demonstrate that it is street smarts and brains, not youthful idealism (paging Carvey) that will win out in the end. The film has some nice moments, such as Douglas almost going in for dirty dancing with a young chippy, and Lancaster protesting the slop he has to eat in an old age home, and memorably showing his teeth to advantage for a purpose (for a change). It was a good conclusion to the long road of movies these two cinema giants made together - and a funny one too.