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4 aventures de Reinette et Mirabelle (1987)
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Overview
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Release Date:
19 July 1989 (USA)
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Plot:
Reinette and Mirabelle are two young girls. Reinette lives in the countryside, Mirabelle in Paris. They...
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the nadir of Rohmer's work
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Cast
(Cast overview, first billed only)| Joëlle Miquel | ... | Reinette | |
| Jessica Forde | ... | Mirabelle | |
| Mr. Housseau | ... | Le voisin | |
| François-Marie Banier | ... | 1er passant | |
| Mme. Housseau | ... | La voisine | |
| Philippe Laudenbach | ... | Le garçon de café | |
| Jean-Claude Brisseau | ... | 2eme passant | |
| Gérard Courant | ... | L'inspecteur | |
| Yasmine Haury | ... | Kleptomaniac | |
| Béatrice Romand | ... | L'inspectrice | |
| Marie Rivière | ... | L'arnaqueuse / The Swindler | |
| Haydée Caillot | ... | Charitable Lady | |
| David Rocksavage | ... | L'anglais | |
| Jacques Auffray | ... | Le tapeur | |
| Fabrice Luchini | ... | Le marchand de tableau |
Additional Details
Also Known As:
Four Adventures of Reinette and Mirabelle (USA)
Quatre aventures de Reinette et Mirabelle (France) (alternative spelling)
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Quatre aventures de Reinette et Mirabelle (France) (alternative spelling)
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USA:99 min
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1.37 : 1 more
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I'm a huge Rohmer fan. I've seen all of the Moral Tales, the Comedies & Proverbs and the Tales of the Four Seasons. I dislike this particular film tremendously. Along with "Rendez-Vous in Paris," it represents Rohmer at his worst... moralistic, pedantic and amateurish. I've seen better summer camp skits than the bit at the cafe, the scene at the train station and the business at the art gallery. Frankly, with the exception of "The Blue Hour", the project is a wash. Joelle Miquel and Philippe Laudenbach deliver terrible, over-the-top performances, and even the great Fabrice Luchini seems foolish and out of place. Jessica Forde is passable as the jaded town rat. The only stand out (at least in a positive sense) is Marie Riviere who, as always, is entirely believable.
I'm not sure why this project got such a high IMDb rating. I can only think that people like the two-name films ("Celine and Julie", "Fanny and Alexander", etc.) because they sound whimsically playful. Rohmer has an excellent sense of humor (e.g., Conte d'ete, Boyfrends and Girlfriends, etc.), but this is not a delightful little caprice. With the exception of the first 20 minutes or so, it's a student project. Note also the horrendous original electronic music. Rohmer often refrains entirely from the use of music, and this is one case where he should have shown his usual restraint.