| Photos (see all 28 | slideshow) |
| Mon. July 6 | 1:15 PM | AMC |
| Molly Ringwald | ... | Andie Walsh | |
| Harry Dean Stanton | ... | Jack Walsh | |
| Jon Cryer | ... | Duckie (Phil Dale) | |
| Annie Potts | ... | Iona | |
| James Spader | ... | Steff | |
| Andrew McCarthy | ... | Blane McDonnagh | |
| Jim Haynie | ... | Donnelly | |
| Alexa Kenin | ... | Jena Hoeman | |
| Kate Vernon | ... | Benny Hanson | |
| Andrew Dice Clay | ... | Bouncer at CATS (as Andrew 'Dice' Clay) | |
| Emily Longstreth | ... | Kate | |
| Margaret Colin | ... | English Teacher | |
| Jamie Anders | ... | Terrence | |
| Gina Gershon | ... | Trombley, Girl Friend / Gym Class | |
| Bader Howar | ... | Sales Girl | |
| Christian Jacobs | ... | Boy in Record Store | |
| Audre Johnston | ... | Benny's Mother | |
| Melanie Manos | ... | Girl at Party | |
| Maggie Roswell | ... | Mrs. Dietz | |
| Dweezil Zappa | ... | Simon | |
| Jimmie Podrasky | ... | The Rave-Ups (as Jimmer Podrasky) | |
| Tommy Blatnick | ... | The Rave-Ups | |
| Timothy J. | ... | The Rave-Ups | |
| Terry Wilson | ... | The Rave-Ups | |
| Bruno Coon | ... | Talk Back (as Bruno) | |
| Jeffrey Hollie | ... | Talk Back | |
| Kevin Ricard | ... | Talk Back | |
| David Sutton | ... | Talk Back | |
| Kevin T. Williams | ... | Talk Back (as Kevin Williams) | |
| Rock Deadrick | ... | Talk Back | |
| Karen Laine | ... | Girl at Prom | |
| Kristy Swanson | ... | Duckette | |
| Kevin D. Lindsay | ... | Kevin |
Directed by | |||
| Howard Deutch | |||
Writing credits | ||
| John Hughes | (written by) | |
Produced by | |||
| Michael Chinich | .... | executive producer | |
| John Hughes | .... | executive producer | |
| Lauren Shuler Donner | .... | producer (as Lauren Shuler) | |
| Jane Vickerilla | .... | associate producer | |
Original Music by | |||
| Michael Gore | |||
Cinematography by | |||
| Tak Fujimoto | |||
Film Editing by | |||
| Richard Marks | |||
Casting by | |||
| Paula Herold | |||
| Marci Liroff | |||
Production Design by | |||
| John W. Corso | |||
Set Decoration by | |||
| Jennifer Polito | |||
| Bruce Weintraub | |||
Costume Design by | |||
| Marilyn Vance | |||
Makeup Department | |||
| Paul Abascal | .... | hair stylist | |
| Tommy Cole | .... | makeup artist | |
Production Management | |||
| Arne Schmidt | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Carol Green | .... | second assistant director | |
| Vicki Jackson-Lemay | .... | dga trainee (as Vicki J. Le May) | |
| Stephen Lim | .... | first assistant director | |
Art Department | |||
| Gerald Gates Jr. | .... | painter | |
| Gordon Hackman | .... | swing gang | |
| Louis M. Mann | .... | set designer | |
| Jeff Passanante | .... | construction foreman | |
| Paul S. Power | .... | production illustrator | |
| John Rozman | .... | lead man | |
| Don Schlicher | .... | swing gang | |
| Arthur Shippee | .... | property master (as Art Shippee) | |
| Craig Staley | .... | swing gang | |
| Gene Triol | .... | swing gang | |
Sound Department | |||
| George H. Anderson | .... | sound effects editor | |
| George Berndt | .... | adr editor | |
| Ruth Bird | .... | assistant sound effects editor | |
| Donald L. Bolger | .... | boom operator | |
| Charles J. Bond | .... | cable person | |
| Gary C. Bourgeois | .... | sound re-recording mixer (as Gary Bourgeois) | |
| Chris Carpenter | .... | sound re-recording mixer | |
| Dennis Drummond | .... | sound effects editor | |
| Joan Giammarco | .... | assistant sound effects editor | |
| Robert Grieve | .... | supervising sound effects editor | |
| Jeffrey A. Humphreys | .... | sound recordist | |
| C. Darin Knight | .... | sound mixer | |
| Mel Metcalfe | .... | sound re-recording mixer | |
| Linda Whittlesey | .... | sound effects editor | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| John Frazier | .... | special effects | |
Stunts | |||
| Erik Cord | .... | stunts | |
| Dick Hancock | .... | stunt coordinator | |
| John S. Platt | .... | stunts | |
| Pat Romano | .... | stunt double | |
| Pat Romano | .... | stunts (as Patrick Romano) | |
Camera and Electrical Department | |||
| Mike Brooker | .... | additional grip | |
| Joseph Graham | .... | additional grip | |
| Jack N. Green | .... | camera operator (as Jack Green) | |
| Conrad W. Hall | .... | first assistant camera | |
| Danny Jimenez | .... | dolly grip (as Daniel Jiminez) | |
| William A. Lowman | .... | assistant chief lighting technician | |
| Melton Maxwell | .... | chief lighting technician (as Melton C. Maxwell) | |
| Jack E. McLean Jr. | .... | lamp operator (as Jack McLean) | |
| Laurel Moore | .... | still photographer | |
| John T. Ramsey | .... | first company grip | |
| Ed Reilly | .... | assistant chief lighting technician | |
| P. Scott Sakamoto | .... | second assistant camera | |
| Gary Scalzo | .... | lamp operator | |
| Gary Scalzo | .... | rigger | |
| Chuck Sharp | .... | best boy electric (as Charles W. Sharp) | |
| Chuck Sharp | .... | lamp operator | |
| Steve Sibenick | .... | second company grip | |
| Tim Staubs | .... | second company grip | |
Casting Department | |||
| Dorian Dunas | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Darryl M. Athons | .... | set costumer: men | |
| Michael W. Hoffman | .... | costume supervisor: men | |
| Julene McKinney | .... | set costumer: women | |
| Donna Roberts | .... | costume supervisor: women (as Donna Roberts Orme) | |
Editorial Department | |||
| Jane Schwartz Jaffe | .... | associate editor | |
| David Moritz | .... | apprentice editor | |
| Bob Noland | .... | color timer | |
| Pamela Jule Yuen | .... | assistant editor (as Pamela J. Yuen) | |
| Peter Lonsdale | .... | assistant editor (uncredited) | |
Music Department | |||
| David Anderle | .... | music supervisor | |
| Joel Moss | .... | score mixer (as Joel W. Moss) | |
| Leon Pendarvis | .... | orchestrator (as L. Leon Pendarvis) | |
| Richard Stone | .... | supervising music editor | |
| Bruno Coon | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Sam Edelman | .... | transportation coordinator | |
| Rick Vallencia | .... | transportation co-captain (as Rick Valencia) | |
| Gaston Veilleux | .... | transportation captain | |
Other crew | |||
| Pamela Alch | .... | script supervisor | |
| Elinor Bardach | .... | personal assistant: Ms. Vance | |
| Bruce A. Block | .... | filmic consultant | |
| Irene Brafstein | .... | teacher | |
| Irene Brafstein | .... | welfare worker | |
| Frank L. Brown | .... | unspecified assistant | |
| Wayne Fitzgerald | .... | title designer | |
| Matt Freeman | .... | production assistant (as Matthew Freeman) | |
| Gary Gero | .... | animal trainer | |
| Mary Sutton Hallmann | .... | assistant: Mr. Schmidt | |
| Arthur 'Clondike' Jones | .... | craft service (as Art 'Klondike' Jones) | |
| Tony Kerum | .... | caterer | |
| William Kolber | .... | assistant: Mr. Shuler | |
| Karen Kovacevich | .... | production associate | |
| John Maguire | .... | assistant production auditor | |
| Charles Newirth | .... | location manager (as Charles J. Newirth) | |
| Kenny Ortega | .... | choreographer | |
| Ronald W. Payne | .... | production assistant | |
| Michael Roberts | .... | production auditor (as Mike Roberts) | |
| Steven Jay Rubin | .... | unit publicist | |
| Elena Spiotta | .... | production associate | |
| Ellen Vogt | .... | assistant: Mr. Anderle | |
| Jeanne Webber | .... | technical consultant (as Jeanne Weber) | |
| Adam Hill | .... | shophand/set detail caster: Paramount Studios (uncredited) | |
Thanks | |||
| Alexa Kenin | .... | in memory of | |
| Bruce Weintraub | .... | in memory of | |
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| Can't Buy Me Love | Sixteen Candles | Some Kind of Wonderful | Clueless | Grease |
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This is a typical teen dilemma story at its heart, one which I somewhat suspect I watched far more often than is healthy when I was a young boy aged six or so. Guys be warned - that's what having a sister who is eight years older gets you when you're growing up... Anyway, I'm sure this film added to my gender confusion as a kid and turned me into the mild-mannered softie that I am today!
Having to watch it so often during the early stages of my development might have been far more damaging to me if everything about the film didn't suggest that its heart was in the right place. John Hughes was lucky enough to have a fantastic cast gathered together who help to breathe life into his writing. Ringwald especially was a terrific teen actress to snag for this type of material, because there was no-one who could do 'vulnerable' better than her at the time. If the audience connects with your lead character then it gradually becomes a trickle-down effect, which must be a tremendous help for the supporting players, too. Throw in Andrew McCarthy at the height of his powers before his career went into free-fall, plus sidekick duties performed by a young and zany Jon Cryer, and that's a winning trio you have. It doesn't matter that the crises don't add up to much when you think about it, as long as they're sold to us in a way we can identify with.
So far so snug, then. The only glitch appears in the resolution, where our heroine is encouraged to give up her individuality and that of her friend as a way for her to be finally accepted into 'the cool crowd'... What?! That isn't a fairytale ending, it's a graceful swan-dive toward conformity! It's not a message I expected Hughes to be advocating, and it taints the wholesomeness of the tale a little bit. Aside from that blip so close to the finishing line, however, this is an unashamedly feel good movie that won't corrupt impressionable young minds and is a unisex bit of fun. (Or at least that very last part is what I tell myself, anyway... :-) )