| Photos (see all 96 | slideshow) | Videos (see all 8) |
| Sigourney Weaver | ... | Ellen Ripley | |
| Carrie Henn | ... | Rebecca 'Newt' Jorden | |
| Michael Biehn | ... | Cpl. Dwayne Hicks | |
| Lance Henriksen | ... | Bishop | |
| Paul Reiser | ... | Carter Burke | |
| Bill Paxton | ... | Pvt. Hudson | |
| William Hope | ... | Lt. Gorman | |
| Jenette Goldstein | ... | Pvt. Vasquez | |
| Al Matthews | ... | Sgt. Apone | |
| Mark Rolston | ... | Pvt. Drake | |
| Ricco Ross | ... | Pvt. Frost | |
| Colette Hiller | ... | Cpl. Ferro | |
| Daniel Kash | ... | Pvt. Spunkmeyer | |
| Cynthia Dale Scott | ... | Cpl. Dietrich (as Cynthia Scott) | |
| Tip Tipping | ... | Pvt. Crowe | |
| Trevor Steedman | ... | Pvt. Wierzbowski | |
| Paul Maxwell | ... | Van Leuwen | |
| Valerie Colgan | ... | ECA Representative | |
| Alan Polonsky | ... | Insurance Man | |
| Alibe Parsons | ... | Med Tech | |
| Blain Fairman | ... | Doctor | |
| Barbara Coles | ... | Cocooned Woman | |
| Carl Toop | ... | Alien Warrior | |
| John Lees | ... | Power Loader Operator | |
| William Armstrong | ... | Lydecker (scenes deleted) (as Bill Armstrong) |
Directed by | |||
| James Cameron | |||
Writing credits | ||
| James Cameron | (story) and | |
| David Giler | (story) & | |
| Walter Hill | (story) | |
| Dan O'Bannon | (characters) and | |
| Ronald Shusett | (characters) | |
| James Cameron | (screenplay) | |
Produced by | |||
| Gordon Carroll | .... | executive producer | |
| David Giler | .... | executive producer | |
| Walter Hill | .... | executive producer | |
| Gale Anne Hurd | .... | producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Adrian Biddle | (director of photography) | ||
Film Editing by | |||
| Ray Lovejoy | |||
Production Design by | |||
| Peter Lamont | |||
Art Direction by | |||
| Terry Ackland-Snow | (supervising art director) (as Terence Ackland-Snow) | ||
| Ken Court | |||
| Bert Davey | |||
| Fred Hole | |||
| Michael Lamont | |||
Set Decoration by | |||
| Crispian Sallis | |||
Costume Design by | |||
| Emma Porteus | (as Emma Porteous) | ||
Makeup Department | |||
| Elaine Bowerbank | .... | chief hair stylist | |
| Peter Robb-King | .... | makeup supervisor | |
| Everett Burrell | .... | special makeup effects (uncredited) | |
| Tony Gardner | .... | Stan Winston's creature effects crew (uncredited) | |
| Melissa Street | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Mo Coppitters | .... | unit production manager | |
| Hugh Harlow | .... | production supervisor | |
| Gil Whelan | .... | unit production manager | |
Art Department | |||
| Ron Cobb | .... | conceptual designer | |
| Bert Hearn | .... | property master | |
| Syd Mead | .... | conceptual artist | |
| Sid Palmer | .... | production buyer (as Sidney Palmer) | |
| Vic Simpson | .... | construction manager | |
| Janice Body | .... | graphics artist (uncredited) | |
| Tony Gardner | .... | artistic supervisor: miniature effects unit (uncredited) | |
| Mark Harris | .... | technical set dresser (uncredited) | |
| Paul James | .... | supervising plasterer (uncredited) | |
| Simon Lamont | .... | art department assistant (uncredited) | |
| Maciek Piotrowski | .... | sketch artist (uncredited) | |
| Tony Rimmington | .... | draughtsman (uncredited) | |
| Colin Thurston | .... | prop storeman (uncredited) | |
Sound Department | |||
| Michael A. Carter | .... | dubbing mixer | |
| Roy Charman | .... | sound recordist | |
| Dev Goodman | .... | sound editor | |
| Graham V. Hartstone | .... | chief dubbing mixer | |
| Peter Horrocks | .... | sound editor | |
| Jack T. Knight | .... | sound editor (as Jack Knight) | |
| Nicolas Le Messurier | .... | dubbing mixer | |
| Archie Ludski | .... | dialogue editor | |
| Alan Paley | .... | sound editor | |
| Rocky Phelan | .... | foley editor | |
| Don Sharpe | .... | supervising sound editor | |
| Chris Blunden | .... | assistant sound editor (uncredited) | |
| Scott Brose | .... | sound editor (uncredited) | |
| Deveril Goodman | .... | sound editor (uncredited) | |
| Jeffrey Perkins | .... | sound re-recording mixer (uncredited) | |
| Otto Snel | .... | sound re-recording mixer (uncredited) | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Norman Baillie | .... | workshop supervisor | |
| Nigel Booth | .... | creature effects crew | |
| Ron Burton | .... | senior special effects technician | |
| Trevor Butterfield | .... | creature effects crew | |
| Julian Caldow | .... | creature effects crew | |
| Ron Cartwright | .... | senior special effects technician | |
| Philomena Davis | .... | creature effects crew | |
| Michael Dunleavy | .... | senior special effects technician | |
| Greg Figiel | .... | creature effects crew (as Gregory Figiel) | |
| Nick Finlayson | .... | senior special effects technician | |
| Alec Gillis | .... | creature effects coordinator | |
| Matthew Harlow | .... | special effects technician | |
| Graham High | .... | creature effects crew | |
| Dave Keen | .... | creature effects crew (as David Keen) | |
| Richard J. Landon | .... | creature effects coordinator (as Richard Landon) | |
| Rick Lazzarini | .... | creature effects crew | |
| Ray Lovell | .... | creature effects crew | |
| Lindsay MacGowan | .... | creature effects crew (as Lindsay McGowan) | |
| Shane Mahan | .... | creature effects coordinator | |
| John Morris | .... | senior special effects technician | |
| Kenneth Morris | .... | senior special effects technician (as Ken Morris) | |
| Stephen Norrington | .... | creature effects crew | |
| Christine Overs | .... | creature effects crew | |
| Peter Pickering | .... | senior special effects technician | |
| John Richardson | .... | special effects supervisor | |
| John Robertson | .... | creature effects crew | |
| Ian Rolph | .... | creature effects crew | |
| Matt Rose | .... | creature effects crew | |
| John Rosengrant | .... | creature effects coordinator | |
| Bill Sturgeon | .... | creature effects crew | |
| Willie Whitten | .... | creature effects crew | |
| Paul Whybrow | .... | senior special effects technician | |
| Joss Williams | .... | senior special effects technician | |
| Mark Williams | .... | creature effects crew | |
| Stan Winston | .... | alien effects creator | |
| Tom Woodruff Jr. | .... | creature effects coordinator | |
| Michael Burnett | .... | miniature effects unit (uncredited) | |
| Dave Chagouri | .... | special effects (uncredited) | |
| Simon Cockren | .... | special effects assistant (uncredited) | |
| Edward J. Franklin | .... | special effects crew (uncredited) | |
| Julian Parry | .... | effects crew: Los Angeles (uncredited) | |
| Tim Turner | .... | miniature effects assistant (uncredited) | |
| Andy Williams | .... | special effects technician (uncredited) | |
| Steven Woodcock | .... | model maker (uncredited) | |
Visual Effects by | |||
| Michael Anderson | .... | camera operator: visual effects unit | |
| Jonathan Angell | .... | senior special effects technician: visual effects unit | |
| Doug Beswick | .... | mechanical armature design: visual effects unit | |
| John Brown | .... | senior special effects technician: visual effects unit | |
| Leslie Dear | .... | camera operator: visual effects unit | |
| Paul Frift | .... | assistant director: visual effects unit | |
| Robert Gavin | .... | special effects editor: visual effects unit | |
| Richard Hewitt | .... | video effects supervisor | |
| Brian Johnson | .... | visual effects supervisor: post production | |
| Christopher Knowles | .... | assistant director: visual effects unit (as Chris Knowles) | |
| David Litchfield | .... | camera operator: visual effects unit | |
| Pat McClung | .... | miniatures technical supervisor: visual effects unit | |
| Digby Milner | .... | senior special effects technician: visual effects unit | |
| Roy Moores | .... | process photographer: visual effects unit | |
| Phil Notaro | .... | mechanical armature design: visual effects unit | |
| Harry Oakes | .... | camera operator: visual effects unit | |
| Peter Russell | .... | art director: visual effects unit | |
| Barry Saunders | .... | construction manager: visual effects unit | |
| Dennis Skotak | .... | visual effects supervisor | |
| Robert Skotak | .... | visual effects supervisor | |
| Brian Smithies | .... | miniature floor effects supervisor: visual effects unit | |
| Sarah Spooner | .... | production secretary: visual effects unit | |
| Charles Staffell | .... | process photographer: visual effects unit | |
| Paul Tivers | .... | unit production manager: visual effects unit | |
| Wally Wheeler | .... | gaffer: visual effects unit | |
| Tony White | .... | titles: visual effects unit | |
| Tony White | .... | video graphics design: visual effects unit | |
| Larry Arpin | .... | visual effects (uncredited) | |
| Steven Begg | .... | model effects (uncredited) | |
| Suzanne M. Benson | .... | visual effects (uncredited) | |
| Martin Body | .... | rotoscope artist (uncredited) | |
| Zoe Cain | .... | visual effects trainee (uncredited) | |
| Alan Church | .... | optical camera operator (uncredited) | |
| Andrew Eio | .... | motion control programmer (uncredited) | |
| Tony Gardner | .... | cosmetic supervisor: miniature effects unit (uncredited) | |
| John Lee | .... | model maker (uncredited) | |
| Alan G. Markowitz | .... | visual effects supervisor (uncredited) | |
| Tony Rowland | .... | camera grip (uncredited) | |
| Adrian Trent | .... | assistant visual effects editor (uncredited) | |
Stunts | |||
| Elanor Bertram | .... | stunts | |
| Simon Crane | .... | stunts | |
| Sue Crosland | .... | stunts | |
| Steve Dent | .... | stunts | |
| Stuart Fell | .... | stunts | |
| Louise Head | .... | stunt double #1: Carrie Henn | |
| Jazzer Jeyes | .... | stunts | |
| Sean McCabe | .... | stunts | |
| Eddie Powell | .... | stunts | |
| Kiran Shah | .... | stunt double #2: Carrie Henn | |
| Stuart St. Paul | .... | stunts | |
| Malcolm Weaver | .... | stunts | |
| Chris Webb | .... | stunts | |
| Bill Weston | .... | stunts | |
| Paul Weston | .... | stunt coordinator | |
| Jason White | .... | stunts | |
| Clive Curtis | .... | stunt double: Frost (uncredited) | |
| Tom Delmar | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Martin Hume | .... | camera focus | |
| Martin Kenzie | .... | camera focus | |
| Shaun O'Dell | .... | camera operator | |
| Bob Penn | .... | still photographer (as Robert Penn) | |
| Jack Thetford | .... | gaffer | |
| David Worley | .... | camera operator | |
| Pete Cavaciuti | .... | Steadicam operator (uncredited) | |
| Michael Condro | .... | first assistant camera (uncredited) | |
| Stewart Hadley | .... | generator operator (uncredited) | |
| Paul Kenward | .... | focus puller (uncredited) | |
| Michael McDermott | .... | gaffer: second unit (uncredited) | |
| Pat Miller | .... | electrician (uncredited) | |
| Jan Pester | .... | Steadicam operator (uncredited) | |
| Nigel Seal | .... | assistant camera (uncredited) | |
| Chris Warren | .... | video assist operator (uncredited) | |
Casting Department | |||
| Jane Feinberg | .... | casting: USA | |
| Mike Fenton | .... | casting: USA | |
| Mary Selway | .... | casting: UK | |
| Judy Taylor | .... | casting: USA | |
Costume and Wardrobe Department | |||
| Tiny Nicholls | .... | costume supervisor | |
Editorial Department | |||
| Peter Boita | .... | associate editor | |
| Simon Harris | .... | second assistant editor | |
| Phil Sanderson | .... | first assistant editor | |
| Robert Hambling | .... | assistant editor (uncredited) | |
| Brian Q. Kelley | .... | editor: additional material for special edition (uncredited) | |
| Steve Maguire | .... | assistant editor (uncredited) | |
Music Department | |||
| Robin Clarke | .... | music editor | |
| Michael Clifford | .... | music editor | |
| Randall Frakes | .... | synthesizer effects | |
| Robert Garrett | .... | synthesizer effects (as Robert Garret) | |
| Greig McRitchie | .... | orchestrator (as Greg McRitchie) | |
| Eric Tomlinson | .... | music recording engineer | |
| Ian Underwood | .... | synthesizer effects | |
| Don Davis | .... | additional orchestrator (uncredited) | |
| Otto Snel | .... | music pre-dub mixer (uncredited) | |
Other crew | |||
| Polly Apostolof | .... | assistant to producer | |
| Jill Bennett | .... | production accountant | |
| Diana Dill | .... | script supervisor | |
| Geoff Freeman | .... | unit publicist | |
| H.R. Giger | .... | original alien designer | |
| Jay Roberts | .... | location auditor | |
| Paul Tucker | .... | production controller | |
| Joyce Turner | .... | production coordinator | |
| Simon Atherton | .... | armorer (uncredited) | |
| James Cameron | .... | queen alien designer (uncredited) | |
| Terry English | .... | armor designer (uncredited) | |
| Andrew Fletcher | .... | armorer (uncredited) | |
| Randy Harrison | .... | production assistant (uncredited) | |
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Series note: It is strongly advised that you watch this film only after seeing Alien (1979). This is a direct continuation of that story.
57 years after the events of the first film, Ellen Ripley (Sigourney Weaver) is found and awakened from hyper sleep to discover that a terraforming colony has been set up on LV-426, the planet wherein she and her fellow crew of the mining cargo spaceship Nostromo first encountered the titular aliens. When Earth-based communications loses contact with LV-426, a band of marines are sent to investigate, taking Ripley and a representative from the company that financed the colony, Carter Burke (Paul Reiser) along for the ride.
For the difficult job of following up Ridley Scott's excellent Alien, director James Cameron decided to go a completely different route--to make a fast moving, slightly tongue-in-cheek, boisterous action extravaganza. Remarkably, he was able to do that while still maintaining a stylistic and literary continuity that melds Aliens seamlessly with the first film.
Ripley is much more fully developed in this film, although unfortunately, some of the most significant scenes were deleted from the theatrical release (if at all possible, watch the 2-hour and 37-minute director's cut instead). Cameron fashioned Aliens into a grand arc where Ripley's actions at the end of the film have much more meaning as she's not only fighting monsters, but also fighting to retain a semblance of something she lost due to her 57-year hyper sleep. As in the first film, she is still the most intelligent, courageous and resourceful member of the crew, but she has much more colorful company.
The marines accompanying Ripley back to LV-426 may be too cartoonish for some tastes (as for viewers of that opinion, most of the action and the film overall is likely to be too cartoonish), but for anyone more agreeable to that kind of caricatured exaggeration, it's a joy to watch. I'm a big fan of both Bill Paxton and Lance Henriksen, and both turn in wonderfully over-the-top performances, at their diametrically opposed ends of the emotional spectrum--Paxton as the spastic surfer/redneck and Henriksen as the intense, moody sage, with a surprising reality and an even more surprising conscience to go along with it. We also get a cigar-chomping Sergeant, a crazy, butch Private, and a complex, pensive Corporal as main characters, and a mysterious, bright young girl (played in a terrific performance by Carrie Henn). Much of the center section of the film hinges on the interrelationships of these characters, despite the action trappings going on around them.
Cameron carries over the crypt/labyrinth motif of the first film, and adds a metaphorical descent into the bowels of hell in the climax. The action throughout is suspenseful. Aliens contains one of my favorite "cat fights" in any film. It's also worth noting the influence this film may have had on Paul Verhoeven's Starship Troopers (1997)--although admittedly, we could say that Cameron was influenced a bit by the Robert A. Heinlein book, as well. Throughout all of the varied action sequences, as well as the important early scenes of colonists on LV-426, Cameron is able to clearly convey the logistics of very complex sets, so that viewers remain on the edges of their seats.
Part of what makes the monsters so effective is that we're not told too much about them. We only get glimpses into their physiology's, their behavioral patterns and their intelligence. Cameron gives us just enough to become wrapped up in the film, but not so much that we become overly familiar with the aliens, or start to question the logic behind the film. He also smartly carries over some devices from the first film that were abandoned to an extent, such as the acidic blood of the aliens, and he supplies answers to the few questions that the first film raised, such as why the blood doesn't corrode instruments and objects when a dead alien is examined.
Aliens is yet another example of a sequel that is just as good as an original film in a series. Just make sure you watch both in order, and try to watch the director's cuts.