Amazon.com reviews for
Hannah and Her Sisters (1986) More at IMDbPro »

Hannah and Her Sisters (dvd):

Amazon.com video review: Considered by many to be Woody Allen's best film, even over Annie Hall. Hannah and Her Sisters follows a multitude of characters: Hannah (Mia Farrow), who plays den mother to her extended family; her sister Lee (Barbara Hershey), emotional and a bit of a flake, who's involved with a much older artist (Max Von Sydow), who treats her like a child; and Hannah's other sister, Holly (Dianne Wiest), a neurotic who feels incapable of managing her life. Hannah's husband Elliot (Michael Caine) falls in love with Lee, which sets off a series of upheavals. Allen gives one of his best performances as Hannah's ex-husband Mickey, who--much like Allen himself--is obsessed with death and unhappiness. But a simple summary doesn't begin to capture the warmth and intimacy of this movie; though the story follows a capsizing family, the outcome is surprising, joyous, and richly human. --Bret Fetzer

The Woody Allen Collection, Set 3 (dvd):

Amazon.com video review: This Woody Allen boxed set captures the first half of what could be called Allen's "Mia period," his films from the early 1980s. The lighthearted A Midsummer Night's Sex Comedy, about the neurotic romping of a bunch of friends at a country house, marks the beginning of Woody and Mia Farrow's film relationship, followed by Zelig, Allen's clever pseudo-documentary of a man who just wants to fit in. Broadway Danny Rose, the tale of a mediocre talent agent who gets involved with a client's wife, is seen as a trifle by some but held as one of Allen's best films by others. But the next two are a pair of undisputed knockouts: The Purple Rose of Cairo, in which the hero of a movie (Jeff Daniels) steps off the screen to help a woeful waitress (Farrow). The ending is at first heart-wrenching, then finds a wistful hope. Hannah and Her Sisters is possibly, after Annie Hall, Allen's most loved movie, with its Chekhovian mix of love and sorrow in the lives of three sisters (Farrow, Dianne Wiest, and Barbara Hershey). Hannah won a number of awards, including Oscars^® for best screenplay and supporting acting for both Wiest and Michael Caine (as Farrow's husband). Finally, the nostalgic Radio Days rounds out the set with a gentle look at entertainment back when people had to dream up their own pictures. These six films represent one of Allen's strongest periods; he moved fluidly from comedy to drama, avoiding big statements but ruefully exploring the foibles of humanity. --Bret Fetzer