| Photos (see all 3 | slideshow) |
| Maruschka Detmers | ... | Giulia | |
| Federico Pitzalis | ... | Andrea | |
| Anita Laurenzi | ... | Mrs. Pulcini | |
| Alberto Di Stasio | ... | Professor Raimondi | |
| Riccardo De Torrebruna | ... | Giacomo Pulcini | |
| Catherine Diamant | ... | Mrs. Raimondi | |
| Anna Orso | ... | Mrs. Dozza | |
| Lidia Broccolino | ... | Terrorist | |
| Stefano Abbati | ... | Terrorist | |
| Claudio Botosso | ... | Don Pisacane | |
| Germano Basile | |||
| Brunella Casolari | |||
| Luciano D'Amico | |||
| Lorenzo D'Avanzo | |||
| Raffaele De Nuccio | |||
| Riccardo Diana | |||
| Viviana Fedeli Andri | |||
| Francesco Firpo | |||
| Doris Gean Foster | |||
| Claudio Lorimer | |||
| Marco Maggioni | |||
| Alessandro Partexano | |||
| Claudio Picariello | |||
| Riccardo Plati | |||
| Oreste Rotundo | |||
| Pietro Sanavio | |||
| Claudio Spadaro | |||
| Maria Toesca | |||
| Roberto Tozzi |
Directed by | |||
| Marco Bellocchio | |||
Writing credits | ||
| Marco Bellocchio | (story) & | |
| Enrico Palandri | (story) | |
| Marco Bellocchio | (screenplay) | |
| Ennio De Concini | (screenplay collaboration) | |
Produced by | |||
| Leo Pescarolo | .... | producer | |
Original Music by | |||
| Carlo Crivelli | |||
Cinematography by | |||
| Giuseppe Lanci | |||
Film Editing by | |||
| Mirco Garrone | |||
Production Design by | |||
| Andrea Crisanti | |||
Costume Design by | |||
| Lina Nerli Taviani | |||
Makeup Department | |||
| Luciana Maria Costanzi | .... | hair stylist (as Luciana Costanzi) | |
| Cesare Paciotti | .... | makeup artist | |
Production Management | |||
| Angelo Barbagallo | .... | production manager | |
| Stefano Bolzoni | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Marzio Casa | .... | first assistant director | |
| Roberta Colombo | .... | assistant director | |
Art Department | |||
| Ferdinando Codognotto | .... | sculptures | |
| Maria Cristina Pedri | .... | assistant production designer | |
Sound Department | |||
| Tonino Anastasi | .... | sound mixer | |
| Luciano Anzellotti | .... | sound effects editor | |
| Massimo Anzellotti | .... | sound effects editor | |
| Liliana Drago | .... | dubbing assistant | |
| Tullio Petricca | .... | boom operator | |
| Marco Streccioni | .... | sound engineer | |
| Alessandro Zanon | .... | sound mixer | |
Costume and Wardrobe Department | |||
| Giorgio Armani | .... | costumes: Maruschka Detmers | |
| Maria Rita Barbera | .... | assistant costume designer | |
Editorial Department | |||
| Lucia Deidda | .... | assistant editor | |
| Antonella Gazzola | .... | assistant editor | |
| Antonella Macchi | .... | assistant editor | |
| Rita Triunveri | .... | assistant editor | |
Other crew | |||
| Fabiola Banzi | .... | production secretary | |
| Anna Cesareni | .... | voice dubbing: Maruschka Detmers | |
| Lucilla Clementelli | .... | continuity | |
| Franco Penna | .... | production accountant | |
Thanks | |||
| Massimo Fagioli | .... | dedicatee | |
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| La meglio gioventù | El diputado | Rocco e i suoi fratelli | Die Blechtrommel | Novecento |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section | Add this title to MyMovies |
I watched "the original X-rated theatrical version" (gee, lucky me) and I can tell you Maruschka Detmers has headlights that point very sharply in the direction they want to go. She is also very pretty, although I'm not sure she is prettier than her co-star, Federico Pitzalis. Clearly, she is taller. Yes, this is a very sexy movie, which some might say is its raison d'etre, but that's really beside the point. What matters here is school-boy wish fulfillment, a little self-indulgence by Director Marco Bellocchio.
Well, why not? It isn't often that the boy gets the beautiful woman, especially when in competition with his suave father, a handsome and distinguished psychiatrist, and her fiancé, a well-heeled and attractive terrorist. I mean, this could happen, couldn't it?
I didn't see the original French version of 1946, in which the terrorist was a soldier in World War I. I understand it was better. I'm willing to bet that Bellocchio saw it and had the sort of relationship with it that a later generation had with Star Wars, e.g., and just had to relive the fantasy.
Nonetheless, and having said all that, this is not a bad movie. I'm not sure who is supposed to be the "devil in the flesh," but Maruschka is worth the price of the ticket and then some.