| Photos (see all 2 | slideshow) |
| Isabelle Huppert | ... | Colo | |
| Robert Menzies | ... | Robert | |
| Norman Kaye | ... | Tom | |
| Monica Maughan | ... | Bea | |
| Banula Marika | ... | Banduk | |
| Sheila Florance | ... | Martha | |
| Peter Aanensen | ... | George | |
| Julia Blake | ... | Club Speaker | |
| Jean-Pierre Mignon | ... | Jean-Francois | |
| Ray Marshall | ... | Kevin | |
| Maurie Fields | ... | Maurie | |
| Sean Scully | ... | Doctor | |
| Dawn Klingberg | ... | Pedestrian | |
| Kyra Cox | ... | Sister | |
| Tony Llewellyn-Jones | ... | Father |
Directed by | |||
| Paul Cox | |||
Writing credits(in alphabetical order) | ||
| Paul Cox | written by | |
| Bob Ellis | written by | |
| Norman Kaye | written by | |
| Morris Lurie | additional dialogue | |
Produced by | |||
| Jane Ballantyne | .... | producer | |
| Paul Cox | .... | producer | |
| Tony Llewellyn-Jones | .... | associate producer | |
Cinematography by | |||
| Yuri Sokol | |||
Film Editing by | |||
| Tim Lewis | |||
Production Design by | |||
| Asher Bilu | |||
Art Direction by | |||
| Lirit Bilu | |||
Costume Design by | |||
| Aphrodite Kondos | |||
Production Management | |||
| Milanka Comfort | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Virginia Rouse | .... | first assistant director | |
Camera and Electrical Department | |||
| Paul Ammitzboll | .... | key grip | |
| Brendan Lavelle | .... | assistant camera | |
| Nino Gaetano Martinetti | .... | camera operator | |
| Virginia Rouse | .... | still photographer | |
Other crew | |||
| Joanne McLennan | .... | continuity | |
| Santhana K. Naidu | .... | production accountant | |
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| Factory Girl | La meglio gioventù | Mahler | Comment je me suis disputé... (ma vie sexuelle) | El diputado |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Australia section | Add this title to MyMovies |
This is a brilliant work about sensory deprivation. Cox portrays the fear and uncertainty of loss of sight throughout his visual style. The Australians, notably Peter Weir, Bruce Beresford and Fred Schepisi have an astounding control and use of cinematic language to portray the senses and emotions of their characters.
I recommend other Aussie picks such as Picnic at Hanging Rock, Gallipoli, The year of living dangerously, Breaker Morant, Devil's Playground, The chant of Jimmy Blacksmith.