| Photos (see all 2 | slideshow) |
| Antonio Gades | ... | Carmelo | |
| Cristina Hoyos | ... | Candela | |
| Laura del Sol | ... | Lucía | |
| Juan Antonio Jiménez | ... | José | |
| Emma Penella | ... | Tía Rosario | |
| La Polaca | ... | Pastora | |
| Gómez de Jerez | ... | El Lobo / Cantaores | |
| Enrique Ortega | ... | Padre de José | |
| Diego Pantoja | ... | Padre de Candela | |
| Giovana | ... | Rocío | |
| Maria Campano | (as Mari Campano) | ||
| Candy Román | ... | Chulo | |
| Enrique Pantoja | |||
| Manolo Sevilla | ... | Cantaores | |
| Antonio Solera | ... | Guitarrista | |
| Manuel Rodríguez | ... | Guitarrista | |
| Juan Manuel Roldán | ... | Guitarrista |
Directed by | |||
| Carlos Saura | |||
Writing credits | ||
| Gregorio Martínez Sierra | (libretto) (as Martínez Sierra) | |
| Carlos Saura | (screenplay) and | |
| Antonio Gades | (screenplay) | |
Produced by | |||
| Emiliano Otegui | .... | line producer | |
| Emiliano Piedra | .... | producer | |
Cinematography by | |||
| Teodoro Escamilla | |||
Film Editing by | |||
| Pedro del Rey | |||
Production Design by | |||
| Gerardo Vera | |||
Costume Design by | |||
| Gerardo Vera | |||
Production Management | |||
| Emiliano Otegui | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Carlos Saura Medrano | .... | assistant director | |
Sound Department | |||
| Ray Gillon | .... | stereo sound consultant: Dolby | |
| Daniel Goldstein | .... | sound | |
| Ricardo Steinberg | .... | sound | |
| José Vinader | .... | sound | |
Costume and Wardrobe Department | |||
| Ana Alvargonzález | .... | assistant costume designer (as Ana María Alvargonzález) | |
Music Department | |||
| Jesús López Cobos | .... | conductor | |
Other crew | |||
| Antonio Gades | .... | choreographer | |
| Recent Posts (updated daily) | User |
|---|---|
| DVD release | hschulsinger |
| soundtrack cd | carolyn-18 |
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| Espíritu de la colmena, El | Pandora and the Flying Dutchman | My Girl | Cry-Baby | Leonor |
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| Full cast and crew | Company credits | External reviews |
| IMDb Music section | IMDb Spain section | Add this title to MyMovies |
As an avid fan of classical music, ballet, opera, I am, more often than not, confounded by the poor quality of films based on these genres. If they're not "dumbed down," they are "interpreted," beyond recognition, or simply a vehicle for the director to shout: "look at me! I'm DIRECTING!"
But Carlos Saura has placed the story (full of passion, fire, lust, longing, love, sin and redemption) well ahead of his own ego. He simply allows the story to be told through dance, music and sparse dialogue.
Add to this the quality and nature of the choreography where again, we are simply allowed to experience the story: the dance, and its appropriateness to the subject matter tells us all.
Musically, it is almost, also, perfect. My one reservation lay in some acoustically "awkward" moments that render de Falla's critical orchestration less effective. I will not name them, in the hopes that the reader will not notice them and therefore, not be disappointed.
Nevertheless, the music is brilliant, and these three elements of form work together for a powerful, moving, and thrilling experience. As music with dance creates an experience that is more than both, this creation is much more than a film.
See it with a loved one. Or alone at night with a glass of Fundador...