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Directed by | |||
| Rob Reiner | |||
Writing credits | ||
| Stephen King | (novella "The Body") | |
| Raynold Gideon | (screenplay) & | |
| Bruce A. Evans | (screenplay) | |
Produced by | |||
| Bruce A. Evans | .... | producer | |
| Raynold Gideon | .... | producer | |
| Andrew Scheinman | .... | producer | |
Original Music by | |||
| Jack Nitzsche | |||
Cinematography by | |||
| Thomas Del Ruth | |||
Film Editing by | |||
| Robert Leighton | |||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
Production Design by | |||
| J. Dennis Washington | (as Dennis Washington) | ||
Set Decoration by | |||
| Richard D. Kent | |||
Makeup Department | |||
| Cheri Ruff | .... | hair stylist | |
| Monty Westmore | .... | makeup artist | |
Production Management | |||
| Steve Nicolaides | .... | production manager | |
| Jeffrey Stott | .... | production supervisor (as Jeff Stott) | |
Second Unit Director or Assistant Director | |||
| Jim Behnke | .... | second assistant director | |
| Carol D. Bonnefil | .... | additional second assistant director (as Carol Bonnefil) | |
| Irby Smith | .... | first assistant director | |
Art Department | |||
| Dave Brown | .... | construction coordinator (as David Brown) | |
| Richard L. Cowitt | .... | assistant props (as Richard Cowitt) | |
| Toni Devereaux | .... | signwriter | |
| Russell Goble | .... | property master | |
| Michael Hawthorne | .... | painter | |
| Darrell Huntsman | .... | greensman | |
| Michael Kohan | .... | swing gang | |
| Norm Lewis | .... | swing gang | |
| Richard McKenzie | .... | set designer | |
| Brenda Meyers-Ballard | .... | lead woman | |
| Erica Miller | .... | swing gang | |
| Jim Ondrejko | .... | construction foreman (as James Ondrejko) | |
| David Sherman | .... | stand-by painter | |
Sound Department | |||
| Terry Lynn Allen | .... | sound editor (as Terry Allen) | |
| Lorna Anderson | .... | sound editor | |
| Douglas B. Arnold | .... | boom operator (as Doug Arnold) | |
| Rick Ash | .... | foley artist | |
| Lon Bender | .... | supervising sound editor (as Lon E. Bender) | |
| David E. Campbell | .... | sound re-recording mixer | |
| Robert Eber | .... | sound mixer (as Bob Eber) | |
| Joe Gilbert | .... | assistant sound editor | |
| Stan Gilbert | .... | adr editor (as Stanley Gilbert) | |
| Randy Kelley | .... | sound editor | |
| Dan O'Connell | .... | foley artist (as J. Dan O'Connell) | |
| John T. Reitz | .... | sound re-recording mixer | |
| Dan M. Rich | .... | sound editor (as Dan Rich) | |
| Gregg Rudloff | .... | sound re-recording mixer (as Greg Rudloff) | |
| Sean Rush | .... | cable person | |
| Wylie Stateman | .... | supervising sound editor | |
| Alicia Stevenson | .... | foley artist (as Alicia M. Stevenson) | |
| Amy Vincent | .... | assistant sound editor | |
| Dan M. Rich | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Henry Millar | .... | special effects | |
| Rick Thompson | .... | special effects (as Richard L. Thompson) | |
Visual Effects by | |||
| Ken Marschall | .... | matte artist | |
| Tim Donahue | .... | visual effects art director: Introvision (uncredited) | |
| Jon Macht | .... | visual effects editor (uncredited) | |
| William Mesa | .... | visual effects supervisor (uncredited) | |
| David Stump | .... | effects director of photography (uncredited) | |
| Marcus Tate | .... | visual effects cameraman (uncredited) | |
Stunts | |||
| Rick Barker | .... | stunt coordinator | |
| Rick Barker | .... | stunts | |
| Jerry Brutsche | .... | stunts | |
| Jack Carpenter | .... | stunts | |
| Brian R. Carson | .... | stunts (as Brian Carson) | |
| Doc D. Charbonneau | .... | stunts (as Doc Charbonneau) | |
| Gary Cox | .... | stunts | |
| Harvey Keith | .... | stunts | |
| Sherry Peterson | .... | stunts | |
| Richard Seaman | .... | stunts | |
| Monty L. Simons | .... | stunts (as Monty Simmons) | |
| John Walker | .... | stunts | |
Camera and Electrical Department | |||
| Bruce Birmelin | .... | still photographer | |
| Danny Buck | .... | gaffer | |
| Jeff Butters | .... | best boy gaffer | |
| Craig Denault | .... | camera operator | |
| Romeo De Santis Jr. | .... | electrician | |
| David Fay | .... | key grip | |
| Buzz Feitshans IV | .... | assistant camera | |
| Sherman Fulton | .... | electrician | |
| Antonio V. Garrido | .... | grip (as Tony Garrido) | |
| Jack Glenn | .... | grip | |
| Jerry Glenn | .... | electrician | |
| Christopher Ishii | .... | assistant camera | |
| Gary B. Kibbe | .... | camera operator | |
| Gerald A. King | .... | best boy grip (as Jerry King) | |
| Jon L. Kunkel | .... | assistant camera | |
| David L. Merrill | .... | dolly grip (as David Merrill) | |
| Michael G. Riba | .... | assistant camera (as Michael Riba) | |
| Greg Rundo | .... | grip | |
| P.J. Sherman | .... | grip | |
| Ronald Vidor | .... | panaglide operator | |
Casting Department | |||
| Michael Hirshenson | .... | casting associate | |
| Katherine Wilson | .... | extras casting: Eugene | |
Costume and Wardrobe Department | |||
| Thomas Costich | .... | wardrobe (as Tom Costich) | |
| Sue Moore | .... | costume supervisor | |
Editorial Department | |||
| Mallory Gottlieb | .... | assistant editor | |
| Terry Haggar | .... | color timer | |
| Cathy Rosenstein | .... | post-production coordinator | |
| Adam Weiss | .... | assistant editor | |
| Lisa Morlas | .... | assistant film editor (uncredited) | |
Music Department | |||
| Brian Banks | .... | music programmer | |
| Brian Banks | .... | musician | |
| Jeff Carson | .... | music editor | |
| Mark Curry | .... | music recording engineer | |
| Anthony Marinelli | .... | music programmer | |
| Anthony Marinelli | .... | musician | |
| Celest Ray | .... | music supervisor | |
Transportation Department | |||
| Helen Mercier | .... | transportation co-captain | |
| Rick Mercier | .... | transportation captain | |
| Tim Roslan | .... | transportation coordinator | |
Other crew | |||
| Tom Ajar | .... | projectionist | |
| Jerry Atwood | .... | projectionist | |
| Peter Benoit | .... | unit publicist | |
| Faye Brenner | .... | script supervisor | |
| Mark Cooper | .... | production assistant | |
| Leslie Cornyn | .... | post-production accountant | |
| Tim Danforth | .... | production assistant | |
| Tomalene Evans | .... | production secretary | |
| Ernie Fuentes | .... | first aid | |
| Elizabeth Galloway | .... | production coordinator | |
| Rick George | .... | craft service | |
| Spencer Howard | .... | production assistant | |
| Janet Julian | .... | production secretary | |
| K. Lenna Katich | .... | production accountant | |
| Elizabeth Latshaw | .... | production assistant | |
| Mitch Marcus | .... | assistant: Mr. Nicolaides | |
| Steve Mason | .... | caterer | |
| Toni E. Mercier | .... | assistant production accountant | |
| Karl Lewis Miller | .... | dog trainer | |
| James R. Powell | .... | production assistant | |
| Jay Smith | .... | production assistant | |
| Kimberly Smith | .... | production assistant | |
| Madeleine Swift | .... | personal assistant: Mr. Reiner | |
| Pam Trzaska | .... | first aid | |
| Ron Welch | .... | caterer | |
| Ken Young | .... | caterer | |
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As a lover of Stephen King's writing style and Rob Reiner's directing techniques, this movie leaves me speechless every time. It is an almost forgotten film about a time and a youth nearly forgotten, as well. And I will say, as a writer, the novella that this film was based upon, "The Body" has and always will be the inspiration for my style of writing.
First of all, I enjoy the title that was chosen for the film. "Stand By Me" fits what the characters in the story are facing. I think that all who have seen this film will agree that the problems are all things that we can relate to. All of us know someone like these characters. Most of us have met the boy down the road who had a brother with a bad name and a father with an alcohol problem, automatically being labeled as a "bad kid." And the boy with the military father, abusive and a little whacko. The fat kid, picked on and ridiculed for his weight.
To me, Gordy represents all of us. I found myself seeing a little of me in Gordy as I watched the film. I don't know if any one else shares this, but it was true. Gordy was not very strong, at first, and was not sure what he wanted, except to be with his friends. Still coping with the loss of his brother and the fact that his father was disrespectful to him, Gordy still stood up for what he believed in. And, in the end he surprised the characters and the viewers by standing up to the bullies that had plagued them all.
This film is certainly one of my top favorites. In fact, it lies in my top three, probably at #2 or #3. I feel that it is a film that everyone should see at some point in their life due to the fact it changes your look at youth and their trials. Few films are able to do that and I think that this one was an inspiration for others that will do the same in the future.