| Videos |
| Jeff Bridges | ... | Matthew 'Matt' Scudder | |
| Rosanna Arquette | ... | Sarah | |
| Alexandra Paul | ... | Sunny | |
| Randy Brooks | ... | Willie 'Chance' Walker | |
| Andy Garcia | ... | Angel Moldonado | |
| Lisa Sloan | ... | Linda Scudder | |
| Christa Denton | ... | Laurie Scudder | |
| Vance Valencia | ... | Quintero | |
| Wilfredo Hernández | ... | Hector Lopez (as Wilfredo Hernandez) | |
| Luisa Leschin | ... | Hector's Wife | |
| Vyto Ruginis | ... | Joe Durkin | |
| Chip Arnold | ... | Homicide Detective | |
| James Avery | ... | Deputy D.A. | |
| Jack Younger | ... | Drunk | |
| Zoaunne LeRoy | ... | Nurse | |
| Abigail Shelton | ... | AA Member | |
| Don Edmonds | ... | Elderly Man | |
| Phil Peters | ... | Rugged Man | |
| Elva García | ... | Daughter (as Elva Garcia) | |
| Michael Galindo | ... | Son #2 | |
| Pete Galindo | ... | Son #1 | |
| Miriam E. Schubach | ... | AA Speaker #1 | |
| Lois Gerace | ... | AA Speaker #2 | |
| Jay Ingram | ... | AA Member | |
| Sue Rihr | ... | Young Woman | |
| Gene Ross | ... | Slim | |
| Tommy 'Tiny' Lister | ... | Nose Guard | |
| William Marquez | ... | Tio | |
| Fred Asparagus | ... | Mundo | |
| Robb Madrid | ... | Victor Padillo | |
| Raegan Newman | ... | Girl | |
| Richard A. Michels | ... | Player | |
| Arie Gedis | ... | Gambler | |
| Rosalind Allen | ... | Tote Lady (as Rosalind Ingledew) | |
| Arthur Ervin | ... | Waiter | |
| Frank Dent | ... | Boot Salesman | |
| Henry Lewis | ... | PO'Boy's Market Manager | |
| Roberto A. Jimenez | ... | Jamie Rodriguez (as Roberto Jimenez) | |
| Victor Rivers | ... | Angel Heavy #3 | |
| Danny De La Paz | ... | Angel Heavy #4 | |
| Oliver 'Ollie' Farley | ... | Ollie | |
| Loyd Catlett | ... | Buster | |
| Gilbert O. Parra | ... | Cop (as Art Fransen) | |
| rest of cast listed alphabetically: | |||
| Anne Lockhart | ... | Police Officer (uncredited) | |
| Robert Madrid | ... | Juan (uncredited) | |
Directed by | |||
| Hal Ashby | |||
Writing credits | ||
| Lawrence Block | (book) | |
| Oliver Stone | (screenplay) & | |
| David Lee Henry | (screenplay) | |
| Robert Towne | uncredited | |
Produced by | |||
| Mark Damon | .... | executive producer | |
| Charles Mulvehill | .... | co-producer | |
| Stephen J. Roth | .... | producer (as Steve Roth) | |
Original Music by | |||
| James Newton Howard | |||
Cinematography by | |||
| Stephen H. Burum | |||
Film Editing by | |||
| Robert Lawrence | |||
| Stuart H. Pappé | (as Stuart Pappé) | ||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Michael D. Haller | (as Michael Haller) | ||
Art Direction by | |||
| Mark W. Mansbridge | |||
Set Decoration by | |||
| Barbara Krieger | |||
| John T. Walker | (as John Thomas Walker) | ||
Costume Design by | |||
| Gloria Gresham | |||
Makeup Department | |||
| Pete Altobelli | .... | makeup artist: Jeff Bridges | |
| Nadia | .... | makeup artist | |
| Kaye Pownall | .... | hair stylist | |
| Rick Stratton | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Hal Harrison | .... | post-production supervisor | |
| Charles Mulvehill | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Robert Engelman | .... | second assistant director | |
| Nancy King | .... | second second assistant director | |
| W. Thomas Snyder | .... | key second assistant director: reshoots | |
| L. Andrew Stone | .... | first assistant director (as Andy Stone) | |
Art Department | |||
| Steve Alexander | .... | construction foreman | |
| Larry Clark Bird | .... | property master (as Larry Bird) | |
| Curt Jackson | .... | paint foreman | |
| Don Kaeding | .... | set dresser | |
| Bob Lawless | .... | stand-by painter | |
| Gordon Meloeny | .... | lead man (as Gordon T. Meloeny) | |
| Butch West | .... | construction foreman | |
| Ken Zimmerman | .... | assistant property master | |
Sound Department | |||
| Anna Boorstin | .... | sound editor | |
| Jean Caperonis | .... | sound editorial assistant | |
| William C. Carruth | .... | adr editor | |
| Don Coufal | .... | production sound | |
| Samuel C. Crutcher | .... | supervising sound editor | |
| Bruce Fortune | .... | sound editor | |
| Gaspar | .... | sound editorial assistant | |
| Walter A. Gest | .... | sound recordist | |
| Robert J. Litt | .... | sound re-recording mixer | |
| Steve Maslow | .... | sound re-recording mixer | |
| Steve Richardson | .... | sound editor | |
| Norman B. Schwartz | .... | post-production dialogue (as Norman Schwartz) | |
| James Simcik | .... | adr assistant | |
| Beth Sterner | .... | supervising foley editor | |
| Karen I. Stern | .... | adr editor (as Karen Stern) | |
| Jim Stuebe | .... | production sound | |
| Elliot Tyson | .... | sound re-recording mixer | |
| Tim Webb | .... | sound recordist | |
| Jeff Wexler | .... | production sound | |
| Butch Wolf | .... | sound editor | |
| Gary Wright | .... | sound editor | |
Special Effects by | |||
| Phil Cory | .... | special effects coordinator (as Phil Corey) | |
| Thomas R. Ward | .... | special effects foreman (as Tom Ward) | |
| John Hughes | .... | special effects (uncredited) | |
Stunts | |||
| Bobby Bass | .... | stunts | |
| Christine Anne Baur | .... | stunts (as Christine Baur) | |
| Michael Cassidy | .... | stunts (as Mike Cassidy) | |
| Gary Davis | .... | stunts | |
| John Escobar | .... | stunt driver | |
| Cindy Folkerson | .... | stunts | |
| Ted Grossman | .... | stunts | |
| Billy Hank Hooker | .... | stunts | |
| Buddy Joe Hooker | .... | stunts | |
| Jimmy Nickerson | .... | stunts | |
| Victor Paul | .... | stunts | |
| Mario Roberts | .... | stunts | |
| Thomas Rosales Jr. | .... | stunts (as Tom Rosales) | |
| Scott L. Treger | .... | surf stunts | |
| Jon Parker Ward | .... | stunts (as Parker Ward) | |
| Loyd Catlett | .... | stunts (uncredited) | |
| Buddy Joe Hooker | .... | stunt coordinator (uncredited) | |
| James Winburn | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Sidney Ray Baldwin | .... | still photographer | |
| Dustin Blauvelt | .... | first assistant camera | |
| Emmett Brown | .... | key grip (as Emmett A. Brown) | |
| Joseph Cosko Jr. | .... | second assistant camera | |
| Elliot Davis | .... | camera operator | |
| Bob Fillis | .... | best boy electric (as Robert Fillis) | |
| Bill Fleming | .... | key grip (as William Fleming) | |
| Robert E. Gaynor | .... | dolly grip (as Robert Gaynor) | |
| Tim Griffith | .... | chief lighting technician | |
| Dennis M. Kuneff | .... | best boy grip (as Dennis Kuneff) | |
| Louis Mahler | .... | video technician | |
| Stan McClain | .... | camera operator: aerial unit, opening titles | |
| Rick Fee | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Cheryl Beasley Blackwell | .... | costumer: women | |
| Roberta Newman | .... | assistant costumer | |
| G. Tony Scarano | .... | costumer: men (as Tony Scarano) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter (as Donah J. Basset) | |
| Vicki Hiatt | .... | assistant film editor | |
| Stephen Mark | .... | assistant film editor | |
| Paula Pappé | .... | assistant film editor | |
| Richard Ritchie | .... | color timer (as Dick Ritchie) | |
| Ed Stabile | .... | assistant editor (uncredited) | |
Music Department | |||
| James Newton Howard | .... | musician | |
| Michael Mason | .... | music engineer | |
| Ted Whitfield | .... | music editor | |
Transportation Department | |||
| Walt Freitas | .... | transportation coordinator | |
| William Charles Hauer | .... | transportation captain (as William C. Hauer) | |
| Wayne Nelson | .... | transportation coordinator | |
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| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Sadly, this was Hal Ashby's final bow as a director.
The man who gave us "The Last Detail", "Coming Home" and "Being There" seemingly threw together this agonizing-to-sit-through hodgepodge of alcoholics, drug addicts and hookers that seems to work only as mind-numbing montage of film noir cliches. What makes it even more painful is that it's both very loud and very dull, and nothing makes any sense until the film reaches a conclusion so inevitable, you wish they would've gotten to it about 75 minutes sooner.