| Ned Manning | ... | Crabs | |
| Natalie McCurry | ... | Carmen | |
| Peter Whitford | ... | Thompson | |
| Wilbur Wilde | ... | Hazza | |
| Dave Gibson | ... | Dave | |
| Sandie Lillingston | ... | Beth | |
| Ollie Hall | ... | Frank | |
| Lyn Collingwood | ... | Fay | |
| Nikki McWaters | ... | Shirl | |
| Melissa Davis | ... | Norelie | |
| Margi Di Ferranti | ... | Jill | |
| Desirée Smith | ... | Tracey | |
| Murray Fahey | ... | Mickey | |
| Jeremy Shadlow | ... | Jeff | |
| Brett Climo | ... | Don | |
| Alan McQueen | ... | Accident cop | |
| Ken Snodgrass | ... | Accident cop | |
| Bill Lyle | ... | Drive-In cop | |
| Garry Who | ... | Drive-In Cop | |
| Bernadette Foster | ... | Momma | |
| Ron Sinclair | ... | News reporter | |
| Gandhi MacIntyre | ... | Indian (as Ghandi McIntyre) | |
| David Jones | ... | TV newsreader |
Directed by | |||
| Brian Trenchard-Smith | |||
Writing credits(in alphabetical order) | ||
| Peter Carey | story | |
| Peter Smalley | written by | |
Produced by | |||
| Damien Parer | .... | co-producer | |
| Andrew Williams | .... | producer | |
Original Music by | |||
| Frank Strangio | |||
Cinematography by | |||
| Paul Murphy | |||
Film Editing by | |||
| Alan Lake | |||
| Lee Smith | |||
Production Design by | |||
| Lawrence Eastwood | (as Larry Eastwood) | ||
Art Direction by | |||
| Nicholas McCallum | (as Nick McCallum) | ||
Costume Design by | |||
| Anthony Jones | |||
Makeup Department | |||
| Annette Adams | .... | assistant makeup artist | |
| Lloyd James | .... | makeup artist | |
| Patricia Newton | .... | hair stylist | |
Production Management | |||
| Anne Bruning | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lisa Harrison | .... | third assistant director | |
| Adrian Pickersgill | .... | first assistant director | |
| John Titley | .... | second assistant director | |
Art Department | |||
| Ricki Albert | .... | muralist | |
| Brett Blenkin | .... | carpenter | |
| Vladimir Chevepanoff | .... | muralist | |
| Ray Fowler | .... | props | |
| Andrew Gardiner | .... | carpenter | |
| Colin Holt | .... | muralist | |
| David Humphreys | .... | muralist (as David Humphries) | |
| Rodney Monk | .... | muralist | |
| John Parker | .... | construction manager | |
| Rob Robinson | .... | assistant art director | |
| George Zammit | .... | stand-by props | |
Sound Department | |||
| Les Addess | .... | sound editor | |
| Sue Blainey | .... | assistant sound editor | |
| Les Fiddess | .... | sound effects editor | |
| John French | .... | sound engineer | |
| Robert Heaton | .... | sound transfer | |
| John Herron | .... | sound re-recording mixer | |
| Mario Krastev | .... | assistant sound editor | |
| Glen Lord | .... | assistant sound engineer | |
| Martin Oswin | .... | sound mixer | |
| Troy Porter | .... | adr mixer | |
| David Rawlinson | .... | consultant: Dolby | |
| Simon Smithers | .... | assistant sound editor | |
| Lee Smith | .... | sound editor | |
| Leo Sullivan | .... | sound recordist | |
| Mark Van Kool | .... | boom operator | |
Special Effects by | |||
| Peter Evans | .... | special effects | |
| Alan Maxwell | .... | special effects | |
| Chris Murray | .... | special effects supervisor | |
Stunts | |||
| Dee Arlen-Jones | .... | stunts (as Dee Jones) | |
| Danny Baldwin | .... | stunts | |
| Glenn Boswell | .... | stunts (as Glen Boswell) | |
| Barry Bransen | .... | stunt rigger | |
| Phil Brock | .... | stunts | |
| Danial Donai | .... | utility stunts | |
| Bob Duncan | .... | stunt assistant | |
| Michael Longhurst | .... | stunt assistant | |
| Rocky McDonald | .... | stunts | |
| Robin Menzies | .... | stunt assistant (as Robyn Menzies) | |
| Guy Norris | .... | stunt coordinator | |
| Ron Payne | .... | stunt rigger | |
| Arch Roberts | .... | stunts | |
| Glenn Ruehland | .... | stunts (as Glen Ruehland) | |
| Greg Stuart | .... | stunt assistant | |
| Antony Szeto | .... | stunts (as Tony Szeto) | |
| Don Vaughn | .... | stunts | |
| Fred Welsh | .... | stunts (as Fred Walsh) | |
| Peter West | .... | stunt double | |
| Peter West | .... | stunt driver | |
Camera and Electrical Department | |||
| Colin Chase | .... | gaffer | |
| Chris Fleet | .... | best boy | |
| Robbie Gribble | .... | still photographer | |
| Brett Keeping | .... | electrician | |
| Andrew Lesnie | .... | additional photographer | |
| Kevan Lind | .... | camera operator | |
| John Lomax | .... | focus puller | |
| Wayne Marshall | .... | assistant grip | |
| Noel McDonald | .... | key grip | |
| Mick Morris | .... | gaffer | |
| John Platt | .... | clapper loader | |
| John Tate | .... | assistant grip | |
Costume and Wardrobe Department | |||
| Shauna Flenady | .... | assistant costume designer | |
| Devina Maxwell | .... | stand-by wardrobe | |
Editorial Department | |||
| Sue Blainey | .... | first assistant editor | |
| Arthur Cambridge | .... | grader | |
| Miriam Cortes | .... | negative matcher (as Miriam Cortez) | |
| Noelleen Westcombe | .... | second assistant editor | |
Music Department | |||
| Phil Matthews | .... | music advisor | |
Transportation Department | |||
| Barry Bransen | .... | vehicle coordinator | |
Other crew | |||
| Mark Abicht | .... | unit runner | |
| Harry Clark | .... | projectionist | |
| Robert Coleby | .... | armorer (as Robert Colby) | |
| Michele Day | .... | assistant accountant | |
| Judy Ditter | .... | production coordinator (as Judith Ditter) | |
| Sian Fatouros | .... | continuity | |
| Peter Gibbs | .... | assistant mechanic | |
| Ian Goddard | .... | location manager | |
| Barbara Mather | .... | nurse | |
| William Maynard | .... | solicitor | |
| Annette Patterson | .... | production secretary | |
| Richard Piorkowski | .... | laboratory liaison | |
| Lyn Quayle | .... | publicist | |
| Michael Sergi | .... | intern | |
| Mark 'Harry' Ward | .... | head mechanic | |
| Valerie Williams | .... | production accountant | |
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| A Boy and His Dog | The Lair of the White Worm | Blade Runner | Slaughterhouse-Five | Turkey Shoot |
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I really enjoyed Dead End Drive In. This is a sci-fi film with great looking sets, decent acting and an illogical story line. Put it all together and add a few explosions and you have a fantastic ride.
The film tells the story of Crabs a young man who borrows his brother's car and goes to the drive in with a date. Then the government steals his tires and he is forced to live at the Drive In with about a hundred other teens who are also stuck there. It is never clearly explained WHY the government wants them to stay there (or even which government). Director Brian Trenchard-Smith makes the most of the story and pulls off some rather clever camera work. An aside from a racism subplot that is never really resolved, the story never drags. The sets are very extravagant and include some very funny touches (a poster for Rambo 8 hangs in one scene). Overall, the film is fun and is really good for anyone who likes futuristic, tongue in cheek sci-fi flicks.