| Videos (see all 2) |
Directed by | |||
| Leonard Nimoy | |||
Writing credits | ||
| Gene Roddenberry | (television series Star Trek) | |
| Steve Meerson | (screenplay) & | |
| Peter Krikes | (screenplay) and | |
| Harve Bennett | (screenplay) & | |
| Nicholas Meyer | (screenplay) | |
| Leonard Nimoy | (story) & | |
| Harve Bennett | (story) | |
Produced by | |||
| Harve Bennett | .... | producer | |
| Brooke Breton | .... | associate producer | |
| Kirk R. Thatcher | .... | associate producer (as Kirk Thatcher) | |
| Ralph Winter | .... | executive producer | |
Original Music by | |||
| Leonard Rosenman | |||
Cinematography by | |||
| Donald Peterman | (as Don Peterman) | ||
Film Editing by | |||
| Peter E. Berger | |||
Casting by | |||
| Amanda Mackey Johnson | |||
Production Design by | |||
| Jack T. Collis | |||
| Peter Landsdown Smith | |||
Art Direction by | |||
| Joe Aubel | |||
| Nilo Rodis-Jamero | |||
| Peter Landsdown Smith | |||
Set Decoration by | |||
| John M. Dwyer | |||
Costume Design by | |||
| Robert Fletcher | |||
Makeup Department | |||
| Silvia Abascal | .... | hair stylist | |
| Jeff Dawn | .... | makeup artist | |
| Wes Dawn | .... | makeup artist | |
| Monique DeSart | .... | hair stylist | |
| Deborah Holmes Dobson | .... | hair stylist | |
| Rolf John Keppler | .... | special makeup effects artist | |
| James Lee McCoy | .... | key makeup artist | |
| Carol A. O'Connell | .... | hair stylist | |
| Brian Wade | .... | Klingon and Vulcan prosthetics designer | |
| Rick Stratton | .... | makeup artist (uncredited) | |
Production Management | |||
| Mel Efros | .... | unit production manager | |
Art Department | |||
| Richard J. Bayard | .... | construction coordinator | |
| James R. Bayliss | .... | set designer | |
| Richard Berger | .... | set designer | |
| Lloyd A. Buswell | .... | construction foreman | |
| Ed Charnock | .... | paint foreperson | |
| William K. Dolan | .... | property person | |
| Huey Duval | .... | property person | |
| Douglas Freeman | .... | construction coordinator | |
| John Gadette | .... | stand-by painter | |
| Daniel Gluck | .... | set designer | |
| Ron Greenwood | .... | property master | |
| Joseph E. Hubbard | .... | assistant art director (as Joe Hubbard) | |
| John Matheson | .... | construction foreperson | |
| Ralph McQuarrie | .... | visual consultant | |
| Charles Sertin | .... | property person | |
| Barton M. Susman | .... | leadperson | |
| Kaye Trapp | .... | assistant property master | |
| Robert Van Dyke | .... | propmaker gangboss | |
Sound Department | |||
| Michael J. Benavente | .... | sound effects editor | |
| Destiny Borden | .... | assistant adr editor | |
| Raul A. Bruce | .... | boom operator | |
| George Budd | .... | special sound effects | |
| Gene S. Cantamessa | .... | sound mixer | |
| Steve Cantamessa | .... | boom operator | |
| Christopher Flick | .... | assistant adr editor | |
| Stephen Hunter Flick | .... | sound effects editor | |
| Warren Hamilton Jr. | .... | sound effects editor | |
| Doug Hemphill | .... | sound effects recordist | |
| Ellen Heuer | .... | foley artist | |
| Alan Howarth | .... | special sound effects | |
| David J. Hudson | .... | sound re-recording mixer | |
| Mark Jennings | .... | utility sound | |
| Nicholas Vincent Korda | .... | adr editor | |
| Mark A. Mangini | .... | sound supervisor | |
| Tim Mangini | .... | foley editor | |
| Mel Metcalfe | .... | sound re-recording mixer | |
| Dan O'Connell | .... | foley artist | |
| Terry Porter | .... | sound re-recording mixer | |
| John Pospisil | .... | special sound effects | |
| Solange S. Schwalbe | .... | foley editor | |
| David E. Stone | .... | sound editor | |
| Clive Taylor | .... | sound recordist | |
Special Effects by | |||
| Donald Elliott | .... | special effects | |
| Pieter Folkens | .... | designer | |
| Pieter Folkens | .... | sculptor | |
| Michael Lantieri | .... | special effects supervisor | |
| Tim Moran | .... | special effects | |
| Clay Pinney | .... | special effects | |
| Robert Spurlock | .... | special effects | |
| Brian Tipton | .... | special effects: first unit | |
Visual Effects by | |||
| Rick Anderson | .... | whale designer | |
| Craig Barron | .... | matte photography supervisor | |
| John Bell | .... | storyboard artist: ILM | |
| Dale Brady | .... | creature crew: ILM | |
| Jo Carson | .... | assistant camera: ILM | |
| Sean M. Casey | .... | whale mold supervisor (as Sean Casey) | |
| Craig Caton | .... | creature crew: ILM | |
| Eric Christensen | .... | model maker | |
| Donald Clark | .... | camera operator: ILM (as Don Clark) | |
| Walt Conti | .... | supervisor: Whale: ILM | |
| Peter Daulton | .... | visual effects camera | |
| Dick Dova | .... | stage technician | |
| Don Dow | .... | effects cinematographer | |
| Christopher Duddy | .... | visual effects | |
| Selwyn Eddy | .... | visual effects camera | |
| Christopher Evans | .... | matte supervisor | |
| John V. Fante | .... | visual effects camera: ILM | |
| Ellen Ferguson | .... | rotoscope artist | |
| Allen Feuerstein | .... | creature crew: ILM | |
| Robert Finley Jr. | .... | pyrotechnician | |
| Warren Franklin | .... | general manager | |
| Tim Geideman | .... | lab technician | |
| Jim Gerken | .... | computer animation: ILM | |
| Ray Gilberti | .... | assistant camera: ILM | |
| Michael Gleason | .... | effects editor | |
| Ralph Gordon | .... | optical supervisor | |
| Ned Gorman | .... | visual effects production assistant: ILM | |
| Caroleen Green | .... | matte artist | |
| James Hagedorn | .... | camera operator | |
| Donald Hansard Sr. | .... | process coordinator | |
| Toby Heindel | .... | visual effects camera | |
| Todd Heindel | .... | lab technician: ILM | |
| Edward Hirsh | .... | visual effects production manager | |
| Richard E. Hollander | .... | animation | |
| Sandy Houston | .... | rotoscoper | |
| Tony Hudson | .... | puppeteer: ILM | |
| Tony Hudson | .... | whale designer: ILM | |
| Peg Hunter | .... | optical lineup | |
| Erik Jensen | .... | visual effects coordinator | |
| Brad Jerrell | .... | stage technician | |
| Randy Jonsson | .... | assistant camera: ILM (as Randy Johnson) | |
| Sean Joyce | .... | matte artist | |
| Steven Kosakura | .... | motion control camera operator | |
| Pete Kozachik | .... | assistant camera | |
| Paul Kraus | .... | model maker | |
| Ellen E. Lichtwardt | .... | animation supervisor (as Ellen Lichtwardt) | |
| Jeff Mann | .... | modelshop supervisor | |
| David McCue | .... | camera operator: ILM | |
| Mark S. Miller | .... | whale operator | |
| Richard Miller | .... | sculptor | |
| George Muhs | .... | visual effects | |
| Lori J. Nelson | .... | optical coordinator | |
| Nancy Nimoy | .... | creature crew: ILM | |
| Michael Okuda | .... | computer animation | |
| Michael Olague | .... | stage technician (as Mike Olague) | |
| Frank Ordaz | .... | matte artist | |
| Terrence Peck | .... | assistant effects editor: ILM (as Terry Peck) | |
| Mark Peterson | .... | computer animation | |
| Ken Ralston | .... | effects supervisor | |
| Jay Riddle | .... | computer graphics animator: ILM | |
| Pete Romano | .... | whale photography | |
| Martin Rosenberg | .... | assistant camera | |
| Thomas Rosseter | .... | optical lineup | |
| Randall Rudd | .... | creative director | |
| Shannon Shea | .... | creature crew: ILM | |
| Pat Sweeney | .... | effects camera | |
| Larry Tan | .... | chief model maker | |
| Bruce Vecchitto | .... | optical lineup | |
| Brian Wade | .... | creature crew: ILM | |
| Bruce Walters | .... | animation operator | |
| John C. Wash | .... | computer animation | |
| Jenny Fulle | .... | visual effects (uncredited) | |
| Ian Hiebert | .... | production assistant (uncredited) | |
Stunts | |||
| Gregory J. Barnett | .... | stunt double: Leonard Nimoy (as Gregory Barnett) | |
| Steve M. Davison | .... | stunts | |
| Cliff Fleming | .... | stunts (as Clifford T. Fleming) | |
| Eddie Hice | .... | stunts | |
| John Meier | .... | stunt double: William Shatner | |
| Bennie Moore | .... | stunts (as Bennie E. Moore Jr.) | |
| Chuck Picerni Jr. | .... | stunts (as Charles Picerni Jr.) | |
| R.A. Rondell | .... | stunt coordinator | |
| Sharon Schaffer | .... | stunts | |
| Spike Silver | .... | stunts | |
| Jim O'Rear | .... | stunts (uncredited) | |
| R.A. Rondell | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Patric J. Abaravich | .... | electrician | |
| Wayne Baker | .... | assistant camera: underwater scenes | |
| Bruce Birmelin | .... | still photographer | |
| Mike Brooker | .... | second company grip | |
| Jack Cooperman | .... | underwater director of photography | |
| Richard Dow | .... | dolly grip | |
| Ray Gilberti | .... | assistant camera | |
| Lloyd Gowdy | .... | assistant lighting technician | |
| Jon Kranhouse | .... | aerial photographer | |
| Hal Landaker | .... | video supervisor | |
| Norman Lang | .... | electrician | |
| Kal Manning | .... | gaffer | |
| Frank McKane | .... | assistant lighting technician | |
| Ken Nishino | .... | camera operator (as Kenneth Kenny Nishino) | |
| Jay Peterman | .... | second assistant camera | |
| Keith Peterman | .... | camera operator | |
| Pete Romano | .... | underwater photographer: whale photography | |
| Waverly Smothers | .... | second grip | |
| Calvin Sterry | .... | first company grip | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| Bill Shepard | .... | casting administrator | |
| Judith Bouley | .... | location casting: Monterey (uncredited) | |
Editorial Department | |||
| Thomas R. Bryant | .... | assistant film editor | |
| John Haggar | .... | assistant editor | |
| Robert Raring | .... | color timer | |
| George C. Villaseñor | .... | assistant film editor | |
Music Department | |||
| Else Blangsted | .... | music editor | |
| Alexander Courage | .... | composer: theme "Star Trek" | |
| Russell Ferrante | .... | composer: jazz music | |
| Ralph Ferraro | .... | orchestrator | |
| Jimmy Haslip | .... | composer: jazz music | |
| A. David Marshall | .... | music editor | |
| Dan Wallin | .... | score mixer | |
| The Yellowjackets | .... | composer: additional music | |
Transportation Department | |||
| Raymond A. McLaughlin | .... | transportation captain (as Ray McLaughlin) | |
| Stewart Satterfield | .... | transportation coordinator (as Stu Satterfield) | |
Thanks | |||
| Roy Danchick | .... | thanks | |
| Capt. Walter Davis | .... | thanks | |
| Mark Ferrari | .... | thanks | |
| Debbie Glockner-Ferrari | .... | thanks | |
| John Horton | .... | thanks | |
| Roger Payne | .... | thanks | |
| Lt. Lee Saunders | .... | thanks | |
| Sandy Stairs | .... | thanks | |
| Howard Weinstein | .... | thanks | |
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| Star Trek III: The Search for Spock | Star Trek: The Wrath of Khan | Star Trek: The Motion Picture | Star Trek: First Contact | Star Trek V: The Final Frontier |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
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The fourth entry in the "Star Trek" movie series is the most popular and unarguably the best-liked of these entertaining movies. It has a fine variety of scenes, intelligent comedy to leaven the more serious adventures. it is fast paced, beautifully directed by Leonard Nimoy who also plays "Spock". What prevented it from being even better perhaps appreciated is a deliberate attempt by the writers to write short, choppy-sentence dialogue that in some scenes does not work as well as more formally-structured words might have worked. The film is bright, the art direction is very good, the music by Leonard Rosenmann is outstanding. And the story line is one of the best that sci-fi filmmakers have yet devised, in my judgment, because it has everything. As Captain James T. Kirk of the 23rd century starship Enterprise, William Shatner acts with unusual intelligence and even strength to get by. As his half-alien First Officer Spock, just recovering from a traumatic experience that caused him to have to be reeducated from ground zero, Leonard Nimoy is even better. Everyone of Jim Kirk's crewmen, including James Doohan as Engineer Montgomer Scott, De Forest Kelley as CMO Leonard McCoy, Nichelle Nichols as Lt. Uhura of Communications, talented George Takei as Helmsman Sulu, and Walter Koenig as Navigator Pavel Chekhov, have good scenes to perform and do them seamlessly and with professional style. Others in the cast including Brock Peters, Jane Wyatt, Mark Lenard, Grace Lee Whitney, Alen Henteloff, Robert Ellenstein and a relative unknown as the earthwoman who becomes enmeshed in the Enterprise officers' mission,are given telling moments. There are many memorable visual moments, including the departure of a stolen Klingon warbird from the planet Vulcan, the near-wreckage of Starfleet Headquarters, the landing of an invisible vessel in Golden Gate Park, a slingshot run around the sun, a descent from the invisible craft to the ground, scenes around the Alameda Navy Yards, a chase in a hospital and scenes at the cetacean Institute all make themselves hard-to-forget. It is the sheer fun and adventure of the storyline--sending a starship back in time to rescue two hump-backed whales and save the earth from alien destruction--that sets this film apart. Ignored by critics who have nearly always ignored sci-fi achievements, this cinematic attainment set a standard for future sci-fi to which hardly any film's maker has yet approached. The revelation of character could have been deeper, but the relevance of every moment to the plot line could hardly have been bettered. Harve Bennett deserves some of the credit for this script's excellences; so do the special-effects creators, since for once in Hollywood, every such effects serve to further the progress the central character and his helpers are making. This is probably a film to be watched over and over; I wish there were more such adult sci-fi efforts that eschew pretension and present so much intelligent dialogue, acting and intriguing "differences".