Let's Get Harry (1986)

User Rating:

4.7/10   

Directors:

Stuart Rosenberg
Alan Smithee

Writers:

Mark Feldberg (story) and
Samuel Fuller (story) ...

Release Date:

31 October 1986 (USA)

Genre:

Action | Adventure

Plot:

When Harry Burck (Mark Harmon), an American engineer on loan to Colombia, is taken hostage and held for ranson...

Plot Keywords:

Colombia | Hostage | Rescue | Overseas Employment | Diplomat

Cast

Fidel Abrego	...	Hood #1
Jere Burns	...	Washington aide
Gary Busey	...	Jack
Cecile Callan	...	Theresa
Terry Camilleri	...	Mercenary
Elpidia Carrillo	...	Veronica
Matt Clark	...	Walt Clayton
Rodolfo De Alexandre	...	Pablo
Robert Duvall	...	Norman Shrike
Javier Estrada	...	Dwarf
Glenn Frey	...	Spence
Salvador Godínez	...	Boat man
Bruce Gray	...	Ambassador Douglas
Jerry Hardin	...	Dean Reilly
Mark Harmon	...	Harry Burck Jr.

Also Known As:

The Rescue

Runtime:

102 min

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Sound Mix:

Dolby

Certification:

Iceland:16 | Norway:16 | Australia:M | West Germany:16 | Finland:K-16 | Sweden:15 | USA:R

Filming Locations:

Aurora, Illinois, USA

Company:

Delphi V Productions

Movie Connections:

Referenced in Who Is Alan Smithee? (2002) (TV)

The Trouble With (Let's Get) Harry

I was Robert Duvall's character coach or model in Harry. He attended my training camp in Alabama in September 1985 before going on down to Vera Cruz Mexico for the location filming.

The major problem with the film was the director(s) and the editing. The actual script wasn't bad. One director quit, and the finishing director cut so much from the film that Duvall tried to keep it from being released, and the director ended up having his own name removed from the film and "Alan Smithee" (a name used to protect the guilty) credited as director.

Virtually all of the training scenes were cut where the plumbers become commandos, and the character development went with it.

Duvall wanted to make a good movie. The script called for his character to give a dying speech after getting shot. When he and I went over the scene, I told him after getting hit the way he was supposed to, he wouldn't be able to say anything. He played it that way.

When I finally saw the film, I was surprised to discover that not only had Duvall followed my advice on how to dress, etc., but that he had adopted my own personal mannerisms and way of talking. He never said anything about doing that.

I was disappointed in the final release, even more than most viewers. I know what's missing.

Frank Camper