| Photos (see all 11 | slideshow) |
| Daryl Hannah | ... | Ayla | |
| Pamela Reed | ... | Iza | |
| James Remar | ... | Creb | |
| Thomas G. Waites | ... | Broud | |
| John Doolittle | ... | Brun | |
| Curtis Armstrong | ... | Goov | |
| Martin Doyle | ... | Grod | |
| Tony Montanaro | ... | Zoug | |
| Mike Muscat | ... | Dorv | |
| John Wardlow | ... | Droog | |
| Keith Wardlow | ... | Crug | |
| Barbara Duncan | ... | Uka | |
| Gloria Lee | ... | Oga | |
| Janne Mortil | ... | Ovra | |
| Lycia Naff | ... | Uba | |
| Linda Quibell | ... | Aga | |
| Bernadette Sabath | ... | Ebra | |
| Penny A. Mesa | ... | Ika | |
| Penny Smith | ... | Ika | |
| Joey Cramer | ... | Young Broud | |
| Rory L. Crowley | ... | Durc | |
| Nicole Eggert | ... | Middle Ayla | |
| Emma Floria | ... | Young Ayla | |
| Pierre Lamielle | ... | Brac | |
| Mary Reid | ... | Ayla's Mother | |
| Samantha Ostry | ... | Young Uba | |
| Shane Punt | ... | Young Vorn | |
| Christiane Boyce | ... | Baby Durc | |
| Catherine Flather | ... | Baby Durc | |
| Amy Cyr | ... | Young Girl #3 | |
| Colin Doyle | ... | Young Boy | |
| Natino Bellantoni | ... | Gorn | |
| Rick Valiquette | ... | Voord | |
| Alan Waltman | ... | Norg | |
| Paul Carafotes | ... | Brug | |
| Salome Jens | ... | Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Bart the Bear | ... | The Bear | |
Directed by | |||
| Michael Chapman | |||
Writing credits(in alphabetical order) | ||
| Jean M. Auel | novel | |
| John Sayles | writer | |
Produced by | |||
| Richard Briggs | .... | associate producer | |
| Mark Damon | .... | executive producer | |
| Peter Guber | .... | executive producer | |
| John W. Hyde | .... | executive producer | |
| Gerald I. Isenberg | .... | producer | |
| Sidney Kimmel | .... | co-executive producer | |
| Jon Peters | .... | executive producer | |
| Stan Rogow | .... | co-producer | |
Original Music by | |||
| Alan Silvestri | |||
Cinematography by | |||
| Jan de Bont | |||
Film Editing by | |||
| Wendy Greene Bricmont | |||
Casting by | |||
| Karen Hazzard | |||
Production Design by | |||
| Anthony Masters | |||
Set Decoration by | |||
| Kimberley Richardson | |||
Makeup Department | |||
| Jocelyne Bellemare | .... | makeup artist | |
| Susan Boyd | .... | head hair stylist | |
| Michèle Burke | .... | makeup department head | |
| Todd McIntosh | .... | makeup artist | |
| Michael Mills | .... | prosthetic makeup artist | |
| Francisco X. Pérez | .... | prosthetic makeup artist (as Frank Carrisosa) | |
| Michael Westmore | .... | co-makeup department head (as Michael G. Westmore) | |
| Michael Westmore | .... | special makeup design and creation (as Michael G. Westmore) | |
| Steve Johnson | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Justis Greene | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Max Kleven | .... | second unit director | |
Art Department | |||
| Alain Giguère | .... | scenic painter | |
| Geoff Hilliard | .... | carpenter | |
| Charles Leitrants | .... | construction coordinator | |
| Grant Swain | .... | property master | |
| Gary J. Williams | .... | greensman | |
| William Stout | .... | set designer (uncredited) | |
Sound Department | |||
| Teri E. Dorman | .... | sound editor | |
| Walter A. Gest | .... | sound re-recordist | |
| Chris Glyn-Jones | .... | cable person | |
| Victoria Rose Sampson | .... | supervising sound editor | |
| Larry Sutton | .... | location sound mixer | |
Special Effects by | |||
| Michael Clifford | .... | special effects coordinator | |
Stunts | |||
| Bart the Bear | .... | bear fight stunts | |
| Tommy G. Bows | .... | stunts | |
| John Giesbrecht | .... | stunts | |
| Mark Harden | .... | stunts | |
| Michael Langlois | .... | stunts | |
| Mariah Massengale | .... | stunts | |
| Steven Mowry | .... | stunts | |
| Lionel Thomson | .... | stunts | |
| John Wardlow | .... | stunt coordinator | |
| Keith Wardlow | .... | stunts | |
| Clint Youngreen | .... | bear fight stunts | |
| Kevin J. Andruschak | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Drew Davidson | .... | lighting technician | |
| Gail Harvey | .... | still photographer | |
| Joseph Lederer | .... | still photographer (as Joe Lederer) | |
| John W. Scott | .... | lighting technician | |
Costume and Wardrobe Department | |||
| Nazhat Hester | .... | specialty costumes | |
Editorial Department | |||
| Alan Baumgarten | .... | assistant editor | |
| Christine Cholvin | .... | assistant film editor (as Chris Cholvin) | |
Music Department | |||
| Kenneth Karman | .... | music editor | |
Other crew | |||
| Mark Harden | .... | animal trainer | |
| Robin Mounsey | .... | safety expert | |
| Robin Mounsey | .... | survivor expert | |
| Doug Seus | .... | head bear trainer | |
| Lynne Seus | .... | first assistant bear trainer | |
| Jean M. Simpson | .... | animal trainer | |
| Randee Lynne Jensen | .... | creative assistant (uncredited) | |
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| Apocalypto | Fierce People | Mountains of the Moon | El laberinto del fauno | A History of Violence |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb USA section | Add this title to MyMovies |
This is one of the films that I grew up watching, and even now, I love it and admire its beauty as much as I ever did.
First of all, comparing movies to their books isn't something we should do, because they are two different forms of entertainment, and can take different liabilities. What is important is if the movie still tells the basic story, and in the case of the Clan of the Cave Bear, it stuck to the original story in a very suitable fashion. I must admit that when I first saw this movie, I did not know that this was from a book. It wasn't until 15 years later that I read the book, and it confirmed my statement that the movie kept the story intact.
As far as the acting was concerned, I have to admire a cast that had to convey throughout an entire script in a totally different language, and manage to keep it consistent. Watching the film, you can see that certain gestures always mean the same thing, as well as certain grunts and sounds. Folks, that is the result of a lot of hard work, and to put down that part of the film is like looking at the Empire State Building as just the result of an erector set.
The basic story of the movie is to show prejudice against what is new and not understood. Ayla's presence is meant to show the Clan what the future holds, which is the underlying reason why they fear and hate her, though they are unaware of the reasons. Ayla endures many trials throughout the movie in order to gain their trust and approval, which ultimately prepare her for a journey into the world without the Clan.
A movie worth watching again and again. The book is great also, by the way, so I recommend them both.